Olga Balema
-
Loop 245, 2025
Polycarbonate, solvent, 25 ¼ × 11 ¾ × 24 ¾ in. (64.14 × 29.85 × 62.87 cm)[0/52]
-
Loop 243, 2025
Polycarbonate, solvent, 46 ⅛ × 5 ⅞ × 53 ½ in. (117.16 × 14.92 × 135.89 cm)[1/52]
-
Loop 240, 2025
Polycarbonate, solvent, 28 ¾ × 27 ½ × 31 ½ in. (73.03 × 69.85 × 80.01 cm)[2/52]
-
Loop 237, 2025
Polycarbonate, solvent, 17 ⅜ × 9 ½ × 28 ⅜ in. (44.13 × 24.13 × 72.07 cm)[3/52]
-
Loop 232, 2025
Polycarbonate, solvent, 27 ½ × 9 × 21 ¼ in. (69.85 × 22.86 × 53.98 cm)[4/52]
-
Loop 411, 2023
Polycarbonate sheeting, acrylic paint, solvent Sculpture: 24 × 9 × 8 ½ in. (61 × 23 × 22 cm) Pedestal: 20 ¼ × 40 ¼ × 13 ¾ in. (51 × 102 × 35 cm). Photo: Gregory Carideo[5/52]
-
Loop 756, 2023
Polycarbonate sheeting, acrylic paint, solvent Sculpture: 7 × 16 × 9 ½ in. (18 × 40.5 × 24 cm) Pedestal: 40 × 12 × 11 in. (101.5 × 30.5 × 28 cm). Photo: Gregory Carideo[6/52]
-
Computer, 2021
Mixed media, 167 ⅜ × 397.2 in. (425.13 cm × 10.09 m), Photo: Rob Harris[7/52]
-
Computer, 2021
Mixed media, 167 ⅜ × 397.2 in. (425.13 cm × 10.09 m), Photo: Rob Harris[8/52]
-
Computer, 2021
Mixed media, 167 ⅜ × 397.2 in. (425.13 cm × 10.09 m), Photo: Rob Harris[9/52]
-
Computer (detail), 2021
Mixed media, 167 ⅜ × 397.2 in. (425.13 cm × 10.09 m), Photo: Rob Harris[10/52]
-
Installation View
brain damage, 2019[11/52]
-
2, 2019
Elastic band, paint, glue, nails, staples, 43 × 72 × 57 inches[12/52]
-
13, 2019
Elastic band, paint, glue, nails, staples, 7 × 302 × 52 inches[13/52]
-
4, 2019
Elastic band, paint, glue, nails, staples, 4 × 69 × 91 inches[14/52]
-
1, 2019
Elastic band, paint, glue, nails, staples, 8 × 352 × 84 inches[15/52]
-
1, 2019
Elastic band, paint, glue, nails, staples, 8 × 352 × 84 inches[16/52]
-
11, 2019
Elastic band, paint, glue, nails, staples, 37 ½ × 45 × 39 ½ inches[17/52]
-
11, 2019
Elastic band, paint, glue, nails, staples, 37 ½ × 45 × 39 ½ inches[18/52]
-
Untitled, 2019
Wood, ballpoint pen 93 × 11 × 14 in. (236.22 × 27.94 × 35.56 cm). Photo: Gregory Carideo[19/52]
-
Untitled (detail), 2019
Wood, ballpoint pen 93 × 11 × 14 in. (236.22 × 27.94 × 35.56 cm). Photo: Gregory Carideo[20/52]
-
Frieze 2021 Solo Presentation
Courtesy the artist, Bridget Donahue, NYC, and Hannah Hoffman, Los Angeles. Photo by Casey Kelbaugh.[21/52]
-
Frieze 2021 Solo Presentation
Courtesy the artist, Bridget Donahue, NYC, and Hannah Hoffman, Los Angeles. Photo by Casey Kelbaugh.[22/52]
-
Untitled, 2021
Acrylic sheeting, paint, glue 33 × 28 × 12 in. (83.82 × 71.12 × 30.48 cm). Photo: Gregory Carideo[23/52]
-
Untitled, 2021
Acrylic sheeting, paint, glue 36 × 34 × 11 in. (91.44 × 86.36 × 27.94 cm). Photo: Gregory Carideo[24/52]
-
Untitled, 2021
Acrylic sheeting, paint, glue 36 × 34 × 11 in. (91.44 × 86.36 × 27.94 cm). Photo: Gregory Carideo[25/52]
-
Untitled, 2021
Acrylic sheeting, paint, glue 20 × 10 × 10 in. (50.80 × 25.40 × 25.40 cm). Photo: Gregory Carideo[26/52]
-
Untitled, 2020
Wood, latex, foam 17 × 25 × 17 in. (43.18 × 63.50 × 43.18 cm)[27/52]
-
Untitled, 2020
Wood, latex, foam 45 × 19 × 4 in. (114.30 × 48.26 × 10.16 cm). Photo: Pierre Le Hors[28/52]
-
Untitled (detail), 2020
Wood, latex, foam 45 × 19 × 4 in. (114.30 × 48.26 × 10.16 cm). Photo: Pierre Le Hors[29/52]
-
Installation view, Whitney Biennial 2019, Whitney Museum of American Art, New York, 2019
Photo: Ron Amstutz[30/52]
-
Floor, 2019
Styrofoam, watercolor, tape, and acrylic[31/52]
-
Leaf, 2019
Styrofoam, tape, velcro, foamcore, glue, steel, and string[32/52]
-
Leaf, 2019
Styrofoam, tape, velcro, foamcore, glue, steel, and string[33/52]
-
Untitled, 2018 Styrofoam, watercolor
48 × 28 ⅛ × 1 in. (121.92 × 71.44 × 2.54 cm). Photo: Gregory Carideo[34/52]
-
Manifestations of our own wickedness and future idiocy, 2017
Rowlux Paper, steel, photographs 100 × 204 × 80 in. (254.00 × 518.16 × 203.20 cm). Image courtesy Hannah Hoffman[35/52]
-
Olga Balema Install 11_300dpi
[36/52]
-
Installation View, On The Brink Of My Sexy Apocalypse
Hannah Hoffman, Los Angeles, January 25 - March 4, 2017[37/52]
-
Kunsthalle_Basel_Ungestalt_10
[38/52]
-
Our America Spread of Western Civilization, 2016
Map, latex, pigment. 84 x 47 x 5 inches. Photo courtesy The Swiss Institute, NYC[39/52]
-
Our America Spread of Western Civilization, 2016, detail
Map, latex, pigment. 84 x 47 x 5 inches. Photo courtesy The Swiss Institute, NYC[40/52]
-
Klima der Erde Climate of the Earth, 2016
Map, latex, pigment. 58 x 88 x 3.5 inches.[41/52]
-
Installation View, none of the beauty of the landscape can reach her pupils anymore, High Art, Paris, October 19 -February 12, 2017
[42/52]
-
Installation View, none of the beauty of the landscape can reach her pupils anymore, High Art, Paris, October 19 -February 12, 2017
[43/52]
-
Untitled, 2017
24.75 x 27.125 inches[44/52]
-
Installation View
none of the beauty of the landscape can reach her pupils anymore, 2017[45/52]
-
Interior biomorphic attachment, 2014/2020
Steel, foam, latex, overall dimensions: 100 × 140 × 49 in. (254.00 × 355.60 × 124.46 cm)[46/52]
-
Untitled, 2021
Wood, latex, foam, paint 51 × 22 × 6 in. (129.54 × 55.88 × 15.24 cm). Photo: Gregory Carideo[47/52]
-
Untitled, 2014
Foam, latex, steel, pigment 31 ½ × 80 ¾ × 9 ⅞ in. (80.01 × 205.11 × 25.08 cm)[48/52]
-
Interior biomorphic attachment (feeling natural)
Steel, foam, latex, pigment. Photo: Dario Lasagni[49/52]
-
Interior biomorphic attachment (looking at a tree), 2014
Steel, foam, latex, 76.75 x 23.625 x 15.75 inches[50/52]
-
Untitled, 2014
Foam, latex, steel, pigment 180 x 40 x 270 cm (70 7/8 x 15 3/4 x 106 1/4 in)[51/52]