John Russell
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Well, 2021
Digital print on vinyl, 87' 7" x 22' 1.5"[0/51]
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Well, 2021
Digital print on vinyl, 87' 7" x 22' 1.5"[1/51]
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Well, 2021
Digital print on vinyl, 87' 7" x 22' 1.5"[2/51]
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Installation View, GOLD, 2017
High Art, Paris[3/51]
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Various Attempts at Transcendence (detail), 2017
UV print on backlit vinyl, wood frame, variable dimensions[4/51]
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Installation View, GOLD, 2017
High Art, Paris[5/51]
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Installation View, GOLD, 2017
High Art, Paris[6/51]
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Love, 2017
Acrylic and inkjet on vinyl, gold leaf, marker pen, glitter, wood, steel, LED light, 100 x 70 x 4 cm / 39.37 x 27.5 x 1.5 in[7/51]
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Installation View, DOGGO, 2017
Bridget Donahue, New York[8/51]
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Installation View, DOGGO, 2017
Bridget Donahue, New York[9/51]
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Blackberry, 2018
Acrylic photo-transfer on fiberglass, resin and styrofoam, 42 ½ × 32 × 3 ½ inches[10/51]
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Fly, 2018
Acrylic photo-transfer on fiberglass, resin and styrofoam, 28 ½ × 26 × 3 ½ inches[11/51]
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Insect, 2018
Resin, acrylic paint and spray paint on Jesmonite, 17 × 14 × 14 inches[12/51]
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Doggo, 2018
Acrylic paint and spray paint on Jesmonite, 18 ½ × 14 × 14 inches[13/51]
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Woman, 2018
Oil on canvas, 38 ½ × 45 × 1 inches[14/51]
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Praying Mantis, 2018
Oil on canvas, 28 ½ × 46 × 1 inches[15/51]
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Road, 2018
Digital print on backlit vinyl, 97 ⅝ × 173 ⅜ inches[16/51]
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Trees, 2018
Digital print on backlit vinyl, 97 ⅝ × 328 ⅜ inches[17/51]
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DOGGO, 2017-2018
Video (color, sound), 50 minutes[18/51]
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DOGGO, 2017-2018
Video (color, sound), 50 minutes[19/51]
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DOGGO, 2017-2018
Video (color, sound), 50 minutes[20/51]
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DOGGO, 2017-2018
Video (color, sound), 50 minutes[21/51]
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DOGGO, 2017
Video (color, sound), 50 minutes[22/51]
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DOGGO, 2017
Video (color, sound), 50 minutes[23/51]
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Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018
Telepath, backlit digital print on vinyl, 177 1/8 x 429 1/4 inches[24/51]
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Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018
Telepath, backlit digital print on vinyl, 177 1/8 x 429 1/4 inches[25/51]
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Installation view in As Above, So Below: Portals, Visions, Spirits & Mystics, Irish Museum of Modern Art, Dublin, 13 April – 27 August 2017, photography Denis Mortell
The Filth [Spiritualized], 2017, digital print on backlit vinyl, 270 x 517.89cm[26/51]
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Those were insects that were their eyes II, 2017
Backlit digital print on vinyl, 3.4 × 17 m (133 ⅞ × 669 ¼ in.), photo by Annik Wetter[27/51]
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Installation View, Kunsthalle Zürich, 2017
Leech, 2016, backlit digital print on vinyl, 4.5 × 4.5 meters (177 ⅛ × 177 ⅛ in.)[28/51]
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Installation View, Kunsthalle Zürich, 2017
Midnight Ecstasy, 2014, backlit digital print on vinyl, 2.5 × 11 m (98 ⅜ × 433 ⅛ in.)[29/51]
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Installation View, Kunsthalle Zürich, 2017
Judgement. The kangaroo is not happy. It's not clear who or what it represents but its not in a good place., 2014, backlit digital print on vinyl, 4 × 9.15 meters (157 ½ × 360 ¼ in.)[30/51]
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Installation View, Kunsthalle Zürich, 2017
Ocean Pose [Pink], 2008, backlit digital print on vinyl, 3.2 × 8.47 meters (126 × 333 ½ in.)[31/51]
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Untitled, 2016
Real photoprint on photo paper mounted on dibond, 46 ½ × 106 in. (118.11 × 269.24 cm)[32/51]
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His Comb-Over Blown Up in the Wind Like a Shark's Fin, 2017
Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo[33/51]
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Dogs Turning Into Humans (Early Morning), 2017
Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo[34/51]
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God is a Shrimp (Driving), 2017
Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo[35/51]
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Deer, 2016
Wood, metal, mixed media, 240 × 70 × 80 cm (94 ½ × 27 ½ × 31 ½ in.)[36/51]
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Transformational Joy, 2014
Wood, metal, mixed media sculpture 89 x 42 x 40 inches (226.06 x 106.68 x 101.60 cm)[37/51]
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easyJet / Flies, 2015
Collaboration with Dan Mitchell, mobile with plastic flies and model EasyJet planes, dimensions variable[38/51]
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Untitled (Abstraction of Labour Time/ External Recurrence/Monad) III, 2015
Photopolymer etching, 30 x 23 inches (76.20 x 58.42 cm)[39/51]
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Untitled (Abstraction of Labour Time/ External Recurrence/Monad), 2015
Inkjet print on mylar, 35 ⅛ × 28 × 1 ½ in. (89.22 × 71.12 × 3.81 cm) (framed), photo by Gregory Carideo[40/51]
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Untitled (Box), 2015
Oil on cardboard packaging, 8.5 x 6.5 x 2.5 inches (21.59 x 16.51 x 6.35 cm)[41/51]
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Untitled (Box), 2015
Oil on cardboard packaging, 8.25 x 5.5 x 2.5 inches (20.96 x 13.97 x 6.35 cm)[42/51]
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Untitled (Box), 2015
Oil on cardboard packaging, 9.5 x 5.5 x 1.5 inches (24.13 x 13.97 x 3.81 cm)[43/51]
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Installation View
[44/51]
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Mirror Mapping the Stars, 2015 (detail)
Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)[45/51]
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Mirror Mapping the Stars, 2015 (detail)
Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)[46/51]
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Mirror Mapping the Stars, 2015 (detail)
Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)[47/51]
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Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
45 minutes[48/51]
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Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
45 minutes[49/51]
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Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
45 minutes[50/51]