Sondra Perry
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flesh, graft, and ash #1, 2020
Three C-Trans prints mounted on plexiglass lightboxes, each of three lightboxes: 30 × 30 × 4 inches[0/33]
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Ocean Modifer, 2020
Wallpaper and lenticular panels mounted on aluminum, 4 x 22 feet[1/33]
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you out here look n like you don't belong to nobody: heavy metal and reflective, 2019
Image courtesy The Shed, photograph by Dan Bradica[2/33]
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you out here look n like you don't belong to nobody: heavy metal and reflective, 2019
Image courtesy The Shed, photograph by Dan Bradica[3/33]
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you out here look n like you don't belong to nobody: heavy metal and reflective, 2019
Image courtesy The Shed, photograph by Dan Bradica[4/33]
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you out here look n like you don't belong to nobody: heavy metal and reflective, 2019
Image courtesy The Shed, photograph by Dan Bradica[5/33]
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A Terrible Thing, 2019
Two-channel HD color video with sound, 10:03 minutes[6/33]
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A Terrible Thing, 2019
Two-channel HD color video with sound, 10:03 minutes[7/33]
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A Terrible Thing, 2019
Two-channel HD color video with sound 10:03 minutes[8/33]
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Typhoon coming on, 2018
6-11 channel seamless video projection with sound, image copyright Mike Din[9/33]
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Typhoon coming on, 2018
6-11 channel seamless video projection with sound, image copyright Mike Din[10/33]
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Typhoon coming on, 2018
6-11 channel seamless video projection with sound, image copyright Mike Din[11/33]
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IT'S IN THE GAME '17 - Full Installation, 2018
Digital video projection in a room painted Rosco Chroma Key Blue, color, sound (looped) - commissioned by the Henie Onstad Kunstsenter, Oslo (HOK) and the Institute of Contemporary Art (ICA), University of Pennsylvania for the exhibition Myths of the Marble, 5 Spalding universal shot trainer sculptures with painted steel, hardware and 3 including an Acer 17" 4:3 monitor, privacy screen, SD video (looped)[12/33]
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IT'S IN THE GAME '17 - Full Installation, 2018
Digital video projection in a room painted Rosco Chroma Key Blue, color, sound (looped) - commissioned by the Henie Onstad Kunstsenter, Oslo (HOK) and the Institute of Contemporary Art (ICA), University of Pennsylvania for the exhibition Myths of the Marble, 5 Spalding universal shot trainer sculptures with painted steel, hardware and 3 including an Acer 17" 4:3 monitor, privacy screen, SD video (looped)[13/33]
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IT’S IN THE GAME ‘17 or Mirror Gag for Vitrine and Projection (Installation), 2017
Digital video projection in a room painted Rosco Chroma Key Blue, color, sound (looped) - commissioned by the Henie Onstad Kunstsenter, Oslo (HOK) and the Institute of Contemporary Art (ICA), University of Pennsylvania for the exhibition Myths of the Marble[14/33]
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IT'S IN THE GAME '17 or Mirror Gag for Vitrine and Projection, 2017
Digital video projection in a room painted Rosco Chroma Key Blue, color, sound (looped) - commissioned by the Henie Onstad Kunstsenter, Oslo (HOK) and the Institute of Contemporary Art (ICA), University of Pennsylvania for the exhibition Myths of the Marble[15/33]
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Title TK 1, 2018
Spalding universal shot trainer, painted steel, hardware, Acer 17" 4:3 monitor, privacy screen, SD video (looped), 69 ½ × 44 × 37 ½ inches[16/33]
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Title TK 1, 2018
Spalding universal shot trainer, painted steel, hardware, Acer 17" 4:3 monitor, privacy screen, SD video (looped), 69 ½ × 44 × 37 ½ inches[17/33]
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Title TK 2, 2018
Spalding universal shot trainer, painted steel, hardware, 15 × 36 ¼ × 28 in. (38.10 × 92.08 × 71.12 cm)[18/33]
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Eclogue for [in]HABITABILITY, 2017-2019
Backhoe workstation with 3 monitors, 3 channel projection with sound, overall dimensions - backhoe: 300 × 210 × 440 cm (118 ⅛ × 82 ⅝ × 173 ¼ in.)[19/33]
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Eclogue for [in]HABITABILITY, 2017-2019
Backhoe workstation with 3 monitors, 3 channel projection with sound, overall dimensions - backhoe -118 ⅛ × 82 ⅝ × 173 ¼ inches[20/33]
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Eclogue for [in]HABITABILITY, 2017-2019
Backhoe workstation with 3 monitors, 3 channel projection with sound, overall dimensions - backhoe -118 ⅛ × 82 ⅝ × 173 ¼ inches[21/33]
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ffffffffffffoooooooooooouuuuuuuuuuurrrrrrrrrrrrrrrrrrrrrrrrrrr, 2017
Video and bicycle workstation with four monitors[22/33]
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ffffffffffffoooooooooooouuuuuuuuuuurrrrrrrrrrrrrrrrrrrrrrrrrrr, 2017
Video and bicycle workstation with four monitors[23/33]
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ffffffffffffoooooooooooouuuuuuuuuuurrrrrrrrrrrrrrrrrrrrrrrrrrr, 2017
Video and bicycle workstation with four monitors[24/33]
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Acrylic Gel Full Set and Post Holy Land Experience Target Photo Studio Print, 2016
Canon IPF 8400 Print, 40 × 30 in. (101.60 × 76.20 cm)[25/33]
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Acrylic Gel Full Set and Post Holy Land Experience Target Photo Studio Print, 2016
Canon IPF 8400 Print, 40 × 30 in. (101.60 × 76.20 cm)[26/33]
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Wet and Wavy Looks—Typhon coming on for a Three Monitor Workstation, 2016
Video, rowing machine workstation, Eco styler gel, 5:43 minute loop[27/33]
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Wet and Wavy Looks—Typhon coming on for a Three Monitor Workstation, 2016
Video, rowing machine workstation, Eco styler gel, 5:43 minute loop[28/33]
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Wet and Wavy Looks—Typhon coming on for a Three Monitor Workstation, 2016
Video, rowing machine workstation, Eco styler gel, 5:43 minute loop[29/33]
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Graft and Ash for a Three Monitor Workstation, 2016
Video, bicycle workstation, 9:05 minute loop[30/33]
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Graft and Ash for a Three Monitor Workstation, 2016
Video, bicycle workstation, 9:05 minute loop[31/33]
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Graft and Ash for a Three Monitor Workstation, 2016
Video, bicycle workstation, 9:05 minute loop[32/33]