Mary Helena Clark
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Ideomotor (Sexing a canary 2), 2025
Archival pigment print 36 ⅜ × 28 ¾ × 1 ½ in. (92.39 × 73.03 × 3.81 cm) (framed)[0/27]
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Ideomotor (Sexing a canary 1), 2025
Archival pigment print 36 ⅜ × 28 ¾ × 1 ½ in. (92.39 × 73.03 × 3.81 cm) (framed)[1/27]
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Ideomotor (Sexing a canary 3), 2025
Archival pigment print 36 ⅜ × 28 ¾ × 1 ½ in. (92.39 × 73.03 × 3.81 cm) (framed)[2/27]
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Decoy 1, 2025
Steel gas tank, brass caps, heating cartridge elements, thermostat, sand Tank: 20 × 11 × 5.7 in. (50.80 × 27.94 × 14.48 cm)[3/27]
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Neighboring Animals, 2024
2-channel digital video, sound 9:03 minutes, looped Edition of 5 plus I AP, Photo: Gregory Carideo[4/27]
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Neighboring Animals, 2024
2-channel digital video, sound 9:03 minutes, looped Edition of 5 plus I AP. Photo: Gregory Carideo[5/27]
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Installation view, 2024
Mary Helena Clark: Conveyor, Bridget Donahue, New York, January 25 - March 23, 2024. Photo: Gregory Carideo[6/27]
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Brooder 2, 2024
Archival pigment print on Hahnemühle cotton photo rag, mounted on sintra, maple wood frame 20 × 24 in. (50.80 × 60.96 cm) 20 × 24 ½ × 1 ½ in. (50.80 × 62.23 × 3.81 cm) (framed), edition of 3 plus I AP. Photo: Gregory Carideo[7/27]
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Installation view, 2024
Mary Helena Clark: Conveyor, Bridget Donahue, New York, January 25 - March 23, 2024. Photo: Gregory Carideo[8/27]
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Monitors, 2024
Steel tubing, steel doors, transducers, audio file, amplifier, speaker cable each: 79 × 35 ¾ × 6 in. (200.66 × 90.81 × 15.24 cm), dimensions variable. Photo: Gregory Carideo[9/27]
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Driver 3, 2024
Motorized dead bolt, designed by Oz Hewett, 4 × 5 × 8 in. (10.16 × 12.70 × 20.32 cm), dimensions variable. Photo: Gregory Carideo[10/27]
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Installation view
Neighboring Animals, Cushion Works, San Francisco, February 13 - March 30, 2024[11/27]
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Installation view
Neighboring Animals, Cushion Works, San Francisco, February 13 - March 30, 2024[12/27]
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Untitled, 2024
Chicken eggs, modified motor, egg incubator tray, 15 x 15 x 2 1/4 in. (38.1 x 38.1 x 5.715 cm)[13/27]
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Exhibition, 2022 (still)
19 Minutes, edition 1:5 + I Ap - 1[14/27]
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The Glass Note, 2018
16mm, CGI, multiple digital formats, color, BW, sound, 9 Minutes, edition 1:5 + I Ap[15/27]
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Delphi Falls, 2017 (still)
4k digital, color, sound, 20 Minutes, edition 1:5 + I Ap - 2[16/27]
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Delphi Falls, 2017 (still)
4k digital, color, sound, 20 Minutes, edition 1:5 + I Ap - 2[17/27]
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The Plant, 2012 (still)
16mm transferred to digital, color:BW, sound, exhibition formats: 16mm:Dcp:Prores: 8 Minutes, edition 1:5 + I Ap[18/27]
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Orpheus (Outtakes), 2012 (still)
16mm transferred to digital, BW, sound, exhibition formats: 16mm:Dcp:Prores: 6 Minutes, edition 1:5 + I Ap[19/27]
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Palms, 2015 (still)
16mm transferred to digital, color:Bw, sound exhibition, formats Dcp:Prores: 9 Minutes, edition 1:5 + I Ap[20/27]
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Inset Speech, 2019 (detail)
2 surface transducers, digital file, 4 modified oxygen tanks 2-channel audio playing through oxygen tanks[21/27]
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Inset Speech, 2019 (detail)
2 surface transducers, digital file, 4 modified oxygen tanks 2-channel audio playing through oxygen tanks[22/27]
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Inset Speech, 2019
2 surface transducers, digital file, 4 modified oxygen tanks 2-channel audio playing through oxygen tanks[23/27]
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A Green Shade, 2019
4 channel video, monitors on stands[24/27]
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A Green Shade, 2019 (detail)
4 channel video, monitors on stands[25/27]
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A Green Shade, 2019 (detail)
4 channel video, monitors on stands[26/27]