John Russell
-
Diamond composition 1: Angle of arrival, 2024
Acrylic-urethane paint on resin and fiberglass, 26 × 19 ½ × 1 ½ in. (66.04 × 49.53 × 3.81 cm)[0/76]
-
Diamond composition 2: Angle of arrival, 2024
Acrylic-urethane paint on resin and fiberglass, 26 × 19 ½ × 1 ½ in. (66.04 × 49.53 × 3.81 cm)[1/76]
![Diamond composition 2: Angle of arrival, 2024]()
-
Diamond composition 2: Angle of arrival, 2024
Acrylic-urethane paint on resin and fiberglass, 26 × 19 ½ × 1 ½ in. (66.04 × 49.53 × 3.81 cm)[2/76]
![Diamond composition 2: Angle of arrival, 2024]()
-
Diamond composition 3: Angle of arrival, 2024
Acrylic-urethane paint on resin and fiberglass, 26 × 19 ½ × 1 ½ in. (66.04 × 49.53 × 3.81 cm)[3/76]
![Diamond composition 3: Angle of arrival, 2024]()
-
The Floor, 2024
Digital print on vinyl, dimensions variable, edition of 1 plus I AP[4/76]
![The Floor, 2024]()
-
The Floor, 2024 (detail)
Digital print on vinyl, dimensions variable, edition of 1 plus I AP[5/76]
![The Floor, 2024 (detail)]()
-
The Floor, 2024 (detail)
Digital print on vinyl, dimensions variable, edition of 1 plus I AP[6/76]
![The Floor, 2024 (detail)]()
-
Angel Burst I, 2024
Carbon fiber rod, plastic, polyurethane resin, 49 × 58 × 44 in. (124.46 × 147.32 × 111.76 cm)[7/76]
![Angel Burst I, 2024]()
-
Angel Burst I, 2024 (detail)
Carbon fiber rod, plastic, polyurethane resin, 49 × 58 × 44 in. (124.46 × 147.32 × 111.76 cm)[8/76]
![Angel Burst I, 2024 (detail)]()
-
Cavapool, 2022
Digital print on vinyl 10 × 40 m (393 ¾ × 1,574 ¾ in.) Dimensions variable[9/76]
![Cavapool, 2022]()
-
Cavapool, 2022 (detail)
Digital print on vinyl 10 × 40 m (393 ¾ × 1,574 ¾ in.) Dimensions variable[10/76]
![Cavapool, 2022 (detail)]()
-
Cavapool, 2022 (detail)
Digital print on vinyl 10 × 40 m (393 ¾ × 1,574 ¾ in.) Dimensions variable[11/76]
![Cavapool, 2022 (detail)]()
-
Cavapool, 2022 (detail)
Digital print on vinyl 10 × 40 m (393 ¾ × 1,574 ¾ in.) Dimensions variable[12/76]
![Cavapool, 2022 (detail)]()
-
PAIN, 2022
Archival digital print on paper, 47 × 33.1 in. (119.38 × 84.07 cm). Dimensions variable[13/76]
![PAIN, 2022]()
-
OEUF, 2022
Archival digital print on paper, 47 × 33.1 in. (119.38 × 84.07 cm). Dimensions variable[14/76]
![OEUF, 2022]()
-
LOVE, 2022
Archival digital print on paper, 47 × 33.1 in. (119.38 × 84.07 cm). Dimensions variable[15/76]
![LOVE, 2022]()
-
Cavapoo Dog 1, 2022
Paper mache and acrylic paint. Dimensions variable[16/76]
![Cavapoo Dog 1, 2022]()
-
Cavapoo Dog 2, 2022
Paper mache and acrylic paint. Dimensions variable[17/76]
![Cavapoo Dog 2, 2022]()
-
Cavapoo Dog 2, 2022 (detail)
Paper mache and acrylic paint. Dimensions variable[18/76]
![Cavapoo Dog 2, 2022 (detail)]()
-
Scapegoat (transfer), 2022
Fiberglass, resin, paper-mache, metal rod, acrylic paint Goat: 37 × 34.7 × 15 in. (93.98 × 88.14 × 38.10 cm) With pedestal: 78 × 48 × 27 in. (198.12 × 121.92 × 68.58 cm)[19/76]
![Scapegoat (transfer), 2022]()
-
Scapegoat (transfer), 2022 (detail)
Fiberglass, resin, paper-mache, metal rod, acrylic paint Goat: 37 × 34.7 × 15 in. (93.98 × 88.14 × 38.10 cm) With pedestal: 78 × 48 × 27 in. (198.12 × 121.92 × 68.58 cm)[20/76]
![Scapegoat (transfer), 2022 (detail)]()
-
Well, 2021
Digital print on vinyl, 87' 7" x 22' 1.5" (26.69 x 6.74 m)[21/76]
![Well, 2021]()
-
Well, 2021
Digital print on vinyl, 87' 7" x 22' 1.5" (26.69 x 6.74 m)[22/76]
![Well, 2021]()
-
Well, 2021
Digital print on vinyl, 87' 7" x 22' 1.5" (26.69 x 6.74 m)[23/76]
![Well, 2021]()
-
Installation View, GOLD, 2017
High Art, Paris[24/76]
![Installation View, GOLD, 2017]()
-
Various Attempts at Transcendence (detail), 2017
UV print on backlit vinyl, wood frame, variable dimensions[25/76]
![Various Attempts at Transcendence (detail), 2017]()
-
Installation View, GOLD, 2017
High Art, Paris[26/76]
![Installation View, GOLD, 2017]()
-
Installation View, GOLD, 2017
High Art, Paris[27/76]
![Installation View, GOLD, 2017]()
-
Love, 2017
Acrylic and inkjet on vinyl, gold leaf, marker pen, glitter, wood, steel, LED light, 39.37 x 27.5 x 1.5 in. (100 x 70 x 4 cm)[28/76]
![Love, 2017]()
-
Installation View, DOGGO, 2017
Bridget Donahue, New York[29/76]
![Installation View, DOGGO, 2017]()
-
Installation View, DOGGO, 2017
Bridget Donahue, New York[30/76]
![Installation View, DOGGO, 2017]()
-
Blackberry, 2018
Acrylic photo-transfer on fiberglass, resin and styrofoam, 42 ½ × 32 × 3 ½ in. (107.95 x 81.28 x 8.9 cm)[31/76]
![Blackberry, 2018]()
-
Fly, 2018
Acrylic photo-transfer on fiberglass, resin and styrofoam, 28 ½ × 26 × 3 ½ in. (72.4 x 66.04 x 8.9 cm)[32/76]
![Fly, 2018]()
-
Insect, 2018
Resin, acrylic paint and spray paint on Jesmonite, 17 × 14 × 14 in. (43.18 x 35.56 x 35.56 cm)[33/76]
![Insect, 2018]()
-
Doggo, 2018
Acrylic paint and spray paint on Jesmonite, 18 ½ × 14 × 14 in. (46.99 x 35.56 x 35.56 cm)[34/76]
![Doggo, 2018]()
-
Woman, 2018
Oil on canvas, 38 ½ × 45 × 1 in. (97.79 x 114.3 x 3.54 cm)[35/76]
![Woman, 2018]()
-
Praying Mantis, 2018
Oil on canvas, 28 ½ × 46 × 1 in. (72.39 x 116.84 x 2.54 cm)[36/76]
![Praying Mantis, 2018]()
-
Road, 2018
Digital print on backlit vinyl, 97 ⅝ × 173 ⅜ in. (246.38 x 439.42 cm)[37/76]
![Road, 2018]()
-
Trees, 2018
Digital print on backlit vinyl, 97 ⅝ × 328 ⅜ in. (246.38 x 833.12 cm)[38/76]
![Trees, 2018]()
-
DOGGO, 2017-2018
Video (color, sound), 50 minutes[39/76]
![DOGGO, 2017-2018]()
-
DOGGO, 2017-2018
Video (color, sound), 50 minutes[40/76]
![DOGGO, 2017-2018]()
-
DOGGO, 2017-2018
Video (color, sound), 50 minutes[41/76]
![DOGGO, 2017-2018]()
-
DOGGO, 2017-2018
Video (color, sound), 50 minutes[42/76]
![DOGGO, 2017-2018]()
-
DOGGO, 2017
Video (color, sound), 50 minutes[43/76]
![DOGGO, 2017]()
-
DOGGO, 2017
Video (color, sound), 50 minutes[44/76]
![DOGGO, 2017]()
-
Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018
Telepath, backlit digital print on vinyl, 177 1/8 x 429 1/4 in. (449.89 x 1090.29 cm)[45/76]
![Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018]()
-
Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018
Telepath, backlit digital print on vinyl, 177 1/8 x 429 1/4 in. (449.89 x 1090.29 cm)[46/76]
![Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018]()
-
Installation view in As Above, So Below: Portals, Visions, Spirits & Mystics, Irish Museum of Modern Art, Dublin, 13 April – 27 August 2017, photography Denis Mortell
The Filth [Spiritualized], 2017, digital print on backlit vinyl, 106.29 x 203.89 in. (270 x 517.89 cm)[47/76]
![Installation view in As Above, So Below: Portals, Visions, Spirits & Mystics, Irish Museum of Modern Art, Dublin, 13 April – 27 August 2017, photography Denis Mortell]()
-
Those were insects that were their eyes II, 2017
Backlit digital print on vinyl, 133 ⅞ × 669 ¼ in. (337.82 x 1699.26 cm), photo by Annik Wetter[48/76]
![Those were insects that were their eyes II, 2017]()
-
Installation View, Kunsthalle Zürich, 2017
Leech, 2016, backlit digital print on vinyl, 177 ⅛ × 177 ⅛ in. (449.58 x 449.58 cm)[49/76]
![Installation View, Kunsthalle Zürich, 2017]()
-
Installation View, Kunsthalle Zürich, 2017
Midnight Ecstasy, 2014, backlit digital print on vinyl, 98 ⅜ × 433 ⅛ in. (2.5 × 11 m )[50/76]
![Installation View, Kunsthalle Zürich, 2017]()
-
Installation View, Kunsthalle Zürich, 2017
Judgement. The kangaroo is not happy. It's not clear who or what it represents but its not in a good place., 2014, backlit digital print on vinyl, 157 ½ × 360 ¼ in. (4 × 9.15 m)[51/76]
![Installation View, Kunsthalle Zürich, 2017]()
-
Installation View, Kunsthalle Zürich, 2017
Ocean Pose [Pink], 2008, backlit digital print on vinyl, 3.2 × 8.47 meters (126 × 333 ½ in.)[52/76]
![Installation View, Kunsthalle Zürich, 2017]()
-
Untitled, 2016
Real photoprint on photo paper mounted on dibond, 46 ½ × 106 in. (118.11 × 269.24 cm)[53/76]
![Untitled, 2016]()
-
His Comb-Over Blown Up in the Wind Like a Shark's Fin, 2017
Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo[54/76]
![His Comb-Over Blown Up in the Wind Like a Shark's Fin, 2017]()
-
Dogs Turning Into Humans (Early Morning), 2017
Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo[55/76]
![Dogs Turning Into Humans (Early Morning), 2017]()
-
God is a Shrimp (Driving), 2017
Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo[56/76]
![God is a Shrimp (Driving), 2017]()
-
Nobody mentioned decapitation (when I applied for the job), 2017
Inkjet print, crayon, charcoal and gold leaf, 36 ¼ × 26 ½ in. (92.08 × 67.31 cm) (framed)[57/76]
![Nobody mentioned decapitation (when I applied for the job), 2017]()
-
Carpet, Wall, Door, Lampshade, Carpet, OK OK OK, 2017
Inkjet print, crayon, charcoal and gold leaf, 36 ¼ × 26 ½ in. (92.08 × 67.31 cm) (framed)[58/76]
![Carpet, Wall, Door, Lampshade, Carpet, OK OK OK, 2017]()
-
Golf and Weight Training (Steroids), 2017
Inkjet print, crayon, charcoal and gold leaf, 37 ½ × 27 in. (95.25 × 68.58 cm) (framed)[59/76]
![Golf and Weight Training (Steroids), 2017]()
-
Heroin, Valium, Xanax, Diazepan... Depends What She Can Get Hold Of, 2017
Inkjet print, crayon, charcoal and gold leaf, 36 ⅝ × 26 ½ × 2 in. (93.03 × 67.31 × 5.08 cm) (framed)[60/76]
![Heroin, Valium, Xanax, Diazepan... Depends What She Can Get Hold Of, 2017]()
-
Untitled (Abstraction of Labour Time/ External Recurrence/Monad), 2015
Inkjet print on mylar, 35 ⅛ × 28 × 1 ½ in. (89.22 × 71.12 × 3.81 cm) (framed), photo by Gregory Carideo[61/76]
![Untitled (Abstraction of Labour Time/ External Recurrence/Monad), 2015]()
-
Untitled (Abstraction of Labour Time/ External Recurrence/Monad) III, 2015
Photopolymer etching, 30 x 23 inches (76.20 x 58.42 cm)[62/76]
![Untitled (Abstraction of Labour Time/ External Recurrence/Monad) III, 2015]()
-
easyJet / Flies, 2015
Collaboration with Dan Mitchell, mobile with plastic flies and model EasyJet planes, dimensions variable[63/76]
![easyJet / Flies, 2015]()
-
Deer, 2016
Wood, metal, mixed media, 94 ½ × 27 ½ × 31 ½ in. (240 × 70 × 80 cm)[64/76]
![Deer, 2016]()
-
Transformational Joy, 2014
Wood, metal, mixed media sculpture 89 x 42 x 40 in. (226.06 x 106.68 x 101.60 cm)[65/76]
![Transformational Joy, 2014]()
-
Untitled (Box), 2015
Oil on cardboard packaging, 8.5 x 6.5 x 2.5 in. (21.59 x 16.51 x 6.35 cm)[66/76]
![Untitled (Box), 2015]()
-
Untitled (Box), 2015
Oil on cardboard packaging, 8.25 x 5.5 x 2.5 in. (20.96 x 13.97 x 6.35 cm)[67/76]
![Untitled (Box), 2015]()
-
Untitled (Box), 2015
Oil on cardboard packaging, 9.5 x 5.5 x 1.5 in. (24.13 x 13.97 x 3.81 cm)[68/76]
![Untitled (Box), 2015]()
-
Installation View
[69/76]
![Installation View]()
-
Mirror Mapping the Stars, 2015 (detail)
Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)[70/76]
![Mirror Mapping the Stars, 2015 (detail)]()
-
Mirror Mapping the Stars, 2015 (detail)
Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)[71/76]
![Mirror Mapping the Stars, 2015 (detail)]()
-
Mirror Mapping the Stars, 2015 (detail)
Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)[72/76]
![Mirror Mapping the Stars, 2015 (detail)]()
-
Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
45 minutes[73/76]
![Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)]()
-
Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
45 minutes[74/76]
![Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)]()
-
Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
45 minutes[75/76]
![Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)]()
