Bridget Donahue

Martine Syms

  • DED, 2021

    Digital video (color, sound) Screen: 41 × 71 in. (104.14 × 180.34 cm) 15:35 minutes

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    DED, 2021
  • Installation View, Loot Sweets

    Bridget Donahue, New York, July 15 - September 25, 2021

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    Installation View, Loot Sweets
  • Bonnet Core, 2021

    Cotton, rhinestones, metal, paint, lace, polyester, thread 39 ⅜ × 18 ⅛ × 25 ¾ in. (100.01 × 46.04 × 65.41 cm). Photo: Gregory Carideo

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    Bonnet Core, 2021
  • Loot Sweets, 2021 Nylon, silk, wool, wood, metal, embedded screen with digital video

    57 × 24 × 2 in. (144.78 × 60.96 × 5.08 cm) 11:48 minutes. Photo: Gregory Carideo

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    Loot Sweets, 2021 Nylon, silk, wool, wood, metal, embedded screen with digital video
  • Installation View, Loot Sweets

    Bridget Donahue, New York, July 15 - September 25, 2021

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    Installation View, Loot Sweets
  • Do you have any film posters of ... BLACK MOVIES? He understands, 2021

    Plastic, tape, glue, paper, indigo prints with adhesive backing 32 × 23 ⅝ in. (81.28 × 60.01 cm) 33 ¼ × 24 ¾ × 1 ½ in. (84.46 × 62.87 × 3.81 cm) (framed). Photo: Gregory Carideo

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    Do you have any film posters of ... BLACK MOVIES? He understands, 2021
  • The Taxing Woman, 2021

    Oil pastel on paper, 16 × 12 in. (40.64 × 30.48 cm) 18 ⅛ × 14 ¼ × 1 ½ in. (46.04 × 36.20 × 3.81 cm) (framed). Photo: Gregory Carideo

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    The Taxing Woman, 2021
  • Tim Apple Has Got to Go, 2021

    Laser cut cardboard, indigo prints with adhesive backing, embedded screen 54 × 47 × 9 ½ in. (137.16 × 119.38 × 24.13 cm). Photo: Gregory Carideo

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    Tim Apple Has Got to Go, 2021
  • What Artists Wear, 2021

    Cotton, paper, metal, plastic, thread, tape, indigo prints with adhesive backing on wood frame 72 × 36 × 4 in. (182.88 × 91.44 × 10.16 cm). Photo: Gregory Carideo

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    What Artists Wear, 2021
  • Ugly Plymouths, 2020

    Three channel video (color, sound) 8:00 minute loop

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    Ugly Plymouths, 2020
  • Ugly Plymouths, 2020

    Three channel video (color, sound), 8:00 minute loop

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    Ugly Plymouths, 2020
  • Ugly Plymouths, 2020

    Three channel video (color, sound), 8:00 minute loop

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    Ugly Plymouths, 2020
  • Ugly Plymouths, 2020

    Three channel video (color, sound), 8:00 minute loop

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    Ugly Plymouths, 2020
  • Ugly Plymouths, 2020

    Three channel video (color, sound) 8:00 minute loop

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    Ugly Plymouths, 2020
  • Installation View, 2019 Whitney Biennial

    Intro to Threat Modeling - Full Installation, 2019, Digital video (color, sound) continuously looping inset in MDF pedestal mount, 8 archival pigment prints, latex wall painting

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    Installation View, 2019 Whitney Biennial
  • Installation View, 2019 Whitney Biennial

    Intro to Threat Modeling - Full Installation, 2019, Digital video (color, sound) continuously looping inset in MDF pedestal mount, 8 archival pigment prints, latex wall painting

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    Installation View, 2019 Whitney Biennial
  • Intro to Threat Modeling (detail), 2019

    Digital video (color, sound) continuously looping inset in MDF pedestal mount, 4:32 minutes

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    Intro to Threat Modeling (detail), 2019
  • Intro to Threat Modeling (detail), 2019

    Digital video (color, sound) continuously looping inset in MDF pedestal mount, 4:32 minutes

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    Intro to Threat Modeling (detail), 2019
  • Ringier Annual Report, 2019

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    Ringier Annual Report, 2019
  • Ringier Annual Report, 2019

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    Ringier Annual Report, 2019
  • Installation View, Boon, 2019

    Secession, Vienna

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    Installation View, Boon, 2019
  • Installation View, Boon, 2019

    Secession, Vienna

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    Installation View, Boon, 2019
  • Ringier Annual Report, 2019

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    Ringier Annual Report, 2019
  • Ringier Annual Report, 2019

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    Ringier Annual Report, 2019
  • Ringier Annual Report, 2019

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    Ringier Annual Report, 2019
  • Installation View, Boon, 2019

    Secession, Vienna

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    Installation View, Boon, 2019
  • Installation View, Sadie Coles HQ, London

    Mythiccbeing, 2018, Infinite loop, interactive video on LED panels (4:3); Stereo Speakers / SUB / DAC, 137 ¾ × 157 ½ × 23 ⅝ in. (349.89 × 400.05 × 60.01 cm)

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    Installation View, Sadie Coles HQ, London
  • Installation View, The 12th Gwangju Biennale Exhibition: Imagined Borders

    Mythiccbeing, 2018, Infinite loop, interactive video on LED panels (4:3); Stereo Speakers / SUB / DAC

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    Installation View, The 12th Gwangju Biennale Exhibition: Imagined Borders
  • Installation View, Sadie Coles HQ, London

    Mythiccbeing, 2018, Infinite loop, interactive video on LED panels (4:3); Stereo Speakers / SUB / DAC, 137 ¾ × 157 ½ × 23 ⅝ in. (349.89 × 400.05 × 60.01 cm)

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    Installation View, Sadie Coles HQ, London
  • Installation View, Bridget Donahue, New York

    Mythiccbeing, 2018, Interactive AI website for 4 monitors

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    Installation View, Bridget Donahue, New York
  • Mythiccbeing (still), 2018

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    Mythiccbeing (still), 2018
  • Mythiccbeing (still), 2018

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    Mythiccbeing (still), 2018
  • Installation View, Bridget Donahue, New York

    Mythiccbeing, 2018, Interactive AI website for 4 monitors

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    Installation View, Bridget Donahue, New York
  • Installation View, Bridget Donahue, New York

    Mythiccbeing, 2018, Interactive AI website for 4 monitors

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    Installation View, Bridget Donahue, New York
  • Installation View, Sadie Coles HQ, London

    Mythiccbeing, 2018, Infinite loop, interactive video on LED panels (4:3); Stereo Speakers / SUB / DAC, 137 ¾ × 157 ½ × 23 ⅝ in. (349.89 × 400.05 × 60.01 cm)

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    Installation View, Sadie Coles HQ, London
  • Installation View, ICA at Virginia Commonwealth University, Richmond

    Mythiccbeing, 2018, Interactive AI website for 4 monitors

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    Installation View, ICA at Virginia Commonwealth University, Richmond
  • Installation View, ICA at Virginia Commonwealth University, Richmond

    Mythiccbeing, 2018, Interactive AI website for 4 monitors

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    Installation View, ICA at Virginia Commonwealth University, Richmond
  • 40x60, 2017

    Archival pigment print on found poster, 60 × 40 in. (152.40 × 101.60 cm) (framed)

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    40x60, 2017
  • 40x60, 2017

    Archival pigment print on found poster 60 × 40 in. (152.40 × 101.60 cm) (framed)

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    40x60, 2017
  • Incense Sweaters & Ice (still), 2017

    Video (color, sound), 1:09:00 minutes

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    Incense Sweaters & Ice (still), 2017
  • Installation View of Projects 106: Martine Syms, Digital Image © 2017 The Museum of Modern Art, New York, Photographed by John Wronn

    Incense Sweaters & Ice, 2017, Video (color, sound), 1:09:00 minutes

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    Installation View of Projects 106: Martine Syms, Digital Image © 2017 The Museum of Modern Art, New York, Photographed by John Wronn
  • Incense Sweaters & Ice (still), 2017

    Video (color, sound), 1:09:00 minutes

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    Incense Sweaters & Ice (still), 2017
  • Incense Sweaters & Ice (still), 2017

    Video (color, sound), 1:09:00 minutes

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    Incense Sweaters & Ice (still), 2017
  • Incense Sweaters & Ice (still), 2017

    Video (color, sound), 1:09:00 minutes

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    Incense Sweaters & Ice (still), 2017
  • One Sheet, 2017

    Archival pigment print on found poster, 40 × 27 in. (101.60 × 68.58 cm) (framed)

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    One Sheet, 2017
  • Lessons LXXV (still), 2017

    Single channel video (color), continuously looping, inset in MDF pedestal mount 22 x 50 x 29.25 inches (55.88 x 127.00 x 74.30 cm)

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    Lessons LXXV (still), 2017
  • Installation View

    CONDO: Bridget Donahue presents Martine Syms: The Easy Demands hosted by Sadie Coles HQ, London, January 14–February 11, 2017

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    Installation View
  • Installation View

    CONDO: Bridget Donahue presents Martine Syms: The Easy Demands hosted by Sadie Coles HQ, London, January 14 - February 11, 2017

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    Installation View
  • Installation View

    Fact & Trouble, April 20 - June 19, 2016, Institute of Contemporary Arts London (ICA), Photo: Mark Blower

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    Installation View
  • Installation View

    Fact & Trouble, April 20 - June 19, 2016, Institute of Contemporary Arts London (ICA), Photo: Mark Blower

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    Installation View
  • Installation view, Institute of Contemporary Arts, London, Photo: Mark Blower

    Lessons I-CLXXX, 2014-2018, Two or three channel video (color, sound), 90 minutes: Series of 00:00:30 videos

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    Installation view, Institute of Contemporary Arts, London, Photo: Mark Blower
  • Installation View, Human Resources, Los Angeles

    Lessons I-CLXXX, 2014-2018, Two or three channel video (color, sound), 90 minutes: Series of 00:00:30 videos

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    Installation View, Human Resources, Los Angeles
  • Installation View, Human Resources, Los Angeles

    Lessons I-CLXXX, 2014-2018, Two or three channel video (color, sound), 90 minutes: Series of 00:00:30 videos

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    Installation View, Human Resources, Los Angeles
  • Installation View, Human Resources, Los Angeles

    Lessons I-CLXXX, 2014-2018, Two or three channel video (color, sound), 90 minutes: Series of 00:00:30 videos

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    Installation View, Human Resources, Los Angeles
  • Installation View, Commercial Break, Public Art Fund, New York

    Lesson LXXV, 2017, Single channel video (color), continuously looping

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    Installation View, Commercial Break, Public Art Fund, New York
  • Lessons I-CLXXX (still), 2014-2018

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    Lessons I-CLXXX (still), 2014-2018
  • Lessons I-CLXXX (still), 2014-2018

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    Lessons I-CLXXX (still), 2014-2018
  • Lessons I-CLXXX (still), 2014-2018

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    Lessons I-CLXXX (still), 2014-2018
  • Installation View, Hammer Museum, Los Angeles

    SHE MAD: Laughing Gas, 2016, 4-channel video installation (color, sound), 6:59 minute loop

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    Installation View, Hammer Museum, Los Angeles
  • Installation View, Hammer Museum, Los Angeles

    SHE MAD: Laughing Gas, 2016, 4-channel video installation (color, sound), 6:59 minute loop

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    Installation View, Hammer Museum, Los Angeles
  • Installation View, Hammer Museum, Los Angeles

    SHE MAD: Laughing Gas, 2016, 4-channel video installation (color, sound), 6:59 minute loop

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    Installation View, Hammer Museum, Los Angeles
  • SHE MAD: Laughing Gas (still), 2016

    Video still, 4-channel video installation (color, sound), 6:59 minute loop

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    SHE MAD: Laughing Gas (still), 2016
  • Installation View, Hammer Museum, Los Angeles

    Bertha Cut-out, 2016, Laser cut acrylic, artist's clothes, 96 × 48 in. (243.84 × 121.92 cm)

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    Installation View, Hammer Museum, Los Angeles
  • Installation View, Hammer Museum, Los Angeles

    Is You Is Or Is You Ain't, 2016, Wall painting

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    Installation View, Hammer Museum, Los Angeles
  • A Pilot For A Show About Nowhere, 2015

    Two-channel video, color, sound, 24:29 minutes

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    A Pilot For A Show About Nowhere, 2015
  • Installation View, New Museum Triennial, 2015, Photo: Benoit Pailley

    A Pilot For A Show About Nowhere, 2015, Two-channel video, color, sound, 24:29 minutes

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    Installation View, New Museum Triennial, 2015, Photo: Benoit Pailley
  • Show Bible, 2015

    published by Dominica, Inc, included in 2016 Triennial: Surround Sound, New Museum

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    Show Bible, 2015
  • Installation View, New Museum Triennial, 2015, Photo: Benoit Pailley

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    Installation View, New Museum Triennial, 2015, Photo: Benoit Pailley
  • Installation View, New Museum Triennial, 2015, Photo: Benoit Pailley

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    Installation View, New Museum Triennial, 2015, Photo: Benoit Pailley
  • Borrowed Lady, 2016

    4-channel video installation (color, sound), wall painting, color window film, Notes on Gesture: 10:27 minute loop

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    Borrowed Lady, 2016
  • Borrowed Lady, 2016

    4-channel video installation (color, sound), wall painting, color window film, Notes on Gesture: 10:27 minute loop

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    Borrowed Lady, 2016
  • Installation View

    Vertical Elevated Oblique, 2015, Bridget Donahue, New York

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    Installation View
  • Notes on Gesture (still)

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    Notes on Gesture (still)
  • Notes on Gesture (still)

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    Notes on Gesture (still)
  • The Mundane Afrofuturist Manifesto, 2007-2015

    Paint on wall

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    The Mundane Afrofuturist Manifesto, 2007-2015
  • The Mundane Afrofuturist Manifesto, 2007-2015

    Paint on wall

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    The Mundane Afrofuturist Manifesto, 2007-2015
  • Installation View, ICA Philadelphia, Colored People Time, 2019

    The Mundane Afrofuturist Manifesto, 2007-2015

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    Installation View, ICA Philadelphia, Colored People Time, 2019