Martine Syms
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Ugly Plymouths, 2020
Three channel video (color, sound) 8:00 minute loop[0/68]
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Ugly Plymouths, 2020
Three channel video (color, sound), 8:00 minute loop[1/68]
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Ugly Plymouths, 2020
Three channel video (color, sound), 8:00 minute loop[2/68]
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Ugly Plymouths, 2020
Three channel video (color, sound), 8:00 minute loop[3/68]
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Ugly Plymouths, 2020
Three channel video (color, sound) 8:00 minute loop[4/68]
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Installation View, 2019 Whitney Biennial
Intro to Threat Modeling - Full Installation, 2019, Digital video (color, sound) continuously looping inset in MDF pedestal mount, 8 archival pigment prints, latex wall painting[5/68]
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Installation View, 2019 Whitney Biennial
Intro to Threat Modeling - Full Installation, 2019, Digital video (color, sound) continuously looping inset in MDF pedestal mount, 8 archival pigment prints, latex wall painting[6/68]
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Intro to Threat Modeling (detail), 2019
Digital video (color, sound) continuously looping inset in MDF pedestal mount, 4:32 minutes[7/68]
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Intro to Threat Modeling (detail), 2019
Digital video (color, sound) continuously looping inset in MDF pedestal mount, 4:32 minutes[8/68]
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Ringier Annual Report, 2019
[9/68]
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Ringier Annual Report, 2019
[10/68]
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Installation View, Boon, 2019
Secession, Vienna[11/68]
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Installation View, Boon, 2019
Secession, Vienna[12/68]
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Ringier Annual Report, 2019
[13/68]
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Ringier Annual Report, 2019
[14/68]
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Ringier Annual Report, 2019
[15/68]
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Installation View, Boon, 2019
Secession, Vienna[16/68]
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Installation View, Sadie Coles HQ, London
Mythiccbeing, 2018, Infinite loop, interactive video on LED panels (4:3); Stereo Speakers / SUB / DAC, 137 ¾ × 157 ½ × 23 ⅝ in. (349.89 × 400.05 × 60.01 cm)[17/68]
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Installation View, The 12th Gwangju Biennale Exhibition: Imagined Borders
Mythiccbeing, 2018, Infinite loop, interactive video on LED panels (4:3); Stereo Speakers / SUB / DAC[18/68]
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Installation View, Sadie Coles HQ, London
Mythiccbeing, 2018, Infinite loop, interactive video on LED panels (4:3); Stereo Speakers / SUB / DAC, 137 ¾ × 157 ½ × 23 ⅝ in. (349.89 × 400.05 × 60.01 cm)[19/68]
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Installation View, Bridget Donahue, New York
Mythiccbeing, 2018, Interactive AI website for 4 monitors[20/68]
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Mythiccbeing (still), 2018
[21/68]
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Mythiccbeing (still), 2018
[22/68]
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Installation View, Bridget Donahue, New York
Mythiccbeing, 2018, Interactive AI website for 4 monitors[23/68]
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Installation View, Bridget Donahue, New York
Mythiccbeing, 2018, Interactive AI website for 4 monitors[24/68]
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Installation View, Sadie Coles HQ, London
Mythiccbeing, 2018, Infinite loop, interactive video on LED panels (4:3); Stereo Speakers / SUB / DAC, 137 ¾ × 157 ½ × 23 ⅝ in. (349.89 × 400.05 × 60.01 cm)[25/68]
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Installation View, ICA at Virginia Commonwealth University, Richmond
Mythiccbeing, 2018, Interactive AI website for 4 monitors[26/68]
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Installation View, ICA at Virginia Commonwealth University, Richmond
Mythiccbeing, 2018, Interactive AI website for 4 monitors[27/68]
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40x60, 2017
Archival pigment print on found poster, 60 × 40 in. (152.40 × 101.60 cm) (framed)[28/68]
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40x60, 2017
Archival pigment print on found poster 60 × 40 in. (152.40 × 101.60 cm) (framed)[29/68]
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Incense Sweaters & Ice (still), 2017
Video (color, sound), 1:09:00 minutes[30/68]
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Installation View of Projects 106: Martine Syms, Digital Image © 2017 The Museum of Modern Art, New York, Photographed by John Wronn
Incense Sweaters & Ice, 2017, Video (color, sound), 1:09:00 minutes[31/68]
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Incense Sweaters & Ice (still), 2017
Video (color, sound), 1:09:00 minutes[32/68]
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Incense Sweaters & Ice (still), 2017
Video (color, sound), 1:09:00 minutes[33/68]
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Incense Sweaters & Ice (still), 2017
Video (color, sound), 1:09:00 minutes[34/68]
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One Sheet, 2017
Archival pigment print on found poster, 40 × 27 in. (101.60 × 68.58 cm) (framed)[35/68]
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Lessons LXXV (still), 2017
Single channel video (color), continuously looping, inset in MDF pedestal mount 22 x 50 x 29.25 inches (55.88 x 127.00 x 74.30 cm)[36/68]
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Installation View
CONDO: Bridget Donahue presents Martine Syms: The Easy Demands hosted by Sadie Coles HQ, London, January 14–February 11, 2017[37/68]
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Installation View
CONDO: Bridget Donahue presents Martine Syms: The Easy Demands hosted by Sadie Coles HQ, London, January 14 - February 11, 2017[38/68]
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Installation View
Fact & Trouble, April 20 - June 19, 2016, Institute of Contemporary Arts London (ICA), Photo: Mark Blower[39/68]
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Installation View
Fact & Trouble, April 20 - June 19, 2016, Institute of Contemporary Arts London (ICA), Photo: Mark Blower[40/68]
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Installation view, Institute of Contemporary Arts, London, Photo: Mark Blower
Lessons I-CLXXX, 2014-2018, Two or three channel video (color, sound), 90 minutes: Series of 00:00:30 videos[41/68]
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Installation View, Human Resources, Los Angeles
Lessons I-CLXXX, 2014-2018, Two or three channel video (color, sound), 90 minutes: Series of 00:00:30 videos[42/68]
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Installation View, Human Resources, Los Angeles
Lessons I-CLXXX, 2014-2018, Two or three channel video (color, sound), 90 minutes: Series of 00:00:30 videos[43/68]
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Installation View, Human Resources, Los Angeles
Lessons I-CLXXX, 2014-2018, Two or three channel video (color, sound), 90 minutes: Series of 00:00:30 videos[44/68]
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Installation View, Commercial Break, Public Art Fund, New York
Lesson LXXV, 2017, Single channel video (color), continuously looping[45/68]
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Lessons I-CLXXX (still), 2014-2018
[46/68]
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Lessons I-CLXXX (still), 2014-2018
[47/68]
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Lessons I-CLXXX (still), 2014-2018
[48/68]
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Installation View, Hammer Museum, Los Angeles
SHE MAD: Laughing Gas, 2016, 4-channel video installation (color, sound), 6:59 minute loop[49/68]
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Installation View, Hammer Museum, Los Angeles
SHE MAD: Laughing Gas, 2016, 4-channel video installation (color, sound), 6:59 minute loop[50/68]
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Installation View, Hammer Museum, Los Angeles
SHE MAD: Laughing Gas, 2016, 4-channel video installation (color, sound), 6:59 minute loop[51/68]
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SHE MAD: Laughing Gas (still), 2016
Video still, 4-channel video installation (color, sound), 6:59 minute loop[52/68]
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Installation View, Hammer Museum, Los Angeles
Bertha Cut-out, 2016, Laser cut acrylic, artist's clothes, 96 × 48 in. (243.84 × 121.92 cm)[53/68]
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Installation View, Hammer Museum, Los Angeles
Is You Is Or Is You Ain't, 2016, Wall painting[54/68]
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A Pilot For A Show About Nowhere, 2015
Two-channel video, color, sound, 24:29 minutes[55/68]
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Installation View, New Museum Triennial, 2015, Photo: Benoit Pailley
A Pilot For A Show About Nowhere, 2015, Two-channel video, color, sound, 24:29 minutes[56/68]
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Show Bible, 2015
published by Dominica, Inc, included in 2016 Triennial: Surround Sound, New Museum[57/68]
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Installation View, New Museum Triennial, 2015, Photo: Benoit Pailley
[58/68]
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Installation View, New Museum Triennial, 2015, Photo: Benoit Pailley
[59/68]
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Borrowed Lady, 2016
4-channel video installation (color, sound), wall painting, color window film, Notes on Gesture: 10:27 minute loop[60/68]
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Borrowed Lady, 2016
4-channel video installation (color, sound), wall painting, color window film, Notes on Gesture: 10:27 minute loop[61/68]
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Installation View
Vertical Elevated Oblique, 2015, Bridget Donahue, New York[62/68]
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Notes on Gesture (still)
[63/68]
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Notes on Gesture (still)
[64/68]
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The Mundane Afrofuturist Manifesto, 2007-2015
Paint on wall[65/68]
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The Mundane Afrofuturist Manifesto, 2007-2015
Paint on wall[66/68]
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Installation View, ICA Philadelphia, Colored People Time, 2019
The Mundane Afrofuturist Manifesto, 2007-2015[67/68]