Bridget Donahue

January 24–March 3 2019 Ulrike Ottinger

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    Installation View

  • Installation View

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    Installation View

  • Aller - Jamais Retour [Go - Never Back], 1979

    (BILDNIS EINER TRINKERIN [Ticket of No Return]), analog color print from transparency, 24 ⅝ × 36.6875 inches (framed)

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    Aller - Jamais Retour [Go - Never Back], 1979

  • Die Kalinka Sisters, 1988

    (JOHANNA D'ARC OF MONGOLIA), digital color print from transparency, 25 ⅝ × 39 ⅜ inches (framed)

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    Die Kalinka Sisters, 1988

  • Installation View

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    Installation View

  • Im ozeanischen Bordell [In the oceanic brothel], 1975

    (The Enchantment of the Blue Sailors), analog black and white print, 20 ⅞ × 24 ¾ inches (framed)

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    Im ozeanischen Bordell [In the oceanic brothel], 1975

  • Martin Kippenberger, 1978

    analog black and white print, 20 ⅞ × 16 ⅞ inches (framed)

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    Martin Kippenberger, 1978

  • Irena von Lichtenstein, 1975

    (Berlin), analog black and white print, 20 ⅞ × 16 ⅞ inches (framed)

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    Irena von Lichtenstein, 1975

  • Maskierung (Magdalena Montezuma) [Masking], 1980

    (FREAK ORLANDO), digital black and white print, 15 ¾ × 20 ⅞ inches (framed)

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    Maskierung (Magdalena Montezuma) [Masking], 1980

  • Showdown, 1977

    BILDNIS EINER TRINKERIN (Portrait of a Drinker), analog black and white print, 16 ⅞ × 20 ⅞ inches (framed)

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    Showdown, 1977

  • Berliner Mauer - Tabea und Lutze [Berlin Wall - Tabea and Lutze], 1979

    BILDNIS EINER TRINKERIN (Portrait of a Drinker), analog black and white print, 12 ¾ × 17 ½ inches (framed)

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    Berliner Mauer - Tabea und Lutze [Berlin Wall - Tabea and Lutze], 1979

  • Mauer am Gropiusbau [Wall at Gropiusbau], 1990

    (COUNTDOWN), analog color print from transparency, 17 ½ × 12 ¾ inches (framed)

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    Mauer am Gropiusbau [Wall at Gropiusbau], 1990

  • Aelita, 1976

    analog black and white print, 24 ¾ × 20 ⅞ inches (framed)

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    Aelita, 1976

  • Installation View

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    Installation View

  • Das perfekte Ebenbild und seine unaufthaltsame Mechanik [The perfect image and its unrelenting mechanics], 1977

    (MADAME X), analog color print from transparency, 37 ⅛ × 25 inches (framed)

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    Das perfekte Ebenbild und seine unaufthaltsame Mechanik [The perfect image and its unrelenting mechanics], 1977

  • Das Geheimnis der Madame X [The Secret of Madame X], 1977

    (MADAME X), analog color print from transparency, 35 ⅝ × 23 inches (framed)

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    Das Geheimnis der Madame X [The Secret of Madame X], 1977

  • Installation View

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    Installation View

  • Installation View

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    Installation View

  • Cowboy with Light Pattern, 2004

    (Faces, Found Objects and Rough Riders), analog black and white print, 36 ¼ × 52 ½ inches (framed)

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    Cowboy with Light Pattern, 2004

  • Die Folter des Heiligen Tribunals - Goya Episode [The Torture of the Holy Tribunal - Goya Episode], 1981

    (FREAK ORLANDO), analog color print from transparency, 48 ½ × 68 ½ inches (framed)

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    Die Folter des Heiligen Tribunals - Goya Episode [The Torture of the Holy Tribunal - Goya Episode], 1981

  • Die Folter des Heiligen Tribunals - Goya Episode [The Torture of the Holy Tribunal - Goya Episode], 1981

    (FREAK ORLANDO), analog color print from transparency, 19 ⅛ × 27 inches (framed)

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    Die Folter des Heiligen Tribunals - Goya Episode [The Torture of the Holy Tribunal - Goya Episode], 1981

  • Installation View

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    Installation View

  • Jacobs Pilger [Jacob's Pilgrims], 1981

    (FREAK ORLANDO), analog color print from transparency, 27 ⅛ × 19 ¼ inches (framed)

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    Jacobs Pilger [Jacob's Pilgrims], 1981

  • Wer ein weißes Rentier hat, braucht sich vor dem tiefen Schnee nicht zu fürchten - Zelt der Ergtseg / Dalma Familie

    [If you have a white reindeer, you do not have to be afraid of the deep snow - tent of the Ergtseg / Dalma family] 1991 (TAIGA), analog color print from transparency, 30 ⅞ × 44 ⅞ inches (framed)

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    Wer ein weißes Rentier hat, braucht sich vor dem tiefen Schnee nicht zu fürchten - Zelt der Ergtseg / Dalma Familie

  • Zelt der Ergtseg / Dolma Familie in der südlichen Taiga [Tent of the Ergtseg / Dalma family in the southern taiga], 1990

    (TAIGA), Analog color print from transparency, 78.5 × 114 cm (30 ⅞ × 44 ⅞ in.) (framed)

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    Zelt der Ergtseg / Dolma Familie in der südlichen Taiga [Tent of the Ergtseg / Dalma family in the southern taiga], 1990

  • Installation View

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    Installation View

  • Flagellantent, 1981

    (FREAK ORLANDO), analog color print from transparency, 25 ⅝ × 19 inches (framed)

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    Flagellantent, 1981

  • Café Möhring: Spiegelbild [Café Möhring: reflection in the mirror], 1979

    (BILDNIS EINER TRINKERIN (Portrait of a Drinker)), Analog color print from transparency, 42.5 × 62.5 cm (16 ¾ × 24 ⅝ in.) (framed)

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    Café Möhring: Spiegelbild [Café Möhring: reflection in the mirror], 1979

  • Sakrale Aktionswoche -- Heilige Bartfrau Wilgeforte im Kaufhaus mit ihrer Amme, einem Haarwunder

    [Sacred Week of Action - Holy Bearded Lady Wilgeforte at the shopping center with her Nanny, a hair sensation], 1981, (FREAK ORLANDO), analog color print from transparency, 16 ¾ × 24 ⅝ inches (framed)

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    Sakrale Aktionswoche -- Heilige Bartfrau Wilgeforte im Kaufhaus mit ihrer Amme, einem Haarwunder

  • Dorian Gray, Veruschka von Lehndorff, 1983

    (DORIAN GRAY), analog color print from transparency, 19 × 27 ½ inches (framed)

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    Dorian Gray, Veruschka von Lehndorff, 1983

  • Installation View

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    Installation View

  • Juras Jurtenaltar [Jura's yurt altar], 1991

    (TAIGA), digital color print from transparency, 32 ¼ × 47 ¼ inches (framed)

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    Juras Jurtenaltar [Jura's yurt altar], 1991

  • Das Gastmahl der verfolgten Wissenschaftler und Künstler [The feast of persecuted scientists and artists], 1981

    (FREAK ORLANDO), analog color print from transparency, 31 ⅛ × 35 ⅞ inches (framed)

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    Das Gastmahl der verfolgten Wissenschaftler und Künstler [The feast of persecuted scientists and artists], 1981

  • Flying Heart, 2004

    (Faces, Found Objects and Rough Riders), analog color print, 36 ⅝ × 55 ⅛ inches (framed)

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    Flying Heart, 2004

  • Das rituelle Mahl der mongolischen Prinzessin und ihrer Damen [The ritual meal of the Mongolian princess and her ladies], 1989

    (JOHANNA D'ARC OF MONGOLIA), analog color print from transparency, 16 ¾ × 24 ¾ inches (framed)

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    Das rituelle Mahl der mongolischen Prinzessin und ihrer Damen [The ritual meal of the Mongolian princess and her ladies], 1989

  • Installation View

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    Installation View

  • Moby Dick, 1979

    (BILNIS EINER TRINKERIN (Portrait of a Drinker)), analog color print from transparency, 47 ¼ × 31 ½ inches (framed)

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    Moby Dick, 1979

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    Installation View

  • Series: Der Schrei - Tabea Blumenschein [The Scream], 1979

    (BILDNIS EINER TRINKERIN [Portrait of a Drinker]), Seven analog color prints from transparency, 34.3 × 48.3 cm (13 ½ × 19 in.) (framed)

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    Series: Der Schrei - Tabea Blumenschein [The Scream], 1979

  • Installation View

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    Installation View

  • Mönche mit Harpyen - Goya Episode [Monks with Harpies - Goya Episode], 1981

    (FREAK ORLANDO), digital color print from transparency, 25 ⅝ × 37 ⅜ inches (framed)

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    Mönche mit Harpyen - Goya Episode [Monks with Harpies - Goya Episode], 1981

  • Fischvorhang [Fish Curtain], 2000

    (SÜDOSTPASSAGE [SOUTH EAST PASSAGE]), digital color print from transparency, 23 ⅝ × 35 ⅜ inches (framed)

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    Fischvorhang [Fish Curtain], 2000

  • Containermarkt Odessa, 2002

    (Ukraine), digital color print from transparency, 23 ⅝ × 35 ⅜ inches (framed)

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    Containermarkt Odessa, 2002

  • Narzisstischer Hermaphrodit in Begleitung eines Zwerges und einer Bartfrau [Narcissistic hermaphrodite accompanied by a dwarf and a beard], 1981

    (FREAK ORLANDO), analog color print from transparency, 38 ⅝ × 27 inches (framed)

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    Narzisstischer Hermaphrodit in Begleitung eines Zwerges und einer Bartfrau [Narcissistic hermaphrodite accompanied by a dwarf and a beard], 1981

  • Blütenschneegestöber - Fubuki im Osawakan [Flower snowstorm - Fubuki in Osawakan], 2011

    (Unter Schnee), digital color print from transparency, 47 ¼ × 32 ¼ inches (framed)

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    Blütenschneegestöber - Fubuki im Osawakan [Flower snowstorm - Fubuki in Osawakan], 2011

  • Fotonovela "Die stumme Sängerin" [Fotonovela "The Mute Singer"], 1976

    Analog black and white print, 49.4 × 147.7 × 3 cm (19 ½ × 58 ⅛ × 1 ⅛ in.) (framed)

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    Fotonovela "Die stumme Sängerin" [Fotonovela "The Mute Singer"], 1976

  • Landkartenobjekt mit Zeichnungen und applizierten Postkarten II, 2011

    (Floating Food), East and Southeast Asia map, paper, photos, postcards, yarn, 190 × 185 cm (74 ¾ × 72 ⅞ in.)

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    Landkartenobjekt mit Zeichnungen und applizierten Postkarten II, 2011

  • Landkartenobjekt mit Zeichnungen und applizierten Postkarten IV [Map object with drawings and applied postcards IV], 2011

    (Floating Food), Asia's states and cultures through two millennia, paper, photos, 90 × 160 cm (35 ⅜ × 63 in.)

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    Landkartenobjekt mit Zeichnungen und applizierten Postkarten IV [Map object with drawings and applied postcards IV], 2011

  • Landkartenobjekt mit Zeichnungen und applizierten Postkarten I [Map object with drawings and applied postcards I], 2011

    (Floating Food), Map of Asia, paper, photos, postcards, fabric yarn, 230 × 200 in. (584.20 × 508.00 cm)

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    Landkartenobjekt mit Zeichnungen und applizierten Postkarten I [Map object with drawings and applied postcards I], 2011

  • Landkartenobject mit Zeichnungen un applizierten Postkarten III [Map object with drawings and applied postcards III], 2011

    (Floating Food), Southern hemisphere map, paper, photos, postcards, fabric yarn, 180 × 180 cm (70 ⅞ × 70 ⅞ in.)

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    Landkartenobject mit Zeichnungen un applizierten Postkarten III [Map object with drawings and applied postcards III], 2011

  • Installation View

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    Installation View