John Russell
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Cavapool, 2022
Digital print on vinyl 10 × 40 m (393 ¾ × 1,574 ¾ in.) Dimensions variable[0/67]
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Cavapool, 2022 (detail)
Digital print on vinyl 10 × 40 m (393 ¾ × 1,574 ¾ in.) Dimensions variable[1/67]
![Cavapool, 2022 (detail)]()
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Cavapool, 2022 (detail)
Digital print on vinyl 10 × 40 m (393 ¾ × 1,574 ¾ in.) Dimensions variable[2/67]
![Cavapool, 2022 (detail)]()
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Cavapool, 2022 (detail)
Digital print on vinyl 10 × 40 m (393 ¾ × 1,574 ¾ in.) Dimensions variable[3/67]
![Cavapool, 2022 (detail)]()
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PAIN, 2022
Archival digital print on paper, 47 × 33.1 in. (119.38 × 84.07 cm). Dimensions variable[4/67]
![PAIN, 2022]()
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OEUF, 2022
Archival digital print on paper, 47 × 33.1 in. (119.38 × 84.07 cm). Dimensions variable[5/67]
![OEUF, 2022]()
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LOVE, 2022
Archival digital print on paper, 47 × 33.1 in. (119.38 × 84.07 cm). Dimensions variable[6/67]
![LOVE, 2022]()
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Cavapoo Dog 1, 2022
Paper mache and acrylic paint. Dimensions variable[7/67]
![Cavapoo Dog 1, 2022]()
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Cavapoo Dog 2, 2022
Paper mache and acrylic paint. Dimensions variable[8/67]
![Cavapoo Dog 2, 2022]()
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Cavapoo Dog 2, 2022 (detail)
Paper mache and acrylic paint. Dimensions variable[9/67]
![Cavapoo Dog 2, 2022 (detail)]()
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Scapegoat (transfer), 2022
Fiberglass, resin, paper-mache, metal rod, acrylic paint Goat: 37 × 34.7 × 15 in. (93.98 × 88.14 × 38.10 cm) With pedestal: 78 × 48 × 27 in. (198.12 × 121.92 × 68.58 cm)[10/67]
![Scapegoat (transfer), 2022]()
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Scapegoat (transfer), 2022 (detail)
Fiberglass, resin, paper-mache, metal rod, acrylic paint Goat: 37 × 34.7 × 15 in. (93.98 × 88.14 × 38.10 cm) With pedestal: 78 × 48 × 27 in. (198.12 × 121.92 × 68.58 cm)[11/67]
![Scapegoat (transfer), 2022 (detail)]()
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Well, 2021
Digital print on vinyl, 87' 7" x 22' 1.5" (26.69 x 6.74 m)[12/67]
![Well, 2021]()
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Well, 2021
Digital print on vinyl, 87' 7" x 22' 1.5" (26.69 x 6.74 m)[13/67]
![Well, 2021]()
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Well, 2021
Digital print on vinyl, 87' 7" x 22' 1.5" (26.69 x 6.74 m)[14/67]
![Well, 2021]()
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Installation View, GOLD, 2017
High Art, Paris[15/67]
![Installation View, GOLD, 2017]()
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Various Attempts at Transcendence (detail), 2017
UV print on backlit vinyl, wood frame, variable dimensions[16/67]
![Various Attempts at Transcendence (detail), 2017]()
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Installation View, GOLD, 2017
High Art, Paris[17/67]
![Installation View, GOLD, 2017]()
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Installation View, GOLD, 2017
High Art, Paris[18/67]
![Installation View, GOLD, 2017]()
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Love, 2017
Acrylic and inkjet on vinyl, gold leaf, marker pen, glitter, wood, steel, LED light, 39.37 x 27.5 x 1.5 in. (100 x 70 x 4 cm)[19/67]
![Love, 2017]()
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Installation View, DOGGO, 2017
Bridget Donahue, New York[20/67]
![Installation View, DOGGO, 2017]()
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Installation View, DOGGO, 2017
Bridget Donahue, New York[21/67]
![Installation View, DOGGO, 2017]()
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Blackberry, 2018
Acrylic photo-transfer on fiberglass, resin and styrofoam, 42 ½ × 32 × 3 ½ in. (107.95 x 81.28 x 8.9 cm)[22/67]
![Blackberry, 2018]()
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Fly, 2018
Acrylic photo-transfer on fiberglass, resin and styrofoam, 28 ½ × 26 × 3 ½ in. (72.4 x 66.04 x 8.9 cm)[23/67]
![Fly, 2018]()
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Insect, 2018
Resin, acrylic paint and spray paint on Jesmonite, 17 × 14 × 14 in. (43.18 x 35.56 x 35.56 cm)[24/67]
![Insect, 2018]()
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Doggo, 2018
Acrylic paint and spray paint on Jesmonite, 18 ½ × 14 × 14 in. (46.99 x 35.56 x 35.56 cm)[25/67]
![Doggo, 2018]()
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Woman, 2018
Oil on canvas, 38 ½ × 45 × 1 in. (97.79 x 114.3 x 3.54 cm)[26/67]
![Woman, 2018]()
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Praying Mantis, 2018
Oil on canvas, 28 ½ × 46 × 1 in. (72.39 x 116.84 x 2.54 cm)[27/67]
![Praying Mantis, 2018]()
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Road, 2018
Digital print on backlit vinyl, 97 ⅝ × 173 ⅜ in. (246.38 x 439.42 cm)[28/67]
![Road, 2018]()
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Trees, 2018
Digital print on backlit vinyl, 97 ⅝ × 328 ⅜ in. (246.38 x 833.12 cm)[29/67]
![Trees, 2018]()
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DOGGO, 2017-2018
Video (color, sound), 50 minutes[30/67]
![DOGGO, 2017-2018]()
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DOGGO, 2017-2018
Video (color, sound), 50 minutes[31/67]
![DOGGO, 2017-2018]()
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DOGGO, 2017-2018
Video (color, sound), 50 minutes[32/67]
![DOGGO, 2017-2018]()
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DOGGO, 2017-2018
Video (color, sound), 50 minutes[33/67]
![DOGGO, 2017-2018]()
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DOGGO, 2017
Video (color, sound), 50 minutes[34/67]
![DOGGO, 2017]()
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DOGGO, 2017
Video (color, sound), 50 minutes[35/67]
![DOGGO, 2017]()
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Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018
Telepath, backlit digital print on vinyl, 177 1/8 x 429 1/4 in. (449.89 x 1090.29 cm)[36/67]
![Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018]()
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Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018
Telepath, backlit digital print on vinyl, 177 1/8 x 429 1/4 in. (449.89 x 1090.29 cm)[37/67]
![Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018]()
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Installation view in As Above, So Below: Portals, Visions, Spirits & Mystics, Irish Museum of Modern Art, Dublin, 13 April – 27 August 2017, photography Denis Mortell
The Filth [Spiritualized], 2017, digital print on backlit vinyl, 106.29 x 203.89 in. (270 x 517.89 cm)[38/67]
![Installation view in As Above, So Below: Portals, Visions, Spirits & Mystics, Irish Museum of Modern Art, Dublin, 13 April – 27 August 2017, photography Denis Mortell]()
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Those were insects that were their eyes II, 2017
Backlit digital print on vinyl, 133 ⅞ × 669 ¼ in. (337.82 x 1699.26 cm), photo by Annik Wetter[39/67]
![Those were insects that were their eyes II, 2017]()
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Installation View, Kunsthalle Zürich, 2017
Leech, 2016, backlit digital print on vinyl, 177 ⅛ × 177 ⅛ in. (449.58 x 449.58 cm)[40/67]
![Installation View, Kunsthalle Zürich, 2017]()
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Installation View, Kunsthalle Zürich, 2017
Midnight Ecstasy, 2014, backlit digital print on vinyl, 98 ⅜ × 433 ⅛ in. (2.5 × 11 m )[41/67]
![Installation View, Kunsthalle Zürich, 2017]()
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Installation View, Kunsthalle Zürich, 2017
Judgement. The kangaroo is not happy. It's not clear who or what it represents but its not in a good place., 2014, backlit digital print on vinyl, 157 ½ × 360 ¼ in. (4 × 9.15 m)[42/67]
![Installation View, Kunsthalle Zürich, 2017]()
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Installation View, Kunsthalle Zürich, 2017
Ocean Pose [Pink], 2008, backlit digital print on vinyl, 3.2 × 8.47 meters (126 × 333 ½ in.)[43/67]
![Installation View, Kunsthalle Zürich, 2017]()
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Untitled, 2016
Real photoprint on photo paper mounted on dibond, 46 ½ × 106 in. (118.11 × 269.24 cm)[44/67]
![Untitled, 2016]()
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His Comb-Over Blown Up in the Wind Like a Shark's Fin, 2017
Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo[45/67]
![His Comb-Over Blown Up in the Wind Like a Shark's Fin, 2017]()
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Dogs Turning Into Humans (Early Morning), 2017
Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo[46/67]
![Dogs Turning Into Humans (Early Morning), 2017]()
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God is a Shrimp (Driving), 2017
Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo[47/67]
![God is a Shrimp (Driving), 2017]()
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Nobody mentioned decapitation (when I applied for the job), 2017
Inkjet print, crayon, charcoal and gold leaf, 36 ¼ × 26 ½ in. (92.08 × 67.31 cm) (framed)[48/67]
![Nobody mentioned decapitation (when I applied for the job), 2017]()
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Carpet, Wall, Door, Lampshade, Carpet, OK OK OK, 2017
Inkjet print, crayon, charcoal and gold leaf, 36 ¼ × 26 ½ in. (92.08 × 67.31 cm) (framed)[49/67]
![Carpet, Wall, Door, Lampshade, Carpet, OK OK OK, 2017]()
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Golf and Weight Training (Steroids), 2017
Inkjet print, crayon, charcoal and gold leaf, 37 ½ × 27 in. (95.25 × 68.58 cm) (framed)[50/67]
![Golf and Weight Training (Steroids), 2017]()
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Heroin, Valium, Xanax, Diazepan... Depends What She Can Get Hold Of, 2017
Inkjet print, crayon, charcoal and gold leaf, 36 ⅝ × 26 ½ × 2 in. (93.03 × 67.31 × 5.08 cm) (framed)[51/67]
![Heroin, Valium, Xanax, Diazepan... Depends What She Can Get Hold Of, 2017]()
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Untitled (Abstraction of Labour Time/ External Recurrence/Monad), 2015
Inkjet print on mylar, 35 ⅛ × 28 × 1 ½ in. (89.22 × 71.12 × 3.81 cm) (framed), photo by Gregory Carideo[52/67]
![Untitled (Abstraction of Labour Time/ External Recurrence/Monad), 2015]()
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Untitled (Abstraction of Labour Time/ External Recurrence/Monad) III, 2015
Photopolymer etching, 30 x 23 inches (76.20 x 58.42 cm)[53/67]
![Untitled (Abstraction of Labour Time/ External Recurrence/Monad) III, 2015]()
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easyJet / Flies, 2015
Collaboration with Dan Mitchell, mobile with plastic flies and model EasyJet planes, dimensions variable[54/67]
![easyJet / Flies, 2015]()
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Deer, 2016
Wood, metal, mixed media, 94 ½ × 27 ½ × 31 ½ in. (240 × 70 × 80 cm)[55/67]
![Deer, 2016]()
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Transformational Joy, 2014
Wood, metal, mixed media sculpture 89 x 42 x 40 in. (226.06 x 106.68 x 101.60 cm)[56/67]
![Transformational Joy, 2014]()
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Untitled (Box), 2015
Oil on cardboard packaging, 8.5 x 6.5 x 2.5 in. (21.59 x 16.51 x 6.35 cm)[57/67]
![Untitled (Box), 2015]()
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Untitled (Box), 2015
Oil on cardboard packaging, 8.25 x 5.5 x 2.5 in. (20.96 x 13.97 x 6.35 cm)[58/67]
![Untitled (Box), 2015]()
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Untitled (Box), 2015
Oil on cardboard packaging, 9.5 x 5.5 x 1.5 in. (24.13 x 13.97 x 3.81 cm)[59/67]
![Untitled (Box), 2015]()
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Installation View
[60/67]
![Installation View]()
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Mirror Mapping the Stars, 2015 (detail)
Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)[61/67]
![Mirror Mapping the Stars, 2015 (detail)]()
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Mirror Mapping the Stars, 2015 (detail)
Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)[62/67]
![Mirror Mapping the Stars, 2015 (detail)]()
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Mirror Mapping the Stars, 2015 (detail)
Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)[63/67]
![Mirror Mapping the Stars, 2015 (detail)]()
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Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
45 minutes[64/67]
![Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)]()
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Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
45 minutes[65/67]
![Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)]()
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Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
45 minutes[66/67]
![Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)]()
