Emily McDermott, "Lynn Hershman Leeson is Watching You", Frieze, August 29, 2024

Claudia Ross, "'A Vista' Cracks Through Art World Illusions", Frieze, August 20, 2024

Paige K. Bradley, "Susan Cianciolo's Textiles Have Spiritual Dimensions", Frieze, July 9, 2024

Johanna Fateman,"Susan Ciaciolo: Art, fashion, and collaboration run together in a new show of the legendary designer’s couture costumes, paintings, and installations", 4Columns, June 14, 2024

Dan Duray, "Observer’s Top Five Pieces Not to Miss at Art Basel 2024", Observer, June 14

Aarthi Mohan, "In search of the sublime: The multifaceted artistry of Jessi Reaves", STIRpad, June 7, 2024 

Ben Luke, "Podcast A brush with… Lynn Hershman Leeson", The Art Newspaper, June 5, 2024

Laird Borrelli-Persson, "Art or Fashion? Susan Cianciolo Blurs the Lines With RUN 15, Part of a New Exhibition", Vogue, June 2024

Selena Parnon, "Lynn Hershman Leeson: Anti-Aging", The Brooklyn Rail, May 2024

Emily Sandstrom, "Artist Lynn Hershman Leeson on Cyborgs, Filler, and Film-Snobs", Interview, April 26, 2024

Andrew Hunt, "John Russell at Arcadia Missa", Artforum (Vol. 62., No.8., April)

Orla Brennan, "Lynn Hershman Leeson, the Dystopian Artist Who Predicted Our Digital Selves". AnOther Magazine, April 12, 2024.

Max Levin, "Eternally Yours: An Interview with Lynn Hershman Leeson", Screen Slate, April 4, 2024

Phil Coldiron, "Review: Mary Helena Clark's Conveyor", 

Film Comment, March 18, 2024

Ella Martin-Gachot, “Lynn Hershman Leeson Invented New Media Art. Her Next Frontier? Cheating Death,” Cultured Magazine, January 25, 2024

Martha Schwedener, “Olga Balema”, New York Times, December 15, 2023

Ashton Cooper, "Lisa Alvarado: REDCAT", Artforum, 
November 1, 2023

Alayo Akinkugbe, "How tarot and MF Doom inspired Martine Syms’ new exhibition", 
Dazed, September 18, 2023

Juliana Halpert, "Martine Syms’s “Loser Back Home”
 
e-flux, July 21, 2023

Interview with Eana Kim, “Lynn Hershman Leeson’s Seduction”,

MoMA Magazine, July 19, 2023

In conversation with Kate Wolf, 'Martine Syms’s 
“Loser Back Home”', Los Angeles Review of Books, June 16, 2023

“Artists Martine Syms and Ben Babbitt

Ruminate on Cellists and Hypnotists”,

Cultured, June 20, 2023

Arun Kakar, "The 10 Best Booths at Art Basel 
in Basel 2023" Artsy, June 14, 2023

Grace Banks, From Artificial Intelligence To Sex Dolls, 
Tech Art Innovator Lynn Hershmann Leeson Has Some Lessons For 
Us All", Forbes, May 31, 2023

Jenny Wu, “The Rogue Signals of Half a Century 
of Video Art”, ArtReview, May 18, 2023

Alex Greenberger, “5 Shows to See on New York’s 
Lower East Side”, ARTnews, May 15, 2023

Matt Stromberg, "10 Art Shows to See in LA This Month", 
Hyperallergic, April 4, 2023

Brian Block, "Between appearance and experience: 
a Christopher Knowles survey shifts perceptions 
at The Watermill Center", Whitehot Magazine, March 2023

Ben Davis, “What I’m Looking At: Nude Dudes Doing 
the Laocoön at O’Flaherty’s, the Plot to Incept 
Capitalist Realism, and Other Stuff at the Edge of Art”, 
artnet News, March 8, 2023

Sophia Powers, "Critics' Picks: Mark van Yetter", 
Artforum, March 1, 2023

Hyunjee Nicole Kim, "'I want to wear a warm sweater.'”, 
ArtAsiaPacific, February 7, 2023

Ross Simonini, "Olga Balema: 
There is No Outside of Language" ArtReview, 
February 2, 2023

Martha Schwendener "What to See in N.Y.C. Galleries Right Now:
Drawings by Sculptors", The New York Times, January 26, 2023

“TOP TEN: Jack Bankowsky’s highlights of 2022” 
Artforum, December, 2022

Em Rooney, "The Artists’ Artists: 
Twenty-six artists reflect on 2022" Artforum, 
December 2022

Brainard Carey, "Jessi Reaves Interview", 
Yale University Radio, November 15, 2022

Samantha Ozer, “Martine Syms discusses her film 
‘The African Desperate’ and the lore of 
graduate school”, Art21, November, 2022

Rebecca Rose Cuomo, "Christopher Knowles’s

Playful Experiments", Frieze, November 9, 2022

Jordan Coley, “Martine Syms’s Portrait 
of Art School Alienation”, The Nation, 
November 7, 2022

Katie Goh, “Director Martine Syms in conversation 
with composer Colin Self: Music and Dialogue”, 
Crack Magazine, October 25, 2022

Emmanuel Onapa, “The Story Behind Martine Syms’
 Debut Film, The African Desperate”, AnOther Magazine,
 October 24, 2022

Darla Migan, “‘There’s This Illusion That It’s an Equalizer’: 
Artist Martine Syms on How Her New Film Explodes the Myth 
of the MFA Education”, artnet News, October 24, 2022

Johanna Fateman, "Jessi Reaves", The New Yorker, October 15, 
2022

Ayanna Dozier, "5 Latinx Artists Using Abstraction 
to Address Precolonial Histories", Artsy, October 7, 2022

Eileen Kinsella, "Six Women-Led Galleries Will Now 
Represent Painter Rochelle Feinstein, Following Their 
Globe-Spanning Joint Exhibition This Year", artnet News, 
September 13, 2022

Leah Gallant, “The sitcom as social critique: 
Martine Syms foregrounds Black banality in major Chicago 
exhibition", The Art Newspaper, August 29, 2022

Micco Caporale and Salem Collo-Julin, “Electro beats, 
fiction, and more: Things to do in Chicago for Tuesday 
8/16/2022”, The Chicago Reader, August 15, 2022

Shawn Ghassemitari, “Martine Syms Presents the First Season 
of ‘She Mad’ at MCA Chicago”, HypeArt, August 11, 2022 

Tanya Augsburg, “Some Meditations on Logic Paralyzes 
the Heart: A Conversation with Lynn Hershman Leeson”, 
The Art Section, July 12, 2022

Stephan Salisbury, “After ‘a world of change,’ 
artist Martine Syms brings forth ‘Neural Swamp’”,
The Philadelphia Inquirer, July 5, 2022 

Felix Petty, Daniel DeSure, “Total Luxury Spa: 
creativity, capitalism and community”, i-d UK, 
June 30, 2022

Matthew James Holman, “Freedom and constraint at the 
Whitney Biennial”, Burlington Contemporary, June 23, 2022

Tim Schneider, “The Most Boundary-Pushing Artworks 
at Art Basel, From a Transcendent Mark Lecky Video 
to a Poignant Arthur Jafa Work,” artnet news, June 17, 2022

Sabine Himmelsbach, “A crossover game of manga aesthetics, 
game worlds and sci-fi fantasies”, BaZ Culture, June 16, 2022

Natasha Marie Llorens, “Queer Use as Prelude to Dismantling 
the World”, Contemporary Art Stavanger Journal, 
June 15, 2022

Jess Barbagallo, “Morgan Bassichis”, Artforum, Summer 2022

Dodie Bellamy, “Lynn Hershman Leeson”,
Artforum, Summer, 2022

Lucy Ives, "Fit to Print", Art in America, 
June/July 2022, p.54-55

Louis Block, “How to Get Free of the Rectangle”, 
The Brooklyn Rail, May 4, 2022

Courtney Malick, "Lynn Hershman Leeson in Venice: 
Logic Paralyzes the Heart", Topical Cream, May 1, 2022

Amber Esseiva, “ND/NF Interview: Martine Syms’s 
The African Desperate”, Screen Slate, April 30, 2022

Greta Rainbow, “Martine Syms' first feature film 
satirizes the MFA experience”, i-d UK, April 29, 2022

Johanna Fateman, “Goings On About Town: Morgan Bassichis”, 
The New Yorker, April 18, 2022

Emily Watson, "Lynn Hershman Leeson Thinks 
It’s Time That Her Work Is Recognized" Hyperallergic, 
April 11, 2022

Tony Bravo, "At 80, artist Lynn Hershman Leeson 
is more relevant than ever", Datebook, April 6, 2022

Jillian Steinhauer, "What to See in N.Y.C. Galleries 
Right Now: Morgan Bassichis”, The New York Times, 
April 6, 2022

Canada Choate, “Venice Biennale: Lynn Hershman Leeson”, 
Artforum, April 2022

Cassie Packard, "Your Concise New York Art Guide for April 
2022", Hyperallergic, March 29, 2022

Lydia Sviatoslavsky, “Women As Cyborgs: 
How Lynn Hershman Leeson’s Artwork Saw 
The Future”, SFGATE, March 16, 2022

Jackson Arn, "Spinning Wheels: Rochelle Feinstein 
at Bridget Donahue and Candice Madey", Art in America, 
March 7, 2022

Essence Harden, "What does it mean to be truly alive 
in L.A.? Martine Syms is using film to figure out", 
Los Angeles Times, February 24, 2022

Ryma Chikhoune, "Prada Mode Comes to L.A., Featuring Artist
Martine Syms’ ‘HelLA World’ ", WWD, February 21, 2022

"With Her Latest Prada Commission, 
Artist Martine Syms Explores Her Love 
and Hate for Los Angeles", artnet News, 
February 16, 2022

Kate Brown, “These Mid-Size Art Galleries Are Punching 
Way Above Their Weight. How? By Sharing Profits and 
Production Costs”, Artnet News, February 15, 2022

Lisa Yin Zhang, "Rochelle Feinstein: You Again", 
The Guide, February 14, 2022

Roisin Tapponi, “The First Feature Film From Martine
Syms Is a Hazy, Alluring Send-Up of the Art World”,
Vogue, February 2, 2022

Robin Pogrebin, "A Venice Biennale Informed by the 
Pandemic Will Spotlight Women", The New York Times, 
February 2, 2022

Daniel Cassady, "A career-spanning, six-venue 
exhibition of the painter Rochelle Feinstein’s 
work opens in galleries across the US and Europe", 
The Art Newspaper, January 31, 2022

Johanna Fateman, “Goings On About Town: 
‘You’re Finally Awake!’”, 
The New Yorker, January 30, 2022

Rose Courteau, "Rochelle Feinstein Makes Work That
is Purposefully Hard to Define", T: The New York 
Times Style Magazine, January 27, 2022

Naomi Rea, “How Did A.I. Art Evolve? Here’s a 5,000-Year 
Timeline of Artists Employing Artificial Intelligence, From 
the Ancient Inca to the Modern-Day GANS”, Artnet News, 
December 16, 2021

Lisa Yin Zhang, “Christopher Knowles in Two Acts”, 
The Guide, November 2021

Caroline Ellen Liou, 
"More Expansive Understanding 
of What It Means to Be Human", 
Hyperallergic, November 29, 2021

Jonathan Goodman, “Christopher Knowles at Bridget Donahue”, 
Whitehot Magazine, November 10, 2021

Mark Westall, "New Exhibition to Investigate 
The History of AI & Machine Learning in Art", 
FAD Magazine, November 2, 2021

Laird Borrelli-Persson, "Food, Fashion, and Art 
Come Together in Susan Cianciolo’s New Cookbook", 
Vogue, October 14, 2021

Paula Burleigh, "Twisted Sister", Artforum, October 28, 2021

Adela Kim, "Are We DED? Adela Kim On Martine Syms at
Bridget Donahue, New York", Texte Zur Kunst,
September 24, 2021

Madeleine Seidel, "Martine Syms: Loot Sweets",
The Brooklyn Rail, September 2021

Simon Wu, "Securing Transactions: 
Martine Syms at Bridget Donahue", Art in America, 
September 13, 2021.

Martha Schwendener, “Art Gallery Shows to See Right Now”, 
The New York Times, September 10, 2021

Hannah Sage Kay, “ArtSeen: Lynn Hershman Leeson: 
Twisted”, The Brooklyn Rail, September 2021

The New Social Environment #374:
Twisted: Lynn Hershman Leeson:
Featuring Lynn Hershman Leeson, Monika Fabijanska,
and Amelia Jones, hosted by The Brooklyn Rail,
August 30, 2021

Cassie Packard, "Lynn Hershman Leeson, 
in All Her Cyborg Glory, Gets a Retrospective", 
Hyperallergic, August 2, 2021

Conversations: Dave Beech and Esther Leslie (podcast),
Camden Art Centre, August 18, 2021. 

Coco Romack, "Martine Syms: Loot Sweets", 
TheGuide.art, August 2021

Vivian Chui, "Lynn Hershman Leeson: 
'I had to wait 30 years for the millennials to be born'", 
Ocula, August 18, 2021

Gabriella Angeleti, “Lynn Hershman Leeson,
digital art pioneer, traces the tangled web of
virtual life”, The Art Newspaper, August 13, 2021.

Annie Armstrong, “This Summer, New York Art Is Magic, 
Mystic And Uncanny”, Cultured Magazine, August 12, 2021

Cassie Packard, "Your Concise New York Art Guide 
for August 2021", Hyperallergic, August 10, 2021

“Lynn Hershman Leeson”, The New Yorker, August 3, 2021

Alex Bennett, "Olga Balema “Computer” 
Camden Art Centre / London", Flash Art, July 20, 2021

"Lynn Hershman Leeson with Monika Fabijanska", 
The Brooklyn Rail, July 2021

Madeleine Seidel, “Lynn Hershman Leeson 
is the original cyborg artist”, i-D UK, July 16, 2021 

Nena Hawke, "The New Museum’s ‘Lynn Hershman Leeson: 
Twisted’ Exalts the Prophet of Digital Art",
BlackBook, July 13, 2021

Jillian Steinhauer, “Lynn Hershman Leeson: The Artist 
Is Prescient”, The New York Times, July 8, 2021

Louisa Buck, "Retina-bombarding films and complicated
stenches: Glasgow International offers us new ways 
to pay attention", The Art Newspaper, June 21, 2021.

Jori Finkel, "For over 50 years, Lynn Hershman Leeson has 
anticipated and reflected the ways in which technology 
might change us", The New York Times Style Magazine, 
June 18, 2021

Octavia Bürgel, "Jessi Reaves Leaves it dirty", 
032, June 17, 2021

Jeremy Atherton Lin, “Satoshi Kojima: Akashic records”, 
The Guide.art, May 25, 2021

Ted Loos, "Museum Shows With Stories to Tell", 
The New York Times, May 21, 2021

Maria Vogel, "With Platform, David Zwirner is Trying 
to Level the Art World Playing Field. Is That Possible?", 
Cultured Magazine, May 20, 2021

“Vogue Uitagenda: to do’s during the time of corona’, 
Vogue, March 11, 2021

Will Heinrich, "Frieze New York, First Live Art Fair 
in a Year, Kicks Off at the Shed", The New York Times, 
May 6, 2021

Louis Block, "Monique Mouton: Inner Chapters", 
The Brooklyn Rail, May 5, 2021

Genevieve Quick, "Review: In ‘Uncanny Valley,’ 
disturbing ripples from artificial intelligence", 
48hills, April 29, 2021

Andy Beta, "Rooted in Her San Antonio Childhood, 
Lisa Alvarado’s Art Transports and Transforms",
Texas Monthly, April 22, 2021

Sujin Jung, “13th Gwangju Biennale Maps a Multiverse”, 
Ocula Magazine April 14, 2021

“Monique Mouton: INNER CHAPTERS”, The Guide.art, March 30, 2021

Zainab Jama, "Martine Syms has big feelings too", 
The Face, March 24, 2021

Incense Sweaters & Ice, Le Cinéma Club, online screening, 
February - March 2021

Helen Holmes, “The 5 Best New York Exhibitions 
That are Worth Making Appointments for”, Observer, 
February 22, 2021

Ryan Waddoups, “Sondra Perry Illuminates Times Square 
With Her Own Flesh,” Surface, February 18, 2021

Wallace Ludel, “Knight Foundation’s $50,000 fellowship 
goes to five artists who find ‘creative or poetic’ ways to 
work with technology”, The Art Newspaper, February 17, 2021

Sean Tatol, "John Russell - Well - Bridget Donahue", 
The Manhattan Art Review, February 14, 2021

Adriana Blidaru, “Interview with Lynn Hershman Leeson”, 
Living Content, Issue 46, January 29, 2021

Lynn Hershman Leeson, “Blueprints for a better world: 
proposals and manifestos”, Document Journal, January 15, 2021

"Kim Jones at Bridget Donahue", 
Contemporary Art Writing Daily, January 12, 2021

Martha Schwendener, "4 Art Gallery Shows to See Right Now: 
Kim Jones", The New York Times, December 30, 2020

“Artist Eric N. Mack On Curating The Exhibition 
‘Pedestrian Profanities’ At Simon Lee Gallery”, 
Something Curated, December 9, 2020

"Kim Jones: RATS LIVE ON NO EVIL STAR", TheGuide.art, 
December 8, 2020

Yxta Maya Murray, “Artful Volumes: Bookforum Contributors 
on the Season’s Outstanding Art Books: Wildlife: Elizabeth 
Murray and Jessi Reaves”, Bookforum, December 2020

Alexandra Zirinis, “Pedestrian Profanities Curated By 
Eric N Mack”, FAD Magazine, November 27, 2020

Olu Odukoya, “The ground is a pedestal for readymade works - 
Eric N. Mack,” Modern Matter, November 24, 2020

Tessa Solomon, “South Korea’s Gwangju Biennale Reveals 
Artist List for Star-Studded 2021 Edition”, ARTnews, 
November 18, 2020

Annie Armstrong, “Smarter Child”, Garage Magazine, 
Issue 19, October 30, 2020

Sean Tatol, "Pieter Slagboom - Saturated Manuscript - 
Bridget Donahue", The Manhattan Art Review, 
October 24, 2020

"Artists Envision a New Kind of Political Poster", 
W Magazine, October 22, 2020

Claire Selvin, "Martine Syms, Sondra Perry, 
and More Shortlisted for Rolls-Royce Commission", 
ARTNews, October 21, 2020

Dean Kissick, "The Downward Spiral: Zombie Figuration 
and the Death Ritual", Spike Art Magazine, October 14, 2020

Johanna Fateman, “Lisa Alvarado”, Artforum, 
October/November 2020

 "Pieter Slagboom", Artforum - Must See, October 2020

Anna Seaman, “Enter the Age of Anxiety”, Hadara Magazine, 
September 29, 2020

“A Glitch in the System: Legacy Russell 
and Lynn Hershman Leeson in Conversation 
about Glitch Feminism”, Topical Cream, 
September 28, 2020

Ryan Waddoups, "At Art Basel’s Latest 
Virtual Edition, Timely Works Abound", 
Surface, September 25, 2020.

DutchCulture USA, "Pieter Slagboom at Bridget Donahue 
Gallery", September 1, 2020

D. Creahan, “New York - Lisa Alvarado: 
“Thalweg” At Bridget Donahue Through August 
30th, 2020”, Art Observed, August 26, 2020

Sarah Cascone, “Editors’ Picks: 8 Events for Your Art 
Calendar This Week, From a Digital São Paulo Art Fair 
to an Upstate New York Art Weekend”, artnet news, 
August 24, 2020

"Artful Recommends: Lisa Alvarado at Bridget Donahue", 
Artful, August 21, 2020

Jillian Steinhauer, Will Heinrich and Martha Schwendener,
"3 Art Gallery Shows to See Right Now", The New York Times, 
August 19, 2020

Nina Mdivani, “Lisa Alvarado’s Mystical Screens 
at Bridget Donahue", Arte Fuse, August 5, 2020

Domenick Ammirati, “Diary: Low Relief”, Artforum, 
August 3, 2020

Paige K. Bradley, “Boro Textiles: Sustainable Aesthetics”, 
Artforum, July/August 2020 

Jennifer Kabat, “Lynn Hershman Leeson’s Game of Doubles”, 
Frieze, July 28, 2020

Terence Trouillot, “New York roundup”, Art Agenda, 
July 27, 2020

Andrew Russeth, “Four Artists on the Future of Video Art”, 
T: The New York Times Style Magazine, July 21, 2020

“Lisa Alvarado: Thalweg”, The Guide, July 17, 2020

Nina Mdivani, “Confronting History through Herstory”, 
Art Spiel, July 9, 2020

Alex A. Jones, “ecofeminism(s)”, The Brooklyn Rail, July 2020

William Corwin, “Coming Full Circle”, Arcade Project, July 2020

Samantha Ozer, "Lynn Hershman Leeson: 
The artist discusses her work with antibodies 
and DNA", Artforum, June 29, 2020

Lynn Hershman Leeson's Shadow Stalker receives
an Award of Distinction in the Interactive Art+ 
category for the 2020 Prix Ars Electronica

Sahar Khraibani, How Can We Think of Art at a Time 
Like This?”, The Brooklyn Rail, June 10, 2020

Fanny Singer, “Big Data’s Deal with the Devil”, 
Frieze, May 12, 2020

Mack Somers, "From the Archives: Lynn Hershman Leeson", 
The Kitchen Blog, May 11, 2020

Alina Cohen, “7 Artists on the Self-Care Rituals that 
Keep Them Creative”, Artsy, May 3, 2020

Silvia Benedetti, “Japanese Textiles Patched, Used, 
and Treasured for Generations”, Hyperallergic, April 29, 2020

Loreta Lamargese, “Recommended For You: Lynn Hershman 
Leeson On World On A Wire”, Cultured Magazine, April 27, 2020

Live Discussion with ‘Uncanny Valley’ Artist Lynn Hershman 
Leeson, de Young Museum live, in conversation with Curator-
In-Charge of Contemporary Art and Programming at the Fine Arts 
Museums of San Francisco Claudia Schmuckli, April 23, 2020

Sophie Bew, "The Intoxicating Collages of Martine Syms", 
including portfolio of collages by Martine Syms, 
AnOther Magazine, April 14, 2020

Jillian Steinhauer and Jason Farago, 
"2 Art Gallery Shows to Explore From Home",
The New York Times, April 9, 2020

Naomi Rea, "Can’t Wait to See Some Art Again? 
Here Are 5 Exciting Shows Still Planned for This 
Summer’s Prestigious Rencontres d’Arles Festival", 
artnet News, April 9, 2020 

Brian Karl, "'Uncanny Valley' Advocates a Sensual 
Understanding of Digital Life", Art in America, 
April 9, 2020

Katherine Cusumano, "The T List: Five things We 
Recommend This Week: An Online Auction of Art Inspired
by Japanese Antiques", T Magazine, April 2, 2020

Eileen Kinsella, "After Finding Success With Online Sales, 
David Zwirner Will Share Its Digital Platform With 12 
Promising Younger New York Galleries, Too", artnet news, 
March 30, 2020

Sarah Cascone, “Editor’s Picks: 11 Things Not to Miss 
in the Virtual Art World This Week”, artnet news, 
March 30, 2020

Sarah Cascone, “Editor’s Picks: 11 Things Not to Miss 
in the Virtual Art Wold This Week”, artnet news, 
March 30, 2020

Olivia Whittick, “Susan Cianciolo’s Spirit Guides”, 
The Editorial Magazine, March 28, 2020

Caroline Goldstein, "A New Show Explores How a Textile 
Form Invented by Peasants Inspired Rei Kawakubo 
and Other Top Fashion Designers—See Images Here", 
artnet News, March 19, 2020

Joanne McNeil, “Conceiving the Future: The Prescient 
Lynn Hershman Leeson”, Filmmaker Magazine, March 17, 2020

Gabe Herman, "History and sustainable themes of 
Japanese boro patchwork explored at Manhattan exhibition", 
AM New York, March 7, 2020

Jessi Reaves, Gaetano Pesce, "It's Alive! The 
Amorphous Imaginary of Gaetano Pesce", SSENSE, 
March 4, 2020

Sarah Hotchkiss, “Artists Mine Data and the Mostly 
Chilling Implications of AI in ‘Uncanny Valley’”, 
KQED Arts, February 25, 2020

Federico Florian, “Artists explore the dark side of 
AI in Silicon Valley's backyard”, The Art Newspaper, 
February 21, 2020

Ross Simonini, “Dawn Kaspar, Samson Young, 
and Susan Cianciolo”, ArtReview: Subject, Object, Verb, 
February 17, 2020

Coco Romack, "An Artist Who Collaborates 
With Her 11-Year-Old Daughter", T Magazine, 
February 6, 2020

Julia Heldt (2019), “Lynn Hershman Leeson’s Cyborg Drawings”, 
Interface Critique Journal 2., Eds. Florian Hadler, 
Alice Soiné, Daniel Irrgang

Katie White, "Editors Picks: 11 Things Not to Miss 
in New York’s Art World This Week", artnet News, 
February 3, 2020

Wendy Vogel, "Artist-Attorney Ragen Moss Treats 
Legal Language as a Sculptural Material", 
Art in America, January 24, 2020

Jan Garden Castro, "Spatial Language: 
A Conversation with Ragen Moss", Sculpture Magazine, 
January/February 2020, 16-25

Sondra Perry's 'IT’S IN THE GAME ’17 or Mirror Gag 
for Vitrine and Projection' (2017) selected as one of
Ben Davis, "The 100 Works of Art That Defined the Decade, 
Ranked: Part 1", artnet News, December 27, 2019 

Peter Brock, "Ragen Moss: '8 animals'", 
The Brooklyn Rail, December, 2019

Johanna Fateman, “Ragen Moss”, The New Yorker, 
December 16, 2019

Holland Cotter, Roberta Smith, 
Jason Farago and Martha Schwendener, 
“Times Critics’ Top Art Books of 2019", 
The New York Times, December 5, 2019

Blake Oetting, “Ragen Moss”, Artforum, 
December 6, 2019

Olga Balema's 2019 solo show 'brain damage' 
is named to Sohrab Mohebbi's Best of 2019 List
Martine Syms' solo show 'Big Surprise' 
is named to Miriam Katzeff's Best of 2019 List

Michaela Schabel, “München - Ausstellung ‘Orlando’ im 
Literaturhaus, kuratiert von Tilda Swinton”, 
Schabel Kulture-Blog, November 28, 2019

Chloe Schama, "Pioneering Feminist Artist Lynn Hershman 
Leeson Gets Timely and Overdue Attention in a New Show", 
Vogue, November 15, 2019  

Kristin Tauer, "An Inside Look With Artist Ragen Moss",
WWD, November 12, 2019

Tess Thackara,"With 'Shadow Stalker', Lynn Hershman 
Leeson Tackles Internet Surveillance", The New York 
Times, November 8, 2019

Evelyn Vogel, “XY ungelöst”, München Süddeutsche Zeitung, 
November 8, 2019

"Subversive Threads: A Quilting and Dyeing Workshop 
With RUN HOME", November 10, 3-5PM presented as part 
of the Performa 19 Biennial

“‘Orlando’: Fotoausstellung kuratiert von Tilda Swinton”, 
Wochenanzeiger München, November 3, 2019

Viola Angiolini, "'Stranger Approaching' at Bridget Donahue", 
Mousse Magazine, October 15, 2019

"Artists Gathered at the Fotofocus Biennial to Debate 
How Tech Is Changing Photography. The Conversation 
Got Truly Terrifying", artnet News, October 10, 2019

"Emerging Artist Award", Galerie Magazine, September 30, 2019.

Francesco Tenaglia,"'Every Loft Needs a Sink' 
at Vleeshal, Middelburg", Mousse Magazine, 
September, 2019.

"Bridget Donahue: Stranger Approaching", Artforum - 
Must See, September 2019

Dean Kissick, "The September Openings: New York's 
Must-See Shows", Cultured Magazine, September 4, 2019

David Rhodes, "Monique Mouton: Scene", 
The Brooklyn Rail, September 2019

Mira Dayal, “Olga Balema”, Artforum, September 2, 2019

David Everitt Howe, "Olga Balema's Rubber Band 
Works Show How Less Can More", Art in America, 
August 22, 2019

Christopher Marcisz, “Looking at Sports as Powerful 
Modes of Expression: Fifteen artists offer a range 
of ways into ‘sports’ as a concept”, Hyperallergic,
August 19, 2019

Philomena Epps, “Susan Cianciolo’s Radical 
Vision Transcends Art and Clothing”, 
Perfect Number, August 13, 2019

Holly Connolly, "Critic's Pick: Susan Cianciolo" 
Artforum, July 2019.

“Olga Balema at Bridget Donahue”, Contemporary Art 
Writing Daily, July 22, 2019

Martha Schwendener, “Olga Balema”, The New York Times, 
July 18, 2019

Liam Hess, “artist susan cianciolo has been questioning 
fashion’s consumerist problem for 30 years”, i-D, 
July 16, 2019

C. Rhinehart, “New York - Olga Balema: “Brain Damage” 
At Bridget Donahue Through July 26th, 2019”, Art Observed, 
July 2, 2019

Israel Lund, “Nothing But the Truth: Israel Lund
on Four Painters at Magenta Plains in New York”,
ARTnews, July 1, 2019.

Orit Gat, “Critics’ Guide: The Shows You Need to 
See in New York this July”, Frieze, June 28, 2019

Ksenia M. Soboleva, “Tilda Swinton Curates Photography 
Inspired by Virginia Woolf’s Orlando”, Hyperallergic, 
June 26, 2019

Martha Schwendener, "Encountering the 'New Order'at MoMA", 
The New York Times, June 6, 2019

Katelynn Mills, “Surrogates at Kayne Griffin Corcoran”, 
Whitehot Magazine, June 2019

Kristen Tauer, “Five Artists to Check Out During 
the Whitney Biennial”, Women’s Wear Daily, 
May 17, 2019.

Zachary Smith, “The Apprehensive Politics of a 
Generation Surface at the 2019 Whitney Biennial”, 
Hyperallergic, May 15, 2019

Taylor Dafoe, “LOL, Great Pic: How Instagram and Meme 
Culture Are—and Aren’t—Transforming Photography”, 
artnet News, May 9, 2019

"Susan Cianciolo: God Life: Modern House On Land 
Outside Game Table", South London Galley, 
May 4, 2019

Tim Schneider, “What Exactly Is Object & Thing?
A New Fair With 4 Disruptive Ideas About How to Sell 
Art Today”, artnet News, May 3, 2019

Martha Schwendener and Will Heinrich. "At Frieze 
New York, Islands of Daring", The New York Times, 
May 2, 2019

Eliza Barry, "Jessi Reaves: II," Brooklyn Rail, May 2019

Holland Cotter, “Over 40 Art Shows to See Right Now - 
Spring Gallery Guide: Below and Above Canal Street”, 
The New York Times, April 26, 2019

Rebecca Meiser, “MOCA Cleveland Celebrates Its 50th 
Anniversary”, Cleveland Magazine, April 25, 2019

Keshav Anand, “Jessi Reaves: Bringing Eccentricity 
To The Domestic”, Something Curated, April 24, 2019

Stephanie Hessler, “Lynn Hershman Leeson’s 
‘First Person Plural’”, Art Agenda, April 18, 2019

Bill Meyer, “Natural Information Society make the 
stage a home - and vice versa”, Chicago Reader, April 17, 2019

Chloe Wyma, "Ulrike Ottinger: Bridget Donahue", 
Artforum, April 2019

Alina Cohen, “5 Standout New York Exhibitions to See 
This April”, Artsy, April 5, 2019

Tina Rivers Ryan, “Producing Futures: 
An Exhibition On Post-Cyber-Feminisms”, 
Artforum, April 5, 2019

Martine Syms in Conversation with 
Beatrix Ruf, “The Image is Now Part 
of My Flesh”, Mousse Magazine, 
Issue 67, April 1, 2019

Johanna Fateman, “Jessi Reaves”, The New Yorker, March 28, 2019

Antonia Marsh, “Antonia Marsh: The Absurdist Sculpture 
of Jessi Reaves”, AnOther Magazine, March 27, 2019

“Works By Park McArthur, Alex Da Corte, Huma Bhaba, 
and More Enter Carnegie Museum of Art Collection”, 
Artforum, March 26, 2019

“9 Art Events in New York: Jessi Reaves, Gary Indiana, 
Barthélémy Toguo, and More”, ARTnews, March 11, 2019

Lisa Alvarado, “The Inner Sleeve”, The Wire, 
March 2019, Issue 421, 73

Richard Brody, “Style As Women’s Freedom: 
The Photographs of Ulrike Ottinger”, The New Yorker, 
March 1, 2019

Natalie Rachlin, “Inside The Shed and Its Inaugural 
Slate of Performers”, Wall Street Journal Magazine, 
February 28, 2019

Taylor Dafoe, “The Prodigies: Meet 8 Groundbreaking 
Millennial Artists Who Are Already Being Taught in 
Art History Classes”, Artnet, February 28, 2019

Baillie Vensel, "The Radical, Gender-Bending Photographs 
of Ulrike Ottinger", Hyperallergic, February 27, 2019

Johanna Fateman, “Ulrike Ottinger”, The New Yorker, 
February 13, 2019

Paige Katherine Bradley, “Susan Cianciolo Wants To 
Take You To Garment Rehab”, Garage Magazine, 
February 8, 2019, Issue 16

Martine Syms, “LA in motion”, Financial Times, February 7, 2019

Hiba Ali, “An Expression of the Divine, A Review of 
Martine Syms at the Graham Foundation”, Newcity Art, 
January 12, 2019

Jessica Caroline, ""Momentclature" with Eileen Myles", 
Filthy Dreams, January 11, 2019

Alex Jen, The Poetry of Eileen Myles's Intimate, 
Imperfect Instagram Photos", Hyperallergic, January 8, 2019

Amarie Gipson, “Order of Appearance: In Chicago Show, 
Martine Syms Examines How Blackness Is Performed, 
Absorbed, and Circulated”, Artnews, January 8, 2019

Interview with Eileen Myles as told to Emmanuel Olunkwa, 
Artforum, January 1, 2019

Lori Waxman, “Martine Syms”, 4Columns, January 4, 2019

Loney Abrams, “The Other Art History: The Forgotten 
Cyberfeminists of ‘90s Net Art”, Artspace, January 4, 2019

Martha Schwendener, “Pittsburgh Report: Five Places 
for Healing Through Art”, The New York Times, January 2, 2018

Brian Doitcour, “Breaking away from the white cube”, 
artbasel.com, December 27, 2018

Emily Hunt, "Publishing Into That Mystery: An Interview 
with Eileen Myles", The Poetry Society of America, 
December 27, 2018

Alex Greenberger, “The Year in Screens — With 3D 
Teddy Bears, Absconded Identities, Violent Comedy, 
and More”, Artnews, December 26, 2018

Lune Ames, "Abysmal Grief, Ephemeral Beauty: On 
The Poems and Photographs of Eileen Myles", 
Degree Critical, December 21, 2018

Alan Gilbert, "Eileen Myles's "poems"", Art Agenda, 
December 20, 2018

Josh Schneiderman, "A Real New Playground": Eileen 
Myles's Photography", ASAP Journal, December 19, 2018

“Typhoon Coming On”, in conversation with Hans Ulrich 
Obrist, Luma Westbau, Zurich, Switzerland, December 15, 2018

Natalie Diaz, "From an Iconoclast and an Icon, 
Poems of Personal and Public Transformation", 
The New York Times, December 11, 2018

Alex A. Jones, “A Wild Ass Beyond: ApocalypseRN”, 
The Brooklyn Rail, December 11, 2018

Ksenia M. Soboleva, “Paintings that Are Like Whispers 
and Secrets”, Hyperallergic, December 10, 2018

Interview with Lynn Hershman Leeson, “Women in the 
Arts: Lynn Hershman Leeson”, Frieze, December 7, 2018

Olivia Aherne, “Anti-Bodies: Lynn Hershman Leeson 
in conversation with Olivia Aherne”, Orlando 03, 
November 2018, 76-81

William J. Simmons, “30 Under 35 2019: Martine Syms 
Resets The Traditional Bounds of Identity”, 
Cultured Magazine, November 2018

"On View Now: 9 Not-to-Miss Artworks in 
Downtown NYC", ArtSpace Magazine, November 17, 2018

Moritz Scheper, “Lisa Alvarado’s Paintings Activate 
the Canvas as Body”, Frieze, November 6, 2018

Dana Kopel, “Reviews: John Russell”, Art in America, 
November 1, 2018

Alina Cohen, "Cult-Favorite Poet Eileen Myles Is 
Poised for Their Art World Breakout", Artsy, 
October 30, 2018

Dato Koroshinadze, “Art, house and dialogue”, 
Hammock, October 24, 2018

Jillian Steinhauer, “Female Artists Strip Rape of 
Its ‘Heroic’ Underpinnings”, The New York Times, 
October 16, 2018

Connor Goodwin, “At the Whitney, Taking Aim at the 
Digital Age”, BlouinArtinfo, October 10, 2018

Glenn Adamson, “Sculpture To Dwell On”, Art in America, 
September 2018, 71 - 77

Simone Sutnick, “Gallery Peeping: The Best of New 
York Fall 2018”, Cultured, September 28, 2018

Tim Schneider, “Editors’ Picks: 12 Things Not to 
Miss in New York’s Art World This Week”, Artnet, 
September 25, 2018

Layla Halabian, "Sonya Sombreuil of COME TEES has 
an art show in New York", The Fader, September 24, 2018

Andrew Russeth, “Here’s a Look at What the Whitney 
Museum Has Acquired Over the Past Year”, ArtNews, 
September 24, 2018 

José Da Silva, “Three exhibitions to see in London 
this weekend”, The Art Newspaper, September 21, 2018

Farah Nayeri, “A Show About Humor That’s as Funny 
(Weird) as It Is Funny (Ha Ha), The New York Times, 
September 20, 2018

Lexi Manatakis, “Five artists who show art’s important 
relationship to AI”, Dazed, September 20, 2018

Bryony Stone, “”Fear and desire for connection 
and the block to it”: artist Martine Syms on her 
exhibition Grand Calme”, It’s Nice That, 
September 20, 2018

Cara, “Martine Syms: Grand Calme”, Boundary, September 18, 2018

Isobel Harbison, “Interview with Lynn Hershman Leeson”, 
Art Monthly 419, September 2018

Maurizio Cattelan, Marta Papini, Martine Syms, 
“Interview with Martine Syms”, Purple #30, 
Fall/Winter 18/19, 218-221

Ariella Wolens, “Susan Cianciolo: Everything Is Sacred”, 
Elephant, September 12, 2018

Dylan Jones, “Martine Syms: Don’t be afraid to be 
narcissistic’”, GQ London, September 9, 2018

Alix Browne, “T Introduces Jessi Reaves”, T Magazine 
- The New York Times, September 9, 2018, 47-48

Eddy Frankel, “Martine Syms: Grand Calme review”, 
Time Out London, Septemebr 7, 2018

Alastair Sooke, “Can contemporary art really be funny?”, 
The Daily Telegraph, September 4, 2018

Casey Lesser, Artsy, “22 Artists on the Materials 
That Inspire and Drive Their Work: Lynn Hershman Leeson”, 
August 27, 2018

“Editor’s Picks: 11 Summer Exhibitions to Catch 
Before They Close”, Galerie Magazine, August 27, 2018

Art 21, “Lynn Hershman Leeson in ‘San Francisco 
Bay Area’ within Season 9: Art in the Twenty-First 
Century”, August 22, 2018

Chen Hao, WeChat, “Art & Tech: Technology, Humanity, 
Women’s: Her ‘artificial man’ and antibodies made by 
Novartis in her name”, August 17, 2018

“Expo Chicago Names Artists Participating in 2018 
Edition of Override / A Billboard Project”, Artforum, 
August 16, 2018

Matt Stromberg, “Two LA Curators Offer Sneak Preview 
of Their Work at South Korea Biennial”, 
Hyperallergic, August 14, 2018

Ross Simonini, “Susan Cianciolo: It’s as if I am on a 
strange middle plane of always knowing I already died”, 
Art Review, Summer 2018, 44-49

Juliana Accioly, “Zong massacre digitized”, 
The Miami Times, August 8, 2018 

Verne Gay Newsday, “Terence Nance talks groundbreaking 
‘Random Acts of Flyness”, The Virginian Pilot, 
August 8, 2018

Whitney Bauck, “If Eckhaus Latta’s Whitney Museum 
Exhibition Is A Scam, It’s A Good One”, Fashionista,
August 8, 2018

Fiona Duncan, “Fashion and Art, In Love Forever: 
A Report from Eckhaus Latta’s Whitney Opening”, 
Garage, August 3, 2018 

Seph Rodney, “An Exhibition That Frustrates Our Grasp 
of Abstraction”, Hyperallergic, August 1, 2018

B. Ingrid Olson, “B. Ingrid Olson on Martine Syms”, 
Art in America, August 1, 2018

Dorian Batycka, “The Revolution Will Not Be Biennalized”, 
Hyperallergic, July 31, 2018

"SC Guide - CONDO New York 2018", Something Curated, 
June 27, 2018

Tausif Noor, "Critic's Guide: The Best of the Gallery-
Share Shows on Now in New York", Frieze, July 13, 2018

Simone Krug, “Susan Cianciolo: Turning Bric-a-Brac 
into Idiosyncratic Couture”, Frieze, July 11, 2018

Nicole Buesing and Heiko Klaas, “Farewell 
and Departure”, Dare, July 1, 2018

Corinne Gerber, “The Queen’s English”, MICE Magazine, 
June 21, 2018

Elvia Wilk, “Scene & Herd: Anti-Bodies”, Artforum, 
June 21, 2018

Bruce Thorn, “Out of Easy Reach”, New Art Examiner, June 2018

Andrew Russeth, "Wish You Were Here: Spring Shows 
in New York, from Doug Aitken to Quay Quinn Wolf", 
Art News, June 18, 2018

Andrew Russeth, “Out of the Fair and Into the City: 
A Look at Exhibitions Around Basel”, ArtNews, June 15, 2018

Tara Wanda Merrigan, “Lynn Hershman Leeson’s Art 
Opens the Doors to Mysterious Laboratories”, 
Hyperallergic, June 14, 2018

William Kherbek, “Lynn Hershman Leeson’s Impersonal 
Politics”, Berlin Art Link, June 14, 2018

“Ericka Beckman, Dara Birnbaum, Lynn Hershman Leeson 
and Emily Watlington in Conversation”, Mousse Magazine, 
Summer 2018, No. 64, 190-199

“Five to see: Basel - Lynn Hershman Leeson: Anti-Bodies”, 
Art Review, June 12, 2018

Anita Gates, “An All-Too-Brief Guide to Art Basel”, 
The New York Times, June 12, 2018

Nate Freeman, “6 Emerging Artists to Discover at Liste”, 
Artsy, June 11, 2018

Annalise Flynn-Taylor, “Review: Out of Easy Reach,” 
Sixty inches From the Center, May 31, 2018

Moses Hubbard, “This Dystopian Art Show Lets You 
Snoop Around a Stranger’s Hotel Room in Exchange 
For Your DNA”, Sleek, May 30, 2018 

Monica Uszerowicz, “Tilling the Scars of Turtle Island 
and Its History”, Hyperallergic, May 30, 2018

Antje Lechleiter, “Oh beautiful new world”, 
Badische Zeitung, May 29, 2018

“Anti-bodies”, biological progress, scientific research 
and artificial intelligence at the HeK in Basel”, 
Editorial ArtJaws, May 25, 2018 

Brangien Davis, “Five Billboards in Seattle, Washington”, 
Crosscut, May 25, 2018

Benoit Loiseau, “a radical history of artists trolling 
the fashion industry”, i-D, May 24, 2018 

Daniela Janser, “The war, which is in the flower bouquet”, 
Die Wochenzeitung, May 24, 2018 

D. Creahan, “New York - Mark Van Yetter: ‘You Can Observe 
A Lot By Just Watching’ at Bridget Donahue Through July 
15th, 2018”, Art Observed, May 23, 2018

Emily McDermott, “The Artist in an Age of Invisible 
Forensics”, Garage, May 18, 2018

Rianna Jade Parker, “How Sondra Perry Turned Tech 
Glitches Into Art About a Broken World at the Serpentine”, 
ArtNet News, May 18, 2018

Andrea Valluzzo, “Aldrich to survey tabletop art 
in The Domestic Plane”, Stratford Star, May 17, 2018

Julia Halperin, “What Can New Yorkers Expect From 
the Met’s New Director? Friends and Colleagues Call 
Max Hollein a Change Agent With an Artist’s Touch”, 
ArtNet News, May 16, 2018

Thomas Dixon, “Review: Sondra Perry’s Typhoon coming on”, 
Varsity, May 10, 2018

Louisa Buck, “Six shows not to miss at Glasgow 
International”, The Telegraph, May 4, 2018

Mathias Balzer, “The Grande Dame and the anti-body”, 
BZ Basel, May 3, 2018

Claire Selvin, “Art21 Devotes New Season of ‘Art in 
the Twenty-First Century’ TV Show to Berlin, 
Johannesburg, and San Francisco”, ArtNews, May 2, 2018 

Amy Serafin, “Ottoman Empire”, Wallpaper, May 2018, 147-153

Steel Stillman, “In the Studio: Mark Van Yetter”, 
Art in America, May 1, 2018, 94-101

Colby Chamberlain, “Sean Raspet”, Artforum, May 2018, 235-236

Susan Mansfield, “Art Review: Glasgow International - 
Director’s Programme”, The Scotsman, April 30, 2018

Alex Jen, “How the Nebulous Internet Has Influenced 
Art Since 1989”, Hyperallergic, April 26, 2018

Martha Lufkin, “The dark web, surveillance dolls and 
Van Gogh’s zombie ear: technology’s role in art 
debated at Boston conference”, The Art Newspaper, 
April 26, 2018

Claudia Croft, “Introducing the House of Osman”, 
British Vogue, April 24, 2018

Sarah Rafson, “57th Carnegie International will 
bring artists who engage spatial politics around 
the world”, Architects Newspaper, April 23, 2018

Mark Westall, “Art Basel announces details of its 
film program for 2018”, FAD, April 23, 2018

Meritxell Rosell, “Lynn Hershman Leeson & Thomas Huber, 
anti-body or antibody?”, Clot Magazine, April 18, 2018

Evan Moffitt, “Sean Raspet, Receptor-Binding Variations”, 
The White Review, April 2018

Alex Greenberger, “Here’s the Artist List for the 2018 
Carnegie International”, ArtNews, April 11, 2018

“10 Cultural Events Not To Be Missed This April”, 
Something Curated, April 6, 2018

Aida Amoaka, “Sondra Perry’s First Solo European Show 
Engulfs Vistors in Turner’s ‘The Slave Ship’”, 
Hyperallergic, April 3, 2018 

Rosanna McLaughlin, “Sondra Perry: Typhoon Coming On”, 
Frieze, March 20, 2018

Aamna Mohdin, “An Abstract Artist’s New Work Explores 
the Unsettling Relationship Between Technology and 
Black Identity”, Quartzy, March 16, 2018

Chris Sharratt, “Highlight From The Glasgow Film 
Festival 2018’ Frieze, March 12, 2018

Alex Greenberger, “The Browser: Pivot to Video”, 
ArtNews, March 2, 2018

Laura McLean-Ferris, “Sondra Perry”, Artforum, 
March, 2018, 229-230

Chelsea Weathers, “‘Future Shock’: Site Santa Fe”, 
Artforum, March 2018, 236

Sarah P. Hanson, “ADAA’s Art Show misses Armory 
week crowds, but focused displays of challenging 
works still prove popular”, The Art Newspaper, 
February 28, 2018

Dawn Chan, “In Her New Show, Artist Sondra Perry Gets 
in the Game”, The Village Voice, February 21, 2018

Jens Hinrichsen, “Fake-News aus Hitchcocktown”, 
Monopol, February 20, 2018

Annie Godfrey Larmon, “Looks Just Like You: 
Sondra Perry @ Bridget Donahue”, Topical Cream, 
February 19, 2018

J. Garcia, “New York - Sondra Perry at Bridget Donahue 
Through February 25th, 2018”, Art Observed, February 19, 2018

“Sondra Perry” The New Yorker, February 8, 2018

Tanner West, “Looking ‘Future Shock’ in the Face, 
an Art Exhibition Reveals a Society Fundamentally 
Unsettled by Technology”, Artnet News, February 8, 2018

Doug Hall, “Boston’s Institute of Contemporary Art 
Opens ‘Art in the Age of the Internet, 1989 to Today'”, 
Zeal NYC, February 8, 2018

Kevin McGarry, “Hedi Slimane Photographs a New 
Class of Los Angeles Artists”, Vice, February 7, 2018

Anne Doran, “Guide to Paris: Editor’s Picks - 
‘John Russell: Gold’”, Art in America, February 6, 2018

“8 Artists to Watch in February 2018”, Artspace, 
February 6, 2018 

Natasha Marie Llorens, “Sondra Perry”, Art Agenda, 
January 31, 2018

Jennifer Sauer, “Art, Technology & the Modern Era: 
An Interview with Lynn Hershman Leeson”, Art Dependence, 
January 31, 2018

“Alan Shields Project”, The New Yorker, January 29, 2018, 7

Jillian Billard, “Sondra Perry’s IT’S IN THE GAME ’17 
or Mirror Gag for Vitrine and Projection (2017) at 
Bridget Donahue Gallery”, Ravelin Magazine, January 29, 2018

CAA Announces 2018 Awards for Distinction Recipients” 
CCA News Today, January 25, 2018

Alex Greenberger, “San Antonio Museum of Art Acquires 
Works by Kevin Beasley, Rodney McMillian, Martine Syms”, 
ArtNews, January 25, 2018

Kieron Marchese, “John Galliano Invites Sculptor 
Jessi Reaves to Create Raw, Deconstructed Pieces 
at Maison Margiela SS18”, Designboom, January 25, 2018

Will Heinrich, “What to See in New York Art Galleries 
This Week: Sondra Perry”, The New York Times, January 24, 2018 

Elizabeth Paton, “At Maison Margiela, a Sculptor 
and a Designer Unite”, The New York Times, January 24, 2018

Tobias Madison, “Focus View: John Russell at 
Kunsthalle Zürich”, Spike Art Quarterly (Winter), 
#54, 2018

Sonia Shechet Epstein, “Lynn Hershman Leeson on Vertigo, 
DNA, and Tilda Swinton”, Sloan Science & Film, January 12, 2018

Adrianne Rubenstein, “Upon Closer Observation”, 
Cultured Magazine, Winter 2017, 138 

Sura Wood, “So long, Bay Area art-world”, 
The Bay Area Reporter, Vol. 47/ No. 52, December 28, 2017

Karen Chernick, “10 Female Performance Artists You 
Should Know,from Ana Mendieta to Carolee Schneemann”, 
Artsy, December 20, 2017

Sonia Shechet Epstein, “Notes on Science and Fiction”, 
The Brooklyn Rail, December 13, 2017

Sam Whiting, “‘Vertighost’ re-creates Hitchcock film 
at the Legion of Honor with Kim Novak Twist”, San 
Francisco Chronicle, December 11, 2017

“Art and technology explored during region-wide 
collaboration”, Harvard Gazette, December 7, 2017

Alina Cohen, “Susan Cianciolo”, Art in America, 
December 4, 2017

Mitchell Anderson, “John Russell”, Flash Art, 
November/December 2017, 102

Sarah Thornton, “The Tools of Her Time”, Cultured 
Magazine, November 30, 2017

Laila Pedro, "A Day of Healing Through Mending Clothes", 
Hyperallergic, November 28, 2017

Silvia Sgualdini, “Jessi Reaves and Bradley Kronz 
Dorich House Museum/ London”, Flash Art Online, 
November 27, 2017

Roberta Smith, “What to See in New York Art Galleries 
This Week: Susan Cianciolo”, The New York Times, 
November 14, 2017

Jan Tumlir, “At this stage”, Artforum, November 2017

“Where to go on the weekend?” Monopol Magazin, 
November 10, 2017

Edith Newhall, “UArts exhibit celebrates the women 
of tech-art”, The Inquirer, November 2, 2017

“Susan Cianciolo”, The New Yorker, October 30, 2017

Jennifer Krasinski, “How Susan Cianciolo Spun Art 
Out of Fashion”, The Village Voice, October 17, 2017

Sam Korman, “The Overworked Body Ludlow 38 and Mathew 
Gallery/ New York”, Flash Art, volume 50, October 17, 2017 

Nora N. Khan, “Light Play: Twisting Reality and 
Deepening Narrative Through Augmentation”, 
Mousse Magazine #60, October 11, 2017, 228-237

Jennifer Levin, “Techie identity: Lynn Hershman Leeson”, 
Santa Fe New Mexican: Pasatiempo, October 6, 2017

Francesca Gavin, “The Rise of the Older Women Artist: 
How A Generation of Female Artists Are Finally Getting 
Their Due”, Sleek Magazine, October 6, 2017

Elvia Wilk, “Conceiving Anatomy: 
Lynn Hershman Leeson’s Teknolust”, 
Flash Art, no. 316, September/October 2017

Alexander Shulan, “In the Throes of Ecstasy” 
Kaleidoscope, October 2017, issue #31

Alec Coiro, “Susan Cianciolo At Bridget Donahue”, 
Ravelin Magazine, September 30, 2017

Felix Burrichter, “At Home with Susan Cianciolo”, 
A Magazine Curated by Eckhaus Latta, September 2017, 
#17, 158-167

Aoife Rosenmeyer, “John Russell: Kunsthalle Zürich, 
Switzerland”, Frieze, September 28, 2017

Alex Greenberger, “‘Vertigo’ Painting to Haunt Fine 
Arts Museums of San Francisco in New Lynn Hershman 
Leeson Project”, ArtNews, September 27, 2017

Kaitlin Phillips, “Scene and Herd: Running with Scissors”, 
Artforum, September 26, 2017

“Lost Track of Your Favorite Artists? Here’s 
a Guide to the Latest Round of Rising-Star 
Gallery Swaps”, Artnet News, September 21, 2017

Neila Orr and Jenny Ament, “Incense, Sweaters, 
And Altadena: An Interview with Martine Syms”, 
KCRW : The Organist, September 21, 2017

Kat Herriman, “Dream Catcher”, Cultured Magazine, 
September 2017

“9 Art Events to Attend in New York City This Week”, 
ArtNews, September 18, 2017 

Lee Plested, “Elizabeth McIntosh, Monique Mouton, 
Silke Otto-Knappe”, Artforum, September 2017, 336-337

Jamillah James, “Speech/Acts”, Artforum, September 2017, 160

Enrico, "John Russell: DOGGO / Kunsthalle Zürich", 
Vernissage TV, September 6, 2017

Herbert Martin, “Previewed”, Art Review, September 2017, 41-46

Ewa Hess, “Themenpark auf Crack”,
Private View/ Blog -Tages-Anzeiger, August 30, 2017

Colleen Kelsey, “Artists at Work: Susan Cianciolo”, 
Interview Magazine, August 2, 2017

J. Garcia, "New York – Harumi Yamaguchi Presented 
by Project Native Informant at Bridget Donahue Gallery 
for Condo New York Through July 29th, 2017", 
Art Observed, July 23, 2017

Alex Greenberger, “Cauleen Smith, Martine Syms Join 
CalArts Staff”, ArtNews, July 18, 2017

Peter Malone, “A Painter’s Fantasies Rendered as 
Cartoonish Dramas”, Hyperallergic, July 17, 2017

Jenna Wortham, “This Conceptual Artist Probably Lifts 
Heavier Than You”, Bon Appetite, July 13, 2017  

Nico Jacobsen, “Satoshi Kojima @ Bridget Donahue”, 
Totokaelo, July 12, 2017

Doreen St. Félix, “How To Be A Successful Black Woman”, 
The New Yorker, July 8, 2017

Yin Ho, “Critics’ Pick: Satoshi Kojima”, Artforum, July 7, 2017

Mitch Speed, “Martine Syms at MoMA”, Mousse #59,
Summer 2017, 168 - 169

“Satoshi Kojima”, The New Yorker, July 3, 2017

Andy Battaglia, “‘Go Look at Art and See What Happens’:
’Broad City’ Star Abbi Jacobson on Her New MoMA Podcast’”, 
Art News, June 29, 2017 

“Museum of Modern Art - Projects 106: Martine Syms”, 
The New Yorker , June 26, 2017

Myriam Ben Salah, “Incense Sweaters & Ice” and 
“Martine in Conversation with Rizvana Bradley at 
Raven Row, London”, Kaleidoscope #30, Summer 2017, 129 - 160

Angeline Gragasin, “Projects 106: Martine Syms at MoMA”, 
Screen Slate, June 20, 2017 

Laird Borrelli-Persson, “An Oral History of Susan 
Cianciolo’s Run Collections - And of a Long Lost 
1990s New York”, vogue.com, June 20, 2017 

Andrew Goldstein, “5 Rising Stars to Discover at the 
Liste Art Fair 2017”, ArtNet News, June 15, 2017

Carol Cooper, “Martine Syms’s Interactive MoMA 
Installtion Explores The Tyranny of Screens”, 
The Village Voice, June 14, 2017

Laura Gardner, “Susan Cianciolo & Kiva Motnyk The 
Community / Paris”, Flash Art, June 14, 2017

Kathy Noble, “I Love Myself I Want You To Love Me”, 
Mousse #59, Summer 2017

Kitty Knowles, “Jude Kelly: 5 women using digital 
art to change the world”, The Memo, June 12, 2017

Michael Wilson, “Satoshi Kojima”, TimeOut New York, 
June 9, 2017

Thea Ballard, “Lisa Alvarado”, Art in America, June 1, 2017 

Antwaun Sargent, “At MoMA, Martine Syms Puts Black 
Female Identity Under the Lens”, Artsy, May 31, 2017

Vanessa Thrill, “The Trauma of Political Engagement: 
Lynn Hershman Leeson’s Tania Libre”, Art in America, 
May 23, 2017

Alex Fialho, “500 Words: Martine Syms”, Artforum, May 22, 2017 

Alec Coiro, “Sound Activated Art by Lisa Alvarado”, 
Ravelin Magazine, May 17, 2017

Liz Hirsch, “Have It All: A Post-Trump 
New York Looks at How Images, Ideas, 
and Resources Circulate” Art News, 
May 17, 2017

Wendy Vogel, “‘Science Truth’ and Fearless Feminism 
in Lynn Hershman Leeson’s ‘Civic Radar’”, MOMUS, May 12, 2017

Caille Millner, “Art for art’s sake is still political”, 
San Francisco Chronicle, May 12, 2017

Jeppe Ugelvig, “The i-D Guide to Frieze New York”, 
i-D, May 8, 2017

Jori Finkel, “Freeing Tania Bruguera”, The Art Newspaper, 
May 6, 2017

Havana Laffitte, “Susan Cianciolo Tells Havana Laffitte 
About Run Restaurant”, Ravelin Magazine, May 4, 2017

Louis Lucero II, “Frieze New York Presents Global, 
Cutting-Edge Art”,The New York Times, May 4, 2017

Abby Bangser, “Frieze New York 2017: 
Artistic Director Abby Bangser’s 9 
Can’t-Miss Booths”, W Magazine, May 3, 2017

Brittany Adams, “What to See at Frieze New York”, 
CR Fashion Book, May 3, 2017

Dana Kopel, “Conversations: Vibrational Aesthetics: 
Lisa Alvarado” Mousse Magazine, May 2, 2017

Stephanie Eckhardt, “The Women Artists Stealing 
the Spotlight at Frieze New York 2017”, W Magazine, 
May 2, 2017

“Lisa Alvarado”, The New Yorker, May 1, 2017, 6

Cat Kron, “Ginny Casey and Jessi Reaves”, Artforum, May, 2017

Joe Bucciero, “Lisa Alvarado: Sound Talisman”, 
The Brooklyn Rail, May 1, 2017

Johanna Fateman, “Rights and Privileges: Johanna Fateman 
on the 2017 Whitney Biennial”, Artforum, May, 2017, 296-302

Franklin Sirmans, “Mixed Media”, Cultured 
Magazine, April/May 2017

Holland Cotter, “10 Galleries to Visit Now on the 
Lower East Side”, The New York Times, April 28, 2017, C30

Terence Trouillot, “10 Contemporary Artists Taking 
Photography in New Directions”, Artnet News, April 27, 2017

Giovanni Russonello, “Pop, Rock and Jazz in NYC 
This Week”, The New York Times, April 20, 2017

Genevieve Quick, “Reflections in a Cyborg: Lynn 
Hershman Leeson’s Civic Radar”, Art Practical, April 20, 2017

Stephanie Eckardt, “A Review of Susan Cianciolo’s 
Restaurant at the Whitney Biennial”, W Magazine, 
April 19, 2017

Brooke Bobb, “Here’s a First Look at the 
Staff Uniforms for Designer and Artist Susan 
Cianciolo at the Whitney”, Vogue, April 18, 2017

Sarah Cascone, “Hungry for Art? One Artist Just Opened 
a Restaurant at the Whitney Biennial”, Artnet News, 
April 18, 2017

Jerry Saltz, “To Do: April 19-May 3, 2017”, 
New York Magazine, April 16, 2017

Evan Moffitt, “All Lynn”, Frieze, April 14, 2017

Tim Gentles, “Sputterances”, Art Agenda, April 13, 2017

Terence Trouillot, “‘Conceptual Entrepreneur’ Martine 
Syms Will Bring Augmented Reality Storytelling to MoMA”, 
Artnet News, April 12, 2017 

Ellie Broughton, “Interview: Lynn Hershman Leeson”, 
Litro, April 8, 2017

Jeppe Ugelvig, “Lynn Hershman Leeson: Remote Controls”,
Art Review, April 2017, 124

Chris Sharp and Genevieve Yu, “Double Take - 
Whitney Biennial”, Art Agenda, March 21, 2017

Leah Garchik, “Lynn Hershman Leeson and Eleanor Coppola,
mischief-makers”, San Fransisco Chronicle, March 20, 2017

Alix Browne, “With the 2017 Whitney Biennial, 
the Fashion Designer Susan Cianciolo is Turning 
Into an Art Star At Last”, W Magazine, 
March 13, 2017 

Alan Gilbert, “Lynn Hershman Leeson’s ‘Remote Controls’”, 
Art Agenda, March 9, 2017

Martha Schwendener, “Lynn Hershman Leeson”, 
The New York Times, March 9, 2017

Kelsey Lannin, “Omission Is Murder for Feminist 
Media Art Pioneer Lynn Hershman Leeson”, Vice: 
The Creators Project, March 8, 2017

Hannah Stamler, “The Interactive Void”, Village Voice, 
March 8, 2017, p. 21

Alex Greenberger, “A New Future from the Passed”, 
ArtNews, Spring 2017, 66-71

Lara Atallah, “Lynn Hershman Leeson: Remote Controls”, 
The Brooklyn Rail, March 1, 2017

Barbara Morris, “Critic’s Pick: San Francisco”, Art 
Ltd., February 28, 2017

“Lynn Hershman Leeson”, The New Yorker, 
February 27, 2017, 8

Roberta Smith, “What to See in New York Art Galleries 
This Week: Looking Back: The 11th White Columns Annual”, 
The New York Times, February 24, 2017

Jonathan Curiel, “A Retrospective of One’s Own, 
for Lynn Hershman Leeson”, SF Weekly, February 22, 2017

Michelle Threadgould, “Artist Lynn Hershman Leeson 
on Being ‘Discovered’ at 75”, NPR syndicate KQED, 
San Francisco, February 21, 2017

Chloe Wyma, “Lynn Hershman Leeson”, Artforum: 
Critics’ Pick, February 17, 2017

Emily Colucci, “Remixing Intersectional Feminism At 
Pittsburgh’s Miller Gallery At Carnegie Mellon University”, 
ArtFCity, February 15, 2017

Michelle Robertson, “‘Lynn Hershman 
Leeson: Civic Radar’Opens at the YBCA”, 
SF Gate, February 11, 2017 

Aurelio Cianciotta, “Lynn Hershman
- Civic Radar”, Neural, February 
11, 2017

Matthew Domescek, “A Portfolio and 
Conversation with Susan Cianciolo”, 
photographic portfolio by Lasse Kusk, 
A Magazine Curated By, February 9, 2017, 
No. 333

Charles Desmarais, “Lynn Hershman Leeson: 
Myths and machines at YBCA”, San Francisco 
Chronicle, February 10, 2017

Olivia B. Murphy, “Digital Pioneer Lynn Hershman Leeson 
Walks Us Through Her Groundbreaking ‘Firsts’”, ArtSlant, 
February 10, 2017

Karen Archey, “Cyborgs, Sheep, and Nanny Cams”, 
Rhizome, February 9, 2017

Oliver Johnston, “Berlin Film Festival 2017: Ten 
films to look out for”, The Upcoming, February 8, 2017

Haley Weiss, "Lynn Hershman Leeson", 
Interview Magazine, February 7, 2017

Emily Watlington, “The Love Object at Team Gallery”, 
Mousse Magazine, February 6, 2017 

Blake Gopnik, “Lynn Hershman Leeson Makes Art From 
Life’s Challenges” Artnet News, February 3, 2017

"Lynn Hershman Leeson: Remote Controls", POSTmatter, 
February 2, 2017 

Silvia Sgualdini, “Condo/London”, Flash Art, January 27, 2017 

D. Creahan, “New York - ‘The Love Object’ Curated
by Tom Brewer at Team Gallery Through February 18th,
2017”, Art Observed, January  25, 2017 

Lorena Muñoz-Alonso, “Condo 2017 Proves That Sharing 
Resources In the Art World Is Possible - and Necessary”, 
Artnet News, January 16, 2017

Boško Blagojević, “Victor Burgin”, Artforum, January 2017, 219

M. Donovan, “New York - Mark Van Yetter: ‘The Terrifying 
Abyss of Skepticism’ at Bridget Donahue Through January 8, 
2017”, Art Observed, December 30, 2016

Will Heinrich, “What to See in New York Art Galleries 
This Week: Mark Van Yetter”, The New York Times, 
December 22, 2016

Helen Longstreth, Melissa Ray, Louise Benson, 
“Top Ten Artists of 2016”, POSTmatter, December 19, 2016

Sam Korman, “Art Life: New York: The first in a new 
series of multiple-show city reviews takes on contemporary 
art in the Big Apple”, ArtReview, December 2016, 126-131

Jennifer Kabat, “2016 Highlights: 
Jennifer Kabat”, Frieze, December 9, 2016 

Holland Cotter and Roberta Smith, 
“The Best Art of 2016”,
The New York Times, December 7, 2016

Emily Spivack, “The Phrase One Artist Lives (And Works) By”, 
T: The New York Times Style Magazine, December 6, 2016

Roberta Smith, “Diving Into Movie Palaces of the Mind 
at the Whitney”, The New York Times (December 2), C21

Zoë Chan, “Acting Out: The Visibility of Blackness in the Work 
of Martine Syms”, Momus, November 30, 2016

Robin Pogrebin, “Here Comes the Whitney Biennial, 
Reflecting the Tumult of the Times”, The New York Times, 
November 17, 2016

“Lynn Hershman Leeson at Vilma Gold”, Contemporary 
Art Writing Daily, November 15, 2016

Gaetano Pesce and Jessi Reaves, edited by Marco Braunschweiler,
“Introducing: Conversations Between Two Artists Who Have Never 
Met Before”, Museum of Contemporary Art Los Angeles: Stream, 
November 11, 2016

Danny King, “Victor Burgin: UK76”, The Village Voice, 
October 28, 2016

Priscilla Frank, “8 Radical, Feminist 
Artists From The 1970s Who Shattered The 
Male Gaze”, The Huffington Post, October 24, 2016

William J. Simmons, “The Limits of Representation”, 
Aperture, October 20, 2016

Alan Longino, “Painting is a Whale”, 
Haunt Journal of Art, Volume 3, 33, October 19, 2016

Courtney Fiske, “Victor Burgin”, 
Artforum, October 14, 2016

Robbie Harris, “Personalized Implantables, 
Where Art & Science Meet: an Exhibition,” 
National Public Radio, WVTF, Virginia Tech, 
October 14, 2016 

Robbie Harris, “Portrayal of Women in 
American Culture”, National Public Radio, 
WVTF, Virginia Tech, October 13, 2016   

Izabella Scott, “A Brief History of 
Cyberfeminism”, Artsy, October 13, 2016

Phillip Griffith, “Victor Burgin” The Brooklyn Rail, 
October 4, 2016

Orit Gat, “Critic’s Guide: London: Lynn Hershman 
Leeson, Mike Kelley, Laura Owens, and more: the best 
exhibitions on view during Frieze Week” Frieze, 
October 3, 2016

Johanna Fateman, “Lynn Hershman Leeson: Civic Radar, 
Edited by Peter Weibel”, Bookforum, 
September/October/November 2016, 48

Hearne Pardee, “Destructive Modernism: Two Exhibitions 
of Victor Burgin”, Artcritical, October 1, 2016

Alex Kitnick, “Victor Burgin”, 4Columns, September 30, 2016

Thea Ballard, “Dress Up”, Modern Painters, 
September 28, 2016, 78-85

Lynn Hershman Leeson, “On the Cusp of Disaster: 
Lynn Hershman Leeson In Her Own Words”, 
Sloane Science and Film, September 21, 2016

Roberta Smith, "Museums Embrace the Unfamiliar", 
The New York Times, September 16, 2016, AR76

“20 New York Gallery Exhibitions Everyone Should See
This Fall”, ArtNet News, August 25, 2016

Samuel Anderson, “Nineties Cult Icon Susan Cianciolo Still 
Believes in Zines”, V Magazine, September 2, 2016

Antwaun Sargent, “Memes Mediate an Artist’s Trip 
to the Dentist”,The Creators Project, August 27, 2016

“Art is a Form of Encryption: Laura Poitras in 
Conversation with Lynn Hershman Leeson”, Pen America: 
The Freedom to Write, August 25, 2016

Ian Epstein, “35 Can’t-Miss Art Exhibits Opening This Fall: 
Dreamlands: Immersive Cinema and Art, 1905 - 2016”, 
Vulture, August 24, 2016

Emily Spivack, “The Hallmark of a Great Artist’s Studio: 
A Daybed”, T: The New York Times Style Magazine, 
August 23, 2016

Trinie Dalton, “Picks: Susan Cianciolo” Artforum, Summer 2016

Oscar Garza and James Kim, “‘Made in LA’ artist, Martine 
Syms on how entertainment industry constructs identities”, 
89.3 KPCC: The Frame, June 30, 2016

“On Empathy”, The New Yorker, June 29, 2016

Julia Halperin, José Da Silva, “She’s got the look: where to 
find self-portraits, a jeune fille, muses and an unmerry widow 
at Art Basel”, The Art Newspaper: Art Basel 2016, June 17, 2016

Gracie Linden, “Deconstructing African American Identity into 
Axioms, Photos, and Colors”, Hyperallergic, June 15, 2016

Gabrielle Pelicci, “5 Awesome Feminist Documentaries That You 
Need To See Right Now”, Huffington Post, June 13, 2016  

Deborah Vankin, “At Hammer Museum’s ‘Made in L.A.’ 
biennial, Martine Syms makes her moment,” Los Angeles Times, 
June 11, 2016

“Jessi Reaves at Bridget Donahue”, Contemporary Art 
Writing Daily, June 8, 2016

Christie Chu, “10 Millennial Artists to Watch in 2016:
Jessi Reaves”, Artnet News, June 6, 2016

Juliana Huxtable and Lynn Hershman Leeson, “Personae of 
Interest:Lynn Hershman Leeson and Juliana Huxtable in 
Conversation”, Artforum, Summer, 312-319

David Ebony, “David Ebony’s Top 10 New York Gallery Shows 
for May”, Artnet News, May 25, 2016

Marc Garrett, “Lynn Hershman Leeson’s - Civic Radar: 
Book Review”, Furtherfield, May 18, 2016

Claire Voon, “The Visual Indulgences of Furniture Made 
From Scraps”, Hyperallergic, May 18, 2016

Ananda Pellerin, “Martine Syms: Fact & Trouble”, 
Time Out, May 17, 2016

Calder Yates, “Flavr Savr at the Pit”, Daily Serving, 
May 17, 2016

“An Interview with Martine Syms”, AQNB, May 10, 2016

Eliza Anyangwe, “Martine Syms at the ICA: ‘people act like art 
is a white thing’”, The Guardian, May 9, 2016

Martine Syms at Magic Lantern Cinema 
Presents: From Mouth to Hand, May 19, 2016

Barry Schwabsky, “Monique Mouton”, Artforum, May 2016, 332

Leigh Anne Miller, “Lookout: Jessi Reaves”, Art in America, 
April 29, 2016

Stephanie Eckardt, “Susan Cianciolo, the 90’s Artist-Designer 
Inspiring Eckhaus Latta”, W Magazine, April 29, 2016

"Jessi Reaves", The New Yorker Online, April 2016

Sam Korman, “Jessi Reaves”, Flash Art, April 26, 2016, 
Issue 307

Katherine Cusumano, “Domestic Ills: Sculptor Jessi Reaves 
Elevates Furniture By Making It Weirder”, W Magazine, 
April 21, 2016

Dayla Benor, “Martine Syms on LA, coming offline, and the 
language of pop”, Dazed, April 20, 2016

Rachel Wetzler, "The Invisible Artist: Lynn Hershman Leeson's 
Multiple Personalities", Art News, April 20, 2016

Jerry Saltz, "11 Artists Poised to Have Breakout 
Years in 2016, and Wearing Some Mix of Their Clothes
and Ours", New York Magazine, April 22, 2016

Lauren Mackler, “Introduction: Martine Syms, A Pilot 
for a Show About Nowhere”, Vdrome, April 17, 2016

Martine Syms, “Portfolio: Martine Syms”, Frieze, 
April 11, 2016

William J. Simmons, “Lynn Hershman Leeson: 
Significant Commitment”, Musèe Magazine, No. 14: 
Science and Technology, April 2, 2016

Melissa Canbaz, “Mark van Yetter”, Frieze, March 27, 2016  

Alex Greenberger, “Lynn Hershman Leeson is Making a 
Documentary About Tania Bruguera”, ARTnews, 
March 24, 2016

Dana Kopel, Review: Susan Cianciolo at 356 S. Mission Rd. in Los Angeles, Blouin Artinfo, March 8, 2016

Thomas Micchelli, “A Painter’s Progress: Monique Mouton’s 
Rough Edges”, Hyperallergic, March 5, 2016

Roberta Smith, “Monique Mouton ‘More Near’”, The New York Times,
March 11, 2016

Essence Harden, EDIFICATION OF THE BOX: MARTINE

SYMS AT HUMAN RESOURCES LA, SFAQ, February 23, 2016 

Heather Jones, “Interview: Mark van Yetter”, Kunsthall 
Stavanger, February 17, 2016

Susan Cianciolo: "Though I have all faith 
so as to remove mountains, but have not love,
I am nothing" 'Corinthians'.
February 11, 2016. 

“Lookout Highlights of 2015”, Art in America, January 7, 2016

Anne Doran, “John Russell”, TimeOut New York, 
January 6, 2016

Alan Gilbert, “John Russell’s SQRRL”, 
Art Agenda, January 5, 2016

Peter Plagens, “3-D Printing, Mixed Media, and Mysterious 
Creatures”, The Wall Street Journal, January 3, 2016

Scott Indrisek, “What Did Artists Love In 2015? A Survey”, 
Blouin Artinfo, December 31, 2015

Paddy Johnson, “The Best 25 Shows of 2015: Best Gallery Shows”, Art F City, 
December 31, 2015

Emily McDermott, “The Conceptual Entrepreneur”, Interview 
Magazine, December 29, 2015

Catherine Wagley, “8 L.A. Artists and Art-World Figures To 
Watch in 2016”, LA Weekly, December 28, 2015

Charlie Jane Anders, “SQRRL is the craziest art project we’ve 
seen in ages”,i09, December 25, 2015

Martha Schwendener, "John Russell’s ‘Sqrrl’ Embodies 
a Science Fiction Journey", The New York Times, 
December 24th, 2015

Celine Katzman, "John Russell's SQRRL", December 7th, 2015

Milena Tomic, "Biopolitical Effigies: The 
Volatile Life-Cast in the Work of Paul 
Thek and Lynn Hershman Leeson", 
Tate Papers No. 24, Autumn 2015 

Nick Irvin, "John Russell", frieze, December 14th, 2015

Gillian Young, "Martine Syms", 

Art in America, December 11th, 2015

Lauren Palmer, "20 Emerging Female Artists To Keep On Your Radar", 
artnet News, December 9th, 2015

Ben Davis Selects the 20 Most Memorable New York

Gallery Shows of the Year. November 17, 2015. 

Jessi Reaves featured in PIN-UP Magazine Fall/Winter 2015/16 issue.

cover: Susan Cianciolo, Four-Page Advert for Dune Magazine #3 (detail), 1998

"Radical Chic: The Art of Susan Cianciolo" by Nick Mauss
"Portfolio" by Susan Cianciolo

"Martine Syms", Scenes from the Studio

Freda Nada, "Martine Syms: Vertical Elevated Oblique", 
Topical Cream, October 21st, 2015

Marialuisa Pastò, "MARTINE SYMS - VERTICAL ELEVATED OBLIQUE, BRIDGET DONAHUE", Aujourd'hui, October 2015

SculptureCenter SculptureNotebook. Featured Artist: Jessi Reaves

Steff Yotka, "Contemporary Fashion Finds a New Home at MoMA PS1", VOGUE, October 16th, 2015

"Martine Syms “Vertical Elevated Oblique” at Bridget Donahue, New York", Mousse Magazine, October 13th, 2015

Karen Rosenberg, "Critic's Choice: Martine Syms's Master Class in Micro-Acting for the YouTube Age", Artspace, October 6th, 2015

The New Yorker, Goings On About Town, "Martine Syms" 

Johanna Fateman, "Martine Syms, New York Critics' Picks", Artforum Online, October 2015

Ingeborg Reichle, “The Infinity Engine”, 
SciArt in America, October 2015, 27 - 31


Jessica Lynne, “Black Womanhood and the Language of the Hand”, ArtSlant, September 28th, 2015

Thea Ballard, “Introducing Martine Syms: Screens and Self-Performance”, Modern Painters (September 2015), September 16th, 2015 

Alex Fleming, “Susan Cianciolo / New York”, Flash Art (Volume 48, No. 303), August 24th, 2015

Holland Cotter, “Review: Susan Cianciolo Lets Others Pick Through Fragments Of Her Life”, The New York Times, July 2nd, 2015

Andrea K. Scott, "Boxing Days: A Creative Free Spirit Contains Herself On The Lower East Side", The New Yorker, June 29th, 2015 Issue

Liz Hirsch, "Artseen: SUSAN CIANCIOLO if God COMes to visit You, HOW will you know? (the great tetrahedral kite)", The Brooklyn Rail, June 3rd, 2015

"The Lookout: Susan Cianciolo", Art In America Online

"Consumer Reports: Martine Syms", ARTnews, June 3, 2015

Michele Filgate, “Sacred Objects”, Interview Magazine, May 2015, 62

Laura McLean-Ferris, "Susan Cianciolo, New York Critic's Picks", Artforum Online, May 2015

Drew Sawyer, "Lynn Hershman Leeson: Origins of the Species", Document, March 25 2015

Holland Cotter, "Art In Review - Lynn Hershman Leeson: 'Origins Of The Species'", The New York Times, March 26 2015, p. C24

Kerry Doran, "Cyborg Origins: Lynn Hershman Leeson at Bridget Donahue", Rhizome, March 19 2015

"Lynn Hershman Leeson", The New Yorker Online, February 2015

Noelle Bock,"Lynn Hershman Leeson and the Art of Genetic Experimentation", Blouin Art Online, March 3 2015  

Courtney Fiske, "Lynn Hershman Leeson, New York Critic's Picks", Artforum Online, February 2015

"Exhibitions: Lynn Hershman Leeson", Art in America Magazine Online, February 2015  

Kathy Noble, "The Alternating Realities of Lynn Hershman Leeson," Mousse March-February 2015, p. 152

Wendy Vogel, "Embodied Performance: Lynn Hershman Leeson Gets a Retrospective at ZKM", Modern Painters, Decemmber 12 2014

William J. Simmons, Review "Lynn Hershman Leeson at ZKM, Karlsruhe, Germany" Frieze Issue 169, March 2015

Karen Archey, Exhibition Tour: Lynn Hershman Leeson’s “Civic Radar” at ZKM, e-flux

Lynn Hershman Leeson presents an afternoon on the Future of Humanity at MOMA PS1

Randy Kennedy, "Lynn Hershman Leeson Explores Technology and the Split Self," The New York Times, February 13, 2015, p. 4

Blake Gopnik, “Monique Mouton Paints Painting’s Death”, Artnet News, January 26, 2015.

Lilly Wei, "Lynn Hershman Leeson: Civic Radar", Studio 
International: Visual Arts, Design, Architecture, 
January 22, 2015

Monika Szewczyk, “Vancouver Reviews: ‘Persian Rose Chartreuse Muse Vancouver Grey’”, Artforum, Summer 2014. 

Tobias Carroll, “Checking Out ‘Dismal Plight’ at Cleopatra’s”, Vol. 1
Brooklyn, June 6, 2014

Michael Turner, “A Look at Painting as Journey in Vancouver”, Canadian Art,
April 9, 2014.

Leah Turner, “Monique Mouton has a delicate conversation with

abstraction: Talking With Paint,” Canadian Art, Spring 2012.

Aaron Peck, “Monique Mouton”, 01 \\ Magazine, October 26, 2011

Howie Chen,“Mark van Yetter: Getting the Picture”, Howie Chen Archive, 2009. 

Michael Wilson, “Mark Van Yetter and Matt Hoyt: Dispatch”, Artforum, Summer 2008, Vol. 46, No. 10, 443-444.