Steven or Act II, 2023
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Nude Reclining, 2023
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Ate or Act III, 2023
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Sicks or Act I, 2023
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Despite All My Accolade They Still Gave Me a Predatory Loan aka The Case for Reparations, 2023
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My treat It’s here, 2023
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Dream Nightmare (still), 2022
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One Sheet, 2022
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DED, 2021
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Installation View, Loot Sweets
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Bonnet Core, 2021
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Loot Sweets, 2021 Nylon, silk, wool, wood, metal, embedded screen with digital video
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Do you have any film posters of ... BLACK MOVIES? He understands, 2021
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The Taxing Woman, 2021
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Tim Apple Has Got to Go, 2021
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What Artists Wear, 2021
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Ugly Plymouths, 2020
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Installation View, 2019 Whitney Biennial
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Intro to Threat Modeling (detail), 2019
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Ringier Annual Report, 2019
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Installation View, Boon, 2019
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Installation View, Sadie Coles HQ, London
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Installation View, The 12th Gwangju Biennale Exhibition: Imagined Borders
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Installation View, Bridget Donahue, New York
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Mythiccbeing (still), 2018
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Installation View, ICA at Virginia Commonwealth University, Richmond
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40x60, 2017
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Incense Sweaters & Ice (still), 2017
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Installation View of Projects 106: Martine Syms, Digital Image © 2017 The Museum of Modern Art, New York, Photographed by John Wronn
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One Sheet, 2017
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Lessons LXXV (still), 2017
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Installation View
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Installation view, Institute of Contemporary Arts, London, Photo: Mark Blower
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Installation View, Human Resources, Los Angeles
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Installation View, Commercial Break, Public Art Fund, New York
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Lessons I-CLXXX (still), 2014-2018
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Installation View, Hammer Museum, Los Angeles
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SHE MAD: Laughing Gas (still), 2016
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A Pilot For A Show About Nowhere, 2015
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Installation View, New Museum Triennial, 2015, Photo: Benoit Pailley
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Show Bible, 2015
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Borrowed Lady, 2016
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Notes on Gesture (still)
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The Mundane Afrofuturist Manifesto, 2007-2015
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Installation View, ICA Philadelphia, Colored People Time, 2019
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