Lynn Hershman Leeson | Bridget Donahue

Phone Sleeper, 2023

Twin size bed, mannequin, bed sheets, 7 cell phones, 1 ipod touch 79 × 36 in. (200.66 × 91.44 cm)

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Lynn Hershman Leeson, Installation view, Logic Paralyzes the Heart, 2022

Photo: Andrea Rossetti Studio

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Lynn Hershman Leeson, Installation view, Logic Paralyzes the Heart, 2022

Photo: Andrea Rossetti Studio

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Lynn Hershman Leeson, Installation view, Logic Paralyzes the Heart, 2022

Photo: Andrea Rossetti Studio

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Confessions of a Chameleon, Binge, First Person Plural, Shadow's Song, and Stay Human and the Composite Full Electronic Diaries, 1984-2019

4K video (color, sound), 83 minutes, photo courtesy The Shed and Dan Bradica

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Confessions of a Chameleon, Binge, First Person Plural, Shadow's Song, and Stay Human and the Composite Full Electronic Diaries, 1984-2019

4K video (color, sound), 83 minutes

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Confessions of a Chameleon, Binge, First Person Plural, Shadow's Song, and Stay Human and the Composite Full Electronic Diaries, 1984-2019

4K video (color, sound), 83 minutes

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Shadow Stalker, 2019

HD video (color, sound) and interactive installation, photo courtesy The Shed and Dan Bradica

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Shadow Stalker, 2019

Zip code crime registry program, HD video (color, sound) and interactive installation, photo by Gregory Carideo

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Shadow Stalker, 2019

HD video (color, sound) and interactive installation, photo courtesy The Shed and Dan Bradica

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Room #8 from the “Infinity Engine” series, 2006-2018

One lab door with hardware, one Infinity Mirror Box, one vial of Lynnhershman Antibody (produced by Novartis), one vial of DNA (produced by Twist Biology), one two minute videotape, one file of Antibody Wallpaper, six archival digital photographs

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Room #8 from the “Infinity Engine” series, 2006-2018

Room #8 from the “Infinity Engine” series, 2018 (detail of vial of Lynnhershman Antibody (produced by Novartis))

Photo courtesy The Shed and Dan Bradica

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Room #8 from the “Infinity Engine” series, 2018 (detail of vial of Lynnhershman Antibody (produced by Novartis))

The Infinity Engine, 2014-2018

Multimedia installation, partly interactive (genetically modified fishes, fish tank, screens, projections, wall paper, 3-D printed nose, files, electrics, and other materials) 149 ⅝ × 503 ⅞ × 216 ½ in. (380.05 cm × 12.80 m × 549.91 cm). Photo: Charlie Villyard

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The Infinity Engine, 2014-2018

Multimedia installation, partly interactive (genetically modified fishes, fish tank, screens, projections, wall paper, 3-D printed nose, files, electrics, and other materials), 149 ⅝ × 503 ⅞ × 216 ½ in. (380.05 cm × 12.80 m × 549.91 cm)

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The Infinity Engine, 2014-2018

Multimedia installation, partly interactive (genetically modified fishes, fish tank, screens, projections, wall paper, 3-D printed nose, files, electrics, and other materials), 149 ⅝ × 503 ⅞ × 216 ½ in. (380.05 cm × 12.80 m × 549.91 cm)

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Installation view

VertiGhost, de Young and Palace of the Legion of Honor - Fine Arts Museums of San Francisco, December 16, 2017 - March 25, 2018

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VertiGhost, 2017-2018

Video, costume, RealFiction Ghost Box and components, sensor driven flowers, painting with embedded camera eyes, video: 12 minutes

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Venus of the Anthropocene , 2017

Vanity dresser with drawers, stool, mirror, Mac Mini, webcam, facial recognition system, plastic body parts, plastic containers with specific labels for DNA, anatomical model, custom software

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Home Front, 1993-2011

Video installation, dollhouse, paint, custom electronics, 22 ¾ × 28 × 17 ½ in. (57.79 × 71.12 × 44.45 cm), photo by Jason Mandella

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Twisted Gravity, 2021

Etched plastic, LED lights, Aqua Pulse system, water, wood, cables, wire, and metal hardware

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Twisted Gravity, 2021

Etched plastic, LED lights, Aqua Pulse system, water, wood, cables, wire, and metal hardware

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Double Water Woman, 2010

Digital print on mylar, 17 x 14 inches (43.18 x 35.56 cm)

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Water Women Twins Hydra and Osiris, 1994

Digital print, 40 x 30 inches (101.60 x 76.20 cm)

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Water Women Twins Hydra and Osiris, 1994

Twisted Gravity, 2020

Archival pigment print

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Water Women 7 (Water Women), 1978

Unique photo collage with mirrors 13.5 x 8 inches (34.29 x 20.32 cm)

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Water Woman Evaporating x 3, 2003

Vellum, mirror, ink, celluloid, mylar, 13 ½ × 17 ½ in. (34.29 × 44.45 cm)

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Synthia Stock Ticker, 2000-2002

Custom software, LCD, glass and electronics

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Synthia Stock Ticker, 2000-2002

Custom software, LCD, glass and electronics, first use of stock date and behavior as net motivation, 15 × 11 × 11 in. (38.10 × 27.94 × 27.94 cm)

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Agent Ruby, Mood Swings Diagram, 2002

Digital print 40 × 30 in. (101.60 × 76.20 cm), photo by Gregory Carideo

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Room of One's Own, 1990-1993

Transferred laser disc, miniature furniture, surveillance system, cameras, projection, 15 × 16 × 35 in. (38.10 × 40.64 × 88.90 cm)

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Room of One's Own (Detail), 1990-1993

Transferred laser disc, miniature furniture, surveillance systems, cameras, projection, Edition of 3, 1AP

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Room of One's Own, 1990-1993

Transferred laser disc, miniature furniture, surveillance system, cameras, projection, 15 x 16 x 35 inches (38.10 x 40.64 x 88.90 cm), Photograph Ron Amstutz

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CybeRoberta, 1996

Installation, Telerobotic made-to-order doll with web-cam eyes, computer, software, monitor, 46 x 33 x 39 inches (116.84 x 83.82 x 99.06 cm)

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Lorna, 1979-1984

Video, color, sound; with television, interactive laser disc shown as DVD, modified remote control, television cabinet, night table, end table, wood chair, upholstered chair, mirror, fishbowl with plastic goldfish, clothing, wallet, belt, shoes, watch, telephone, magazines, framed storyboards, and framed art

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Lorna, 1979-1984

Video, color, sound; with television, interactive laser disc shown as DVD, modified remote control, television cabinet, night table, end table, wood chair, upholstered chair, mirror, fishbowl with plastic goldfish, clothing, wallet, belt, shoes, watch, telephone, magazines, framed storyboards, and framed art

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Lorna, 1979-1984

Video, color, sound; with television, interactive laser disc shown as DVD, modified remote control, television cabinet, night table, end table, wood chair, upholstered chair, mirror, fishbowl with plastic goldfish, clothing, wallet, belt, shoes, watch, telephone, magazines, framed storyboards, and framed art

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Seduction (Phantom Limb), 1988

Gelatin silver print, 36 × 47 × 1 ¼ in. (91.44 × 119.38 × 3.18 cm) (framed)

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Biological Clock 2 (Phantom Limb), 1995

Gelatin silver print, 29 × 25 × 1 ⅛ in. (73.66 × 63.50 × 2.86 cm) (framed)

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Call Me - Original Collage (Phantom Limb), 1987

Photo collage with gelatin silver print on paper, 20 × 16 in. (50.80 × 40.64 cm)

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Call Me - Original Collage (Phantom Limb), 1987

Allen/West (Hero Sandwich), 1980-1988

Photo collage and watercolor, 10 × 8 in. (25.40 × 20.32 cm)

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Bogart/Rowlands (Hero Sandwich), 1983

Chromogenic print hand painted, 4.25 x 3.25 inches (10.80 x 8.26 cm)

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Time Frame: test 5 (Time Frame), 1984

Two original Polaroids: 4 x 4 inches (10.16 x 10.16 cm) each, Edition of 2

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Detail of Window II (25 Windows), 1976

Chromogenic Print, 13.25 x 8.5 inches (33.66 x 21.59 cm), Unique

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Study for Wannemaker Window 1, 1981

Collage, 14 ⅝ × 16 ⅝ × 1 ½ in. (37.15 × 42.23 × 3.81 cm) (framed)

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Dante Hotel, Writing on the Wall (One of two), 1972

Chromogenic print of installation, 12.75 x 19.5 inches (32.39 x 49.53 cm), Unique

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Dante Hotel, Writing on the Wall (One of two), 1972

Roberta and Blaine in Union Square (close up), 1975

Chromogenic print, 6.5 x 9.5 inches (16.51 x 24.13 cm), Edition of 3

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Roberta and Blaine in Union Square (close up), 1975

Roberta at Gallery Opening (Lynn), 1976

RC print, 10 × 8 in. (25.40 × 20.32 cm)

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Roberta at Mirror (Lynn Hershman), 1974

Chromogenic print, 9 ½ × 7 in. (24.13 × 17.78 cm)

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Construction Chart Drawing, 1973

Ink on gelatin silver print, 9.25 x 6.5 inches (23.50 x 16.51 cm)

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Breathing Machine II, 1968

Wax face, wig, paint, butterflies, feathers, sensors, sound, wood base (4" height), and acrylic hood (9" height), 13 x 16.5 x 16.5 inches (33.02 x 41.91 x 41.91 cm)

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Cyborg, 1967

Collage, 17 ½ × 17.9375 × 1 ½ in. (44.45 × 45.56 × 3.81 cm) (framed)

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Dress Me 1, 2, 3, 1965

Pencil and paint w/ lettering on acrylic 6 x 6 inches (15.24 x 15.24 cm)

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Untitled, 1965

Acrylic on canvas, 11 x 9.25 inches (27.94 x 23.50 cm)

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