Bridget Donahue

Lynn Hershman Leeson

  • Phone Sleeper, 2023

    Twin size bed, mannequin, bed sheets, 7 cell phones, 1 ipod touch 79 × 36 in. (200.66 × 91.44 cm)

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    Phone Sleeper, 2023

  • Lynn Hershman Leeson, Installation view, Logic Paralyzes the Heart, 2022

    Photo: Andrea Rossetti Studio

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    Lynn Hershman Leeson, Installation view, Logic Paralyzes the Heart, 2022

  • Lynn Hershman Leeson, Installation view, Logic Paralyzes the Heart, 2022

    Photo: Andrea Rossetti Studio

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    Lynn Hershman Leeson, Installation view, Logic Paralyzes the Heart, 2022

  • Lynn Hershman Leeson, Installation view, Logic Paralyzes the Heart, 2022

    Photo: Andrea Rossetti Studio

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    Lynn Hershman Leeson, Installation view, Logic Paralyzes the Heart, 2022

  • Confessions of a Chameleon, Binge, First Person Plural, Shadow's Song, and Stay Human and the Composite Full Electronic Diaries, 1984-2019

    4K video (color, sound), 83 minutes, photo courtesy The Shed and Dan Bradica

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    Confessions of a Chameleon, Binge, First Person Plural, Shadow's Song, and Stay Human and the Composite Full Electronic Diaries, 1984-2019

  • Confessions of a Chameleon, Binge, First Person Plural, Shadow's Song, and Stay Human and the Composite Full Electronic Diaries, 1984-2019

    4K video (color, sound), 83 minutes

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    Confessions of a Chameleon, Binge, First Person Plural, Shadow's Song, and Stay Human and the Composite Full Electronic Diaries, 1984-2019

  • Shadow Stalker, 2019

    HD video (color, sound) and interactive installation, photo courtesy The Shed and Dan Bradica

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    Shadow Stalker, 2019

  • Shadow Stalker, 2019

    Zip code crime registry program, HD video (color, sound) and interactive installation, photo by Gregory Carideo

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    Shadow Stalker, 2019

  • Shadow Stalker, 2019

    HD video (color, sound) and interactive installation, photo courtesy The Shed and Dan Bradica

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    Shadow Stalker, 2019

  • Room #8 from the “Infinity Engine” series, 2006-2018

    One lab door with hardware, one Infinity Mirror Box, one vial of Lynnhershman Antibody (produced by Novartis), one vial of DNA (produced by Twist Biology), one two minute videotape, one file of Antibody Wallpaper, six archival digital photographs

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    Room #8 from the “Infinity Engine” series, 2006-2018

  • Room #8 from the “Infinity Engine” series, 2018 (detail of vial of Lynnhershman Antibody (produced by Novartis))

    Photo courtesy The Shed and Dan Bradica

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    Room #8 from the “Infinity Engine” series, 2018 (detail of vial of Lynnhershman Antibody (produced by Novartis))

  • The Infinity Engine, 2014-2018

    Multimedia installation, partly interactive (genetically modified fishes, fish tank, screens, projections, wall paper, 3-D printed nose, files, electrics, and other materials) 149 ⅝ × 503 ⅞ × 216 ½ in. (380.05 cm × 12.80 m × 549.91 cm). Photo: Charlie Villyard

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    The Infinity Engine, 2014-2018

  • The Infinity Engine, 2014-2018

    Multimedia installation, partly interactive (genetically modified fishes, fish tank, screens, projections, wall paper, 3-D printed nose, files, electrics, and other materials), 149 ⅝ × 503 ⅞ × 216 ½ in. (380.05 cm × 12.80 m × 549.91 cm)

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    The Infinity Engine, 2014-2018

  • The Infinity Engine, 2014-2018

    Multimedia installation, partly interactive (genetically modified fishes, fish tank, screens, projections, wall paper, 3-D printed nose, files, electrics, and other materials), 149 ⅝ × 503 ⅞ × 216 ½ in. (380.05 cm × 12.80 m × 549.91 cm)

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    The Infinity Engine, 2014-2018

  • Installation view

    VertiGhost, de Young and Palace of the Legion of Honor - Fine Arts Museums of San Francisco, December 16, 2017 - March 25, 2018

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    Installation view

  • VertiGhost, 2017-2018

    Video, costume, RealFiction Ghost Box and components, sensor driven flowers, painting with embedded camera eyes, video: 12 minutes

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    VertiGhost, 2017-2018

  • Venus of the Anthropocene , 2017

    Vanity dresser with drawers, stool, mirror, Mac Mini, webcam, facial recognition system, plastic body parts, plastic containers with specific labels for DNA, anatomical model, custom software

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    Venus of the Anthropocene , 2017

  • Home Front, 1993-2011

    Video installation, dollhouse, paint, custom electronics, 22 ¾ × 28 × 17 ½ in. (57.79 × 71.12 × 44.45 cm), photo by Jason Mandella

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    Home Front, 1993-2011

  • Twisted Gravity, 2021

    Etched plastic, LED lights, Aqua Pulse system, water, wood, cables, wire, and metal hardware

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    Twisted Gravity, 2021

  • Twisted Gravity, 2021

    Etched plastic, LED lights, Aqua Pulse system, water, wood, cables, wire, and metal hardware

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    Twisted Gravity, 2021

  • Double Water Woman, 2010

    Digital print on mylar, 17 x 14 inches (43.18 x 35.56 cm)

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    Double Water Woman, 2010

  • Water Women Twins Hydra and Osiris, 1994

    Digital print, 40 x 30 inches (101.60 x 76.20 cm)

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    Water Women Twins Hydra and Osiris, 1994

  • Twisted Gravity, 2020

    Archival pigment print

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    Twisted Gravity, 2020

  • Water Women 7 (Water Women), 1978

    Unique photo collage with mirrors 13.5 x 8 inches (34.29 x 20.32 cm)

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    Water Women 7 (Water Women), 1978

  • Water Woman Evaporating x 3, 2003

    Vellum, mirror, ink, celluloid, mylar, 13 ½ × 17 ½ in. (34.29 × 44.45 cm)

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    Water Woman Evaporating x 3, 2003

  • Synthia Stock Ticker, 2000-2002

    Custom software, LCD, glass and electronics

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    Synthia Stock Ticker, 2000-2002

  • Synthia Stock Ticker, 2000-2002

    Custom software, LCD, glass and electronics, first use of stock date and behavior as net motivation, 15 × 11 × 11 in. (38.10 × 27.94 × 27.94 cm)

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    Synthia Stock Ticker, 2000-2002

  • Room of One's Own, 1990-1993

    Transferred laser disc, miniature furniture, surveillance system, cameras, projection, 15 × 16 × 35 in. (38.10 × 40.64 × 88.90 cm)

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    Room of One's Own, 1990-1993

  • Room of One's Own (Detail), 1990-1993

    Transferred laser disc, miniature furniture, surveillance systems, cameras, projection, Edition of 3, 1AP

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    Room of One's Own (Detail), 1990-1993

  • Room of One's Own, 1990-1993

    Transferred laser disc, miniature furniture, surveillance system, cameras, projection, 15 x 16 x 35 inches (38.10 x 40.64 x 88.90 cm), Photograph Ron Amstutz

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    Room of One's Own, 1990-1993

  • CybeRoberta, 1996

    Installation, Telerobotic made-to-order doll with web-cam eyes, computer, software, monitor, 46 x 33 x 39 inches (116.84 x 83.82 x 99.06 cm)

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    CybeRoberta, 1996

  • Lorna, 1979-1984

    Video, color, sound; with television, interactive laser disc shown as DVD, modified remote control, television cabinet, night table, end table, wood chair, upholstered chair, mirror, fishbowl with plastic goldfish, clothing, wallet, belt, shoes, watch, telephone, magazines, framed storyboards, and framed art

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    Lorna, 1979-1984

  • Lorna, 1979-1984

    Video, color, sound; with television, interactive laser disc shown as DVD, modified remote control, television cabinet, night table, end table, wood chair, upholstered chair, mirror, fishbowl with plastic goldfish, clothing, wallet, belt, shoes, watch, telephone, magazines, framed storyboards, and framed art

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    Lorna, 1979-1984

  • Lorna, 1979-1984

    Video, color, sound; with television, interactive laser disc shown as DVD, modified remote control, television cabinet, night table, end table, wood chair, upholstered chair, mirror, fishbowl with plastic goldfish, clothing, wallet, belt, shoes, watch, telephone, magazines, framed storyboards, and framed art

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    Lorna, 1979-1984

  • Seduction (Phantom Limb), 1988

    Gelatin silver print, 36 × 47 × 1 ¼ in. (91.44 × 119.38 × 3.18 cm) (framed)

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    Seduction (Phantom Limb), 1988

  • Biological Clock 2 (Phantom Limb), 1995

    Gelatin silver print, 29 × 25 × 1 ⅛ in. (73.66 × 63.50 × 2.86 cm) (framed)

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    Biological Clock 2 (Phantom Limb), 1995

  • Call Me - Original Collage (Phantom Limb), 1987

    Photo collage with gelatin silver print on paper, 20 × 16 in. (50.80 × 40.64 cm)

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    Call Me - Original Collage (Phantom Limb), 1987

  • Allen/West (Hero Sandwich), 1980-1988

    Photo collage and watercolor, 10 × 8 in. (25.40 × 20.32 cm)

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    Allen/West (Hero Sandwich), 1980-1988

  • Bogart/Rowlands (Hero Sandwich), 1983

    Chromogenic print hand painted, 4.25 x 3.25 inches (10.80 x 8.26 cm)

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    Bogart/Rowlands (Hero Sandwich), 1983

  • Time Frame: test 5 (Time Frame), 1984

    Two original Polaroids: 4 x 4 inches (10.16 x 10.16 cm) each, Edition of 2

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    Time Frame: test 5 (Time Frame), 1984

  • Detail of Window II (25 Windows), 1976

    Chromogenic Print, 13.25 x 8.5 inches (33.66 x 21.59 cm), Unique

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    Detail of Window II (25 Windows), 1976

  • Study for Wannemaker Window 1, 1981

    Collage, 14 ⅝ × 16 ⅝ × 1 ½ in. (37.15 × 42.23 × 3.81 cm) (framed)

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    Study for Wannemaker Window 1, 1981

  • Roberta and Blaine in Union Square (close up), 1975

    Chromogenic print, 6.5 x 9.5 inches (16.51 x 24.13 cm), Edition of 3

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    Roberta and Blaine in Union Square (close up), 1975

  • Roberta at Gallery Opening (Lynn), 1976

    RC print, 10 × 8 in. (25.40 × 20.32 cm)

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    Roberta at Gallery Opening (Lynn), 1976

  • Roberta at Mirror (Lynn Hershman), 1974

    Chromogenic print, 9 ½ × 7 in. (24.13 × 17.78 cm)

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    Roberta at Mirror (Lynn Hershman), 1974

  • Construction Chart Drawing, 1973

    Ink on gelatin silver print, 9.25 x 6.5 inches (23.50 x 16.51 cm)

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    Construction Chart Drawing, 1973

  • Cyborg, 1967

    Collage, 17 ½ × 17.9375 × 1 ½ in. (44.45 × 45.56 × 3.81 cm) (framed)

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    Cyborg, 1967

  • Untitled, 1965

    Acrylic on canvas, 11 x 9.25 inches (27.94 x 23.50 cm)

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    Untitled, 1965