Bridget Donahue

John Russell

  • Fly, 2018

    Acrylic photo-transfer on fiberglass, resin and styrofoam, 28 ½ × 26 × 3 ½ inches

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    Fly, 2018
  • Blackberry, 2018

    Acrylic photo-transfer on fiberglass, resin and styrofoam, 42 ½ × 32 × 3 ½ inches

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    Blackberry, 2018
  • Insect, 2018

    Resin, acrylic paint and spray paint on Jesmonite, 17 × 14 × 14 inches

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    Insect, 2018
  • Doggo, 2018

    Acrylic paint and spray paint on Jesmonite, 18 ½ × 14 × 14 inches

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    Doggo, 2018
  • Woman, 2018

    Oil on canvas, 38 ½ × 45 × 1 inches

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    Woman, 2018
  • Praying Mantis, 2018

    Oil on canvas, 28 ½ × 46 × 1 inches

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    Praying Mantis, 2018
  • Road, 2018

    Digital print on backlit vinyl, 97 ⅝ × 173 ⅜ inches

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    Road, 2018
  • Trees, 2018

    Digital print on backlit vinyl, 97 ⅝ × 328 ⅜ inches

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    Trees, 2018
  • DOGGO, 2017-2018

    Video (color, sound), 50 minutes

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    DOGGO, 2017-2018
  • DOGGO, 2017-2018

    Video (color, sound), 50 minutes

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    DOGGO, 2017-2018
  • DOGGO, 2017-2018

    Video (color, sound), 50 minutes

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    DOGGO, 2017-2018
  • DOGGO, 2017-2018

    Video (color, sound), 50 minutes

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    DOGGO, 2017-2018
  • DOGGO, 2017

    Video (color, sound), 50 minutes

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    DOGGO, 2017
  • DOGGO, 2017

    Video (color, sound), 50 minutes

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    DOGGO, 2017
  • The Filth [Spiritualized], 2017, digital print on backlit vinyl, 270 x 517.89cm

    installation view in As Above, So Below: Portals, Visions, Spirits & Mystics, Irish Museum of Modern Art, Dublin, 13 April – 27 August 2017, photography Denis Mortell

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    The Filth [Spiritualized], 2017, digital print on backlit vinyl,  270 x 517.89cm
  • Those were insects that were their eyes II, 2017

    Backlit digital print on vinyl, 3.4 × 17 m (133 ⅞ × 669 ¼ in.), photo by Annik Wetter

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    Those were insects that were their eyes II, 2017
  • Installation View, Kunsthalle Zürich, 2017

    Leech, 2016, backlit digital print on vinyl, 4.5 × 4.5 meters (177 ⅛ × 177 ⅛ in.)

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    Installation View, Kunsthalle Zürich, 2017
  • Installation View, Kunsthalle Zürich, 2017

    Midnight Ecstasy, 2014, backlit digital print on vinyl, 2.5 × 11 m (98 ⅜ × 433 ⅛ in.)

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    Installation View, Kunsthalle Zürich, 2017
  • Installation View, Kunsthalle Zürich, 2017

    Judgement. The kangaroo is not happy. It's not clear who or what it represents but its not in a good place., 2014, backlit digital print on vinyl, 4 × 9.15 meters (157 ½ × 360 ¼ in.)

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    Installation View, Kunsthalle Zürich, 2017
  • Installation View, Kunsthalle Zürich, 2017

    Ocean Pose [Pink], 2008, backlit digital print on vinyl, 3.2 × 8.47 meters (126 × 333 ½ in.)

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    Installation View, Kunsthalle Zürich, 2017
  • Untitled, 2016

    Real photoprint on photo paper mounted on dibond, 46 ½ × 106 in. (118.11 × 269.24 cm)

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    Untitled, 2016
  • His Comb-Over Blown Up in the Wind Like a Shark's Fin, 2017

    Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo

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    His Comb-Over Blown Up in the Wind Like a Shark's Fin, 2017
  • Dogs Turning Into Humans (Early Morning), 2017

    Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo

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    Dogs Turning Into Humans (Early Morning), 2017
  • God is a Shrimp (Driving), 2017

    Inkjet print, crayon, charcoal and gold leaf, 33.1 × 23.4 in. (84.07 × 59.44 cm) (framed), photo by Gregory Carideo

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    God is a Shrimp (Driving), 2017
  • Deer, 2016

    Wood, metal, mixed media, 240 × 70 × 80 cm (94 ½ × 27 ½ × 31 ½ in.)

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    Deer, 2016
  • Transformational Joy, 2014

    Wood, metal, mixed media sculpture 89 x 42 x 40 inches (226.06 x 106.68 x 101.60 cm)

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    Transformational Joy, 2014
  • easyJet / Flies, 2015

    Collaboration with Dan Mitchell, mobile with plastic flies and model EasyJet planes, dimensions variable

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    easyJet / Flies, 2015
  • Untitled (Abstraction of Labour Time/ External Recurrence/Monad) III, 2015

    Photopolymer etching, 30 x 23 inches (76.20 x 58.42 cm)

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    Untitled (Abstraction of Labour Time/ External Recurrence/Monad) III, 2015
  • Untitled (Abstraction of Labour Time/ External Recurrence/Monad), 2015

    Inkjet print on mylar, 35 ⅛ × 28 × 1 ½ in. (89.22 × 71.12 × 3.81 cm) (framed), photo by Gregory Carideo

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    Untitled (Abstraction of Labour Time/ External Recurrence/Monad), 2015
  • Untitled (Box), 2015

    Oil on cardboard packaging, 8.5 x 6.5 x 2.5 inches (21.59 x 16.51 x 6.35 cm)

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    Untitled (Box), 2015
  • Untitled (Box), 2015

    Oil on cardboard packaging, 8.25 x 5.5 x 2.5 inches (20.96 x 13.97 x 6.35 cm)

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    Untitled (Box), 2015
  • Untitled (Box), 2015

    Oil on cardboard packaging, 9.5 x 5.5 x 1.5 inches (24.13 x 13.97 x 3.81 cm)

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    Untitled (Box), 2015
  • Mirror Mapping the Stars, 2015 (detail)

    Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)

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    Mirror Mapping the Stars, 2015 (detail)
  • Mirror Mapping the Stars, 2015 (detail)

    Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)

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    Mirror Mapping the Stars, 2015 (detail)
  • Mirror Mapping the Stars, 2015 (detail)

    Back lit digital print on vinyl, wood, hardware and fluorescent lights 8'2" x 60' x 2' feet (248.92 cm x 18.29 m x 58.42 cm)

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    Mirror Mapping the Stars, 2015 (detail)
  • Installation View

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    Installation View
  • Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)

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    Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
  • Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)

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    Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
  • Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)

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    Relaxation Video: SQRRL/BRUCE WILLIS, 2015 (still)
  • SQRRL, 2015

    Web artwork

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    SQRRL, 2015