Bridget Donahue

John Russell

  • Well, 2021

    Digital print on vinyl, 87' 7" x 22' 1.5"

    [0/51]

    Well, 2021
  • Well, 2021

    Digital print on vinyl, 87' 7" x 22' 1.5"

    [1/51]

    Well, 2021
  • Well, 2021

    Digital print on vinyl, 87' 7" x 22' 1.5"

    [2/51]

    Well, 2021
  • Installation View, GOLD, 2017

    High Art, Paris

    [3/51]

    Installation View, GOLD, 2017
  • Various Attempts at Transcendence (detail), 2017

    UV print on backlit vinyl, wood frame, variable dimensions

    [4/51]

    Various Attempts at Transcendence (detail), 2017
  • Installation View, GOLD, 2017

    High Art, Paris

    [5/51]

    Installation View, GOLD, 2017
  • Installation View, GOLD, 2017

    High Art, Paris

    [6/51]

    Installation View, GOLD, 2017
  • Love, 2017

    Acrylic and inkjet on vinyl, gold leaf, marker pen, glitter, wood, steel, LED light, 100 x 70 x 4 cm / 39.37 x 27.5 x 1.5 in

    [7/51]

    Love, 2017
  • Installation View, DOGGO, 2017

    Bridget Donahue, New York

    [8/51]

    Installation View, DOGGO, 2017
  • Installation View, DOGGO, 2017

    Bridget Donahue, New York

    [9/51]

    Installation View, DOGGO, 2017
  • Blackberry, 2018

    Acrylic photo-transfer on fiberglass, resin and styrofoam, 42 ½ × 32 × 3 ½ inches

    [10/51]

    Blackberry, 2018
  • Fly, 2018

    Acrylic photo-transfer on fiberglass, resin and styrofoam, 28 ½ × 26 × 3 ½ inches

    [11/51]

    Fly, 2018
  • Insect, 2018

    Resin, acrylic paint and spray paint on Jesmonite, 17 × 14 × 14 inches

    [12/51]

    Insect, 2018
  • Doggo, 2018

    Acrylic paint and spray paint on Jesmonite, 18 ½ × 14 × 14 inches

    [13/51]

    Doggo, 2018
  • Woman, 2018

    Oil on canvas, 38 ½ × 45 × 1 inches

    [14/51]

    Woman, 2018
  • Praying Mantis, 2018

    Oil on canvas, 28 ½ × 46 × 1 inches

    [15/51]

    Praying Mantis, 2018
  • Road, 2018

    Digital print on backlit vinyl, 97 ⅝ × 173 ⅜ inches

    [16/51]

    Road, 2018
  • Trees, 2018

    Digital print on backlit vinyl, 97 ⅝ × 328 ⅜ inches

    [17/51]

    Trees, 2018
  • DOGGO, 2017-2018

    Video (color, sound), 50 minutes

    [18/51]

    DOGGO, 2017-2018
  • DOGGO, 2017-2018

    Video (color, sound), 50 minutes

    [19/51]

    DOGGO, 2017-2018
  • DOGGO, 2017-2018

    Video (color, sound), 50 minutes

    [20/51]

    DOGGO, 2017-2018
  • DOGGO, 2017-2018

    Video (color, sound), 50 minutes

    [21/51]

    DOGGO, 2017-2018
  • DOGGO, 2017

    Video (color, sound), 50 minutes

    [22/51]

    DOGGO, 2017
  • DOGGO, 2017

    Video (color, sound), 50 minutes

    [23/51]

    DOGGO, 2017
  • Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018

    Telepath, backlit digital print on vinyl, 177 1/8 x 429 1/4 inches

    [24/51]

    Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018
  • Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018

    Telepath, backlit digital print on vinyl, 177 1/8 x 429 1/4 inches

    [25/51]

    Installation View, Cellular World, Glasgow International, April 20 - May 7, 2018
  • Installation view in As Above, So Below: Portals, Visions, Spirits & Mystics, Irish Museum of Modern Art, Dublin, 13 April – 27 August 2017, photography Denis Mortell

    The Filth [Spiritualized], 2017, digital print on backlit vinyl, 270 x 517.89cm

    [26/51]

    Installation view in As Above, So Below: Portals, Visions, Spirits & Mystics, Irish Museum of Modern Art, Dublin, 13 April – 27 August 2017, photography Denis Mortell
  • Those were insects that were their eyes II, 2017

    Backlit digital print on vinyl, 3.4 × 17 m (133 ⅞ × 669 ¼ in.), photo by Annik Wetter

    [27/51]

    Those were insects that were their eyes II, 2017
  • Installation View, Kunsthalle Zürich, 2017

    Leech, 2016, backlit digital print on vinyl, 4.5 × 4.5 meters (177 ⅛ × 177 ⅛ in.)

    [28/51]

    Installation View, Kunsthalle Zürich, 2017
  • Installation View, Kunsthalle Zürich, 2017

    Midnight Ecstasy, 2014, backlit digital print on vinyl, 2.5 × 11 m (98 ⅜ × 433 ⅛ in.)

    [29/51]

    Installation View, Kunsthalle Zürich, 2017
  • Installation View, Kunsthalle Zürich, 2017

    Judgement. The kangaroo is not happy. It's not clear who or what it represents but its not in a good place., 2014, backlit digital print on vinyl, 4 × 9.15 meters (157 ½ × 360 ¼ in.)

    [30/51]

    Installation View, Kunsthalle Zürich, 2017
  • Installation View, Kunsthalle Zürich, 2017

    Ocean Pose [Pink], 2008, backlit digital print on vinyl, 3.2 × 8.47 meters (126 × 333 ½ in.)

    [31/51]

    Installation View, Kunsthalle Zürich, 2017
  • Untitled, 2016

    Real photoprint on photo paper mounted on dibond, 46 ½ × 106 in. (118.11 × 269.24 cm)

    [32/51]

    Untitled, 2016
  • His Comb-Over Blown Up in the Wind Like a Shark's Fin, 2017

    Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo

    [33/51]

    His Comb-Over Blown Up in the Wind Like a Shark's Fin, 2017
  • Dogs Turning Into Humans (Early Morning), 2017

    Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo

    [34/51]

    Dogs Turning Into Humans (Early Morning), 2017
  • God is a Shrimp (Driving), 2017

    Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo

    [35/51]

    God is a Shrimp (Driving), 2017
  • Deer, 2016

    Wood, metal, mixed media, 240 × 70 × 80 cm (94 ½ × 27 ½ × 31 ½ in.)

    [36/51]

    Deer, 2016
  • Transformational Joy, 2014

    Wood, metal, mixed media sculpture 89 x 42 x 40 inches (226.06 x 106.68 x 101.60 cm)

    [37/51]

    Transformational Joy, 2014
  • easyJet / Flies, 2015

    Collaboration with Dan Mitchell, mobile with plastic flies and model EasyJet planes, dimensions variable

    [38/51]

    easyJet / Flies, 2015
  • Untitled (Abstraction of Labour Time/ External Recurrence/Monad) III, 2015

    Photopolymer etching, 30 x 23 inches (76.20 x 58.42 cm)

    [39/51]

    Untitled (Abstraction of Labour Time/ External Recurrence/Monad) III, 2015
  • Untitled (Abstraction of Labour Time/ External Recurrence/Monad), 2015

    Inkjet print on mylar, 35 ⅛ × 28 × 1 ½ in. (89.22 × 71.12 × 3.81 cm) (framed), photo by Gregory Carideo

    [40/51]

    Untitled (Abstraction of Labour Time/ External Recurrence/Monad), 2015
  • Untitled (Box), 2015

    Oil on cardboard packaging, 8.5 x 6.5 x 2.5 inches (21.59 x 16.51 x 6.35 cm)

    [41/51]

    Untitled (Box), 2015
  • Untitled (Box), 2015

    Oil on cardboard packaging, 8.25 x 5.5 x 2.5 inches (20.96 x 13.97 x 6.35 cm)

    [42/51]

    Untitled (Box), 2015
  • Untitled (Box), 2015

    Oil on cardboard packaging, 9.5 x 5.5 x 1.5 inches (24.13 x 13.97 x 3.81 cm)

    [43/51]

    Untitled (Box), 2015
  • Installation View

    [44/51]

    Installation View
  • Mirror Mapping the Stars, 2015 (detail)

    Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)

    [45/51]

    Mirror Mapping the Stars, 2015 (detail)
  • Mirror Mapping the Stars, 2015 (detail)

    Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)

    [46/51]

    Mirror Mapping the Stars, 2015 (detail)
  • Mirror Mapping the Stars, 2015 (detail)

    Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)

    [47/51]

    Mirror Mapping the Stars, 2015 (detail)
  • Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)

    45 minutes

    [48/51]

    Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
  • Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)

    45 minutes

    [49/51]

    Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
  • Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)

    45 minutes

    [50/51]

    Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)